Sanda Toma

A French real estate developer prepares an old Romanian thermal resort for renovation. A Roman fresco in a crypt delays the project, so he tries to burn it down. But he locks himself in a courtyard by mistake. He stays trapped for days, the neighborhood being deserted. He tries communicating with the few remaining residents and changes from a civilized being to a beast, until finding new perspectives. Will he leave the courtyard, or not?

When his credit card has just been swallowed by distributor Bruno Lussac, State Inspector Débé crosses the limits of home ethics when he learns that he has just been banned from banking. Disguised as a Southerner for a costume party where he was supposed to arrest drug dealers, he lures his colleagues into robbing a bank; he causes a bloodbath but comes out victorious of this heist. For his accomplices, the informant, and pretty peacekeeper Cécile Barko, known as Cyborg, this is the start of a crazy run.

Corrupt ex-communist politicians in 90s Romania rule the country, with younger politicians vying to take their place.

In 1941, the inhabitants of a small Jewish village in Central Europe organize a fake deportation train so that they can escape the Nazis and flee to Palestine.

A few unrelated groups of people leave for vacation from Bucharest for the mountains. They meet by chance in Poiana Brașov.

After their marriage, a young couple are astonished to find their privacy invaded by strangers through an absurd order from the Housing Authority. The state institution orders the newlyweds to cede a room in their apartment to an unknown person. And the only solution to use their home as they please is... divorce. But in court battles, divorce takes on dimensions no one expected...

Andrei Blaier's film catches the last days of The Stone Cross a low class brothels area that became some kind of an institution in the landscape of Bucharest before the Communist period, doomed to destruction under the new rules of proletarian morals that the Communists were trying to impose. The idea could be the start of a great film, with the prostitution being seen not so much from its destructive and exploitation perspective, but rather as a form of freedom in a time when the whole society was falling under the rule of propaganda, hypocrisy, and repression. In a world due to fall under tyranny for the coming decades prostitution becomes a metaphor of the old more free way of life.

Problems ensue once a girl finds about her biological father which tries to be a part of her life.

After 1950, when the comunist regime is fully entrenched, some Bourgeois descendants have to make a living being movie extras. Continuation of "On the Left Bank of the Blue Danube"

A lunatic conductor-director brings to light a kaleidoscope of characters from a kind of insect. Comedy in "zig-zag" from smile to laugh, inspired by a book by humorist Valentin Silvestru.

Threatening letters, phone calls in the middle of the night... Who is threatening engineer Stamatiad?

Young engineer Doru is called to the Prosecutor's Office and questioned on his wife's unlawful ways of making money. Soon he'll learn about her true character and he'll regret having broken up with Livia, a woman who truly loved him.

A police officer is investigating the disappearance of a colleague's young boy. His key seems to be the "dark skinned" friend of the boy about whom nobody cares, including the police.

Darclee is a lead singer for an opera company in Romania with a heavy load of responsibility. It seems the company is in dire need of a decent physical structure for their performances and a brace -- or more -- of good singers to improve their image and sales. In other words, they need just about everything except an excellent lead singer; Darclee fills that bill. And so the company rather unfairly leans on her to get the people and the funds they so desperately want.

Movie adaptation after Carlo Goldoni`s "I rusteghi" comedy, written in 1760.

In the imaginary country of "Allergica", a group of gangsters have made a fat hit by pinning the blame on the Kid, who awaits execution in the terrible "Bing-Bing" prison. At the last moment the electric chair is unplugged because the lawyer has persuaded the doomed man to dictate his gangster memoirs for the use of the Books & Books publishing house. Its director offers him a "bonus to life" only if he plays along. But the Kid prefers to write about truth, people and love.