Julie Dash

Directing

Julie Dash

Born

1952-10-22 (73)

Place of birth

Long Island City, New York, USA

Known for

Directing

Credits

34 titles

Julie Ethel Dash (born October 22, 1952) is an American film director, writer and producer. Dash received her MFA in 1985 at the UCLA Film School and is one of the graduates and filmmakers known as the L.A. Rebellion. The L.A. Rebellion refers to the first African and African-American students who studied film at UCLA. After she had written and directed several shorts, her 1991 feature Daughters of the Dust became the first full-length film directed by an African-American woman to obtain general theatrical release in the United States. Daughters of the Dust was named one of the most significant films of the last 30 years, by IndieWire. Dash has worked in television since the late 1990s. Her…

Known for

Film credits

Series credits

Behind the camera

Wanda Sykes: Legacy poster
6.6

Wanda Sykes returns to her alma mater with a fearlessly funny takedown of everything from the state of the world to the cultural clash over washcloths.

Wanda Sykes: Legacy

2026

Subway Stories poster
5.6

An anthology of 10 stories depicting real-life incidents of subway riders in New York City, which range from compassion and love to violence and loss.

Subway Stories

1997

Subway Stories poster
5.6

An anthology of 10 stories depicting real-life incidents of subway riders in New York City, which range from compassion and love to violence and loss.

Subway Stories

1997

The Rosa Parks Story poster
7.0

A seamstress recalls events leading to her act of peaceful defiance that prompted the 1955 bus boycott in Montgomery, Alabama.

The Rosa Parks Story

2002

Daughters of the Dust poster
6.3

In 1902, a Gullah family on the Sea Islands off South Carolina decide whether to migrate to the mainland, risking their unique cultural heritage.

Daughters of the Dust

1991

Daughters of the Dust poster
6.3

In 1902, a Gullah family on the Sea Islands off South Carolina decide whether to migrate to the mainland, risking their unique cultural heritage.

Daughters of the Dust

1991

Daughters of the Dust poster
6.3

In 1902, a Gullah family on the Sea Islands off South Carolina decide whether to migrate to the mainland, risking their unique cultural heritage.

Daughters of the Dust

1991

Incognito poster
7.0

A young socialite hires a bodyguard to protect her when an ex-convict begins stalking her.

Incognito

1999

Love Song poster
7.6

A privileged, black college student with a fiance falls in love with a white musician she meets on her 21st birthday.

Love Song

2000

Praise House poster
3.7

“Draw or Die” is the divine imperative received by the painter, Hannah, who is being nurtured by her Grandmother, but controlled by her pragmatic mother. When her Granny spirit shouts this command to Hannah, she closes a celebration of personal visions in a dance piece that is close to visionary in itself.

Praise House

1991

Praise House poster
3.7

“Draw or Die” is the divine imperative received by the painter, Hannah, who is being nurtured by her Grandmother, but controlled by her pragmatic mother. When her Granny spirit shouts this command to Hannah, she closes a celebration of personal visions in a dance piece that is close to visionary in itself.

Praise House

1991

Funny Valentines poster
7.7

A woman returns to her home town to sort out her troubled marriage and finds new happiness in the rekindling of a broken friendship with her cousin.

Funny Valentines

1999

Illusions poster
6.1

A woman in a Hollywood dubbing studio struggles with race and preconceptions. The short film depicts the life of an African American woman passing as a white woman working in the film industry during the 1940s. It calls attention to the lack of African Americans in the film industry during that era.

Illusions

1982

Illusions poster
6.1

A woman in a Hollywood dubbing studio struggles with race and preconceptions. The short film depicts the life of an African American woman passing as a white woman working in the film industry during the 1940s. It calls attention to the lack of African Americans in the film industry during that era.

Illusions

1982

Illusions poster
6.1

A woman in a Hollywood dubbing studio struggles with race and preconceptions. The short film depicts the life of an African American woman passing as a white woman working in the film industry during the 1940s. It calls attention to the lack of African Americans in the film industry during that era.

Illusions

1982

HomeGoing poster
NR

HomeGoing is a collaborative musical tribute by filmmaker Julie Dash and operatic bass-baritone Davóne Tines, created in remembrance of the Emanuel Nine. Through voice, image and ritual, the film honors the lives taken during Bible study at Mother Emanuel AME Church in Charleston, South Carolina, in 2015. Tines’ performance becomes an offering of grief and resilience, while Dash’s restrained visual language creates a space for reflection, remembrance and dignity.

HomeGoing

2025

Diary of an African Nun poster
6.5

An Ugandan nun is consumed by fear and doubt about her decision to take the solemn vows of poverty, chastity and obedience. Her anguish intensifies night after night as she lies on a hard bed in her small room at the convent and listens to the rhythmic, beckoning drums of her village.

Diary of an African Nun

1977

Diary of an African Nun poster
6.5

An Ugandan nun is consumed by fear and doubt about her decision to take the solemn vows of poverty, chastity and obedience. Her anguish intensifies night after night as she lies on a hard bed in her small room at the convent and listens to the rhythmic, beckoning drums of her village.

Diary of an African Nun

1977

Standing at the Scratch Line poster
NR

Recounts the impact of migrants on the African Methodist Episcopal church. Philadelphia’s Mother Bethel AME, the nation’s oldest African-American church, served as a local community partner, as well as Mother Emmanuel Church in Charleston, SC, the site of the 2015 mass shooting.

Standing at the Scratch Line

2016

Standing at the Scratch Line poster
NR

Recounts the impact of migrants on the African Methodist Episcopal church. Philadelphia’s Mother Bethel AME, the nation’s oldest African-American church, served as a local community partner, as well as Mother Emmanuel Church in Charleston, SC, the site of the 2015 mass shooting.

Standing at the Scratch Line

2016

Standing at the Scratch Line poster
NR

Recounts the impact of migrants on the African Methodist Episcopal church. Philadelphia’s Mother Bethel AME, the nation’s oldest African-American church, served as a local community partner, as well as Mother Emmanuel Church in Charleston, SC, the site of the 2015 mass shooting.

Standing at the Scratch Line

2016

Four Women poster
6.2

An imaginatively choreographed dance interpretation of the ballad by Nina Simone explores four common stereotypes of Black women.

Four Women

1975

No artwork available
NR

A feature length documentary about Vertamae Smart Grosvenor, a world-renowned author, performer, and chef from rural South Carolina who has led a remarkably unique and complex life.

Travel Notes of a Geechee Girl

2017

No artwork available
NR

No synopsis available yet.

Breaths - Sweet Honey in the Rock

1988

No artwork available
NR

No synopsis available yet.

Breaths - Sweet Honey in the Rock

1988

Relatives poster
NR

Ishmael Huston-Jones physically carries his mother, Pauline Jones, into the improvisational dance space. While she dyes eggs and speaks about family history, he improvises a rhythmic dance-counterpoint to her speech.

Relatives

1989

Seeking: Mapping Our Gullah Geechee Story poster
NR

A non-linear coming-of-age story about Gullah Geechee children who set off into the dark of night to prove their spiritual maturity by embarking upon solo journeys in the sea island woods for self-reflection and discovery.

Seeking: Mapping Our Gullah Geechee Story

2023