Daniella Rabbani

Debbie Ocean, a criminal mastermind, gathers a crew of female thieves to pull off the heist of the century at New York's annual Met Gala.

A nonconforming granddaughter (with shaved temples and piercing) comes to a retirement house to film a documentary about her boisterous grandmother who survived the Holocaust and Auschwitz. They are divided by more than half a century, they are united by their uncompromising attitude, but they are able to find a common language. This chamber conversational drama about dialogue across two generations states that as long as you argue, as long as you disagree, as long as you can raise your voice - you are alive. The granddaughter is played by the film’s director Daniella Rabbani (who also appeared in minor parts in The Americans and Ocean's 8), and to her, Oma is an adaptation of a personal experience. “When I was a child, my grandparents didn’t tell me about how they survived the Holocaust. My grandfather made attempts to open up, but I would always change the subject. I had no idea about the cleansing effect that such conversations could have”

So wrapped up in creating the perfect holiday memory at their Feast of the Seven Fishes, an Italian American family completely miss the fact that one of their own does not intend to stick around for the dinner...or at all.

Shirin is struggling to become an ideal Persian daughter, politically correct bisexual and hip young Brooklynite but fails miserably in her attempt at all identities.

Unspooled through a series of vignettes, this slice-of-life tale follows a group of young college graduates who are forced -- because of a bleak economic environment -- to shack up with their parents and settle for low-paying jobs.

A nonconforming granddaughter (with shaved temples and piercing) comes to a retirement house to film a documentary about her boisterous grandmother who survived the Holocaust and Auschwitz. They are divided by more than half a century, they are united by their uncompromising attitude, but they are able to find a common language. This chamber conversational drama about dialogue across two generations states that as long as you argue, as long as you disagree, as long as you can raise your voice - you are alive. The granddaughter is played by the film’s director Daniella Rabbani (who also appeared in minor parts in The Americans and Ocean's 8), and to her, Oma is an adaptation of a personal experience. “When I was a child, my grandparents didn’t tell me about how they survived the Holocaust. My grandfather made attempts to open up, but I would always change the subject. I had no idea about the cleansing effect that such conversations could have”