Esther Niemeier

In 2013 Addai joins a salafistic group in Syria. The encounter of Addai's mother with Ilias, a homecomer from Syria, gives rise to invidual fragments, by means of which the story of the son and comrade can be traced.

Sex as dance and comedy: in Progressive Touch Portnoy studies and expands the relationship between sex, choreography and composing music. He introduces complex compositions from progressive rock and math metal during sex, thereby combating the ostensible simplification of rhythm in human movements and gestures. A group of actors perform the new moves in three slapstick-like scenes. Worth trying at home.

What's left for an actor who thinks he has done it all? Simon is convinced that he has played every possible character and no roles can challenge him anymore. He's grown bored of acting, but there is one thing that still gets him: The question of how to perfection the role of a dead person. Since no one has ever truly experienced that state and came back to tell the tale, it poses a difficult task. Simon's quest is to accomplish just that.

He was 21 years old. And then he left to join the insurgency.

In 2013 Addai joins a salafistic group in Syria. The encounter of Addai's mother with Ilias, a homecomer from Syria, gives rise to invidual fragments, by means of which the story of the son and comrade can be traced.

In 2013 Addai joins a salafistic group in Syria. The encounter of Addai's mother with Ilias, a homecomer from Syria, gives rise to invidual fragments, by means of which the story of the son and comrade can be traced.

Sex as dance and comedy: in Progressive Touch Portnoy studies and expands the relationship between sex, choreography and composing music. He introduces complex compositions from progressive rock and math metal during sex, thereby combating the ostensible simplification of rhythm in human movements and gestures. A group of actors perform the new moves in three slapstick-like scenes. Worth trying at home.

What's left for an actor who thinks he has done it all? Simon is convinced that he has played every possible character and no roles can challenge him anymore. He's grown bored of acting, but there is one thing that still gets him: The question of how to perfection the role of a dead person. Since no one has ever truly experienced that state and came back to tell the tale, it poses a difficult task. Simon's quest is to accomplish just that.

He was 21 years old. And then he left to join the insurgency.