Daniella Rabbani

Set during the Cold War period in the 1980s, The Americans is the story of Elizabeth and Philip Jennings, two Soviet KGB officers posing as an American married couple in the suburbs of Washington D.C. and their neighbor, Stan Beeman, an FBI Counterintelligence agent.

FBI agent Alice Black is on the hunt for a mysterious and calculating female serial killer. Both walk their own paths toward justice, and as their lives start to intertwine, the line between right and wrong begins to blur.

A self-proclaimed "pesky atheist" is encouraged to help strangers by someone claiming to be God who friends him on Facebook.

Debbie Ocean, a criminal mastermind, gathers a crew of female thieves to pull off the heist of the century at New York's annual Met Gala.

A chronicle of the many years of love and turmoil that bind a contemporary American couple, tracking their relationship as it progresses through a number of successive stages: matrimony, parenthood, infidelity, divorce and subsequent partnerships.

A baseball fan accidentally alters the trajectory of a game-winning catch.

Set during the Cold War period in the 1980s, The Americans is the story of Elizabeth and Philip Jennings, two Soviet KGB officers posing as an American married couple in the suburbs of Washington D.C. and their neighbor, Stan Beeman, an FBI Counterintelligence agent.

FBI agent Alice Black is on the hunt for a mysterious and calculating female serial killer. Both walk their own paths toward justice, and as their lives start to intertwine, the line between right and wrong begins to blur.

A self-proclaimed "pesky atheist" is encouraged to help strangers by someone claiming to be God who friends him on Facebook.

A chronicle of the many years of love and turmoil that bind a contemporary American couple, tracking their relationship as it progresses through a number of successive stages: matrimony, parenthood, infidelity, divorce and subsequent partnerships.

A nonconforming granddaughter (with shaved temples and piercing) comes to a retirement house to film a documentary about her boisterous grandmother who survived the Holocaust and Auschwitz. They are divided by more than half a century, they are united by their uncompromising attitude, but they are able to find a common language. This chamber conversational drama about dialogue across two generations states that as long as you argue, as long as you disagree, as long as you can raise your voice - you are alive. The granddaughter is played by the film’s director Daniella Rabbani (who also appeared in minor parts in The Americans and Ocean's 8), and to her, Oma is an adaptation of a personal experience. “When I was a child, my grandparents didn’t tell me about how they survived the Holocaust. My grandfather made attempts to open up, but I would always change the subject. I had no idea about the cleansing effect that such conversations could have”