Boris Khlebnikov

A talk show

On New Year's Eve, Pavel mistakenly takes someone else's coat, in which he finds expensive jewelry. At home, he realizes that his daughter's letter to Santa Claus remains in the pocket of his lost coat. The father of the family, together with his wife, is trying to find out what exactly the girl wished for. But six-year-old Varya is afraid to talk about her dream, otherwise it won't come true. In order to preserve the child's faith in miracles, parents will have to find a letter that was lost in the vast city of Moscow, and at the same time return the found gift.

Oleg is a young gifted paramedic. His wife Katya works as a nurse at the hospital emergency department. She loves Oleg, but is fed up with him caring more about patients than her. She tells him she wants a divorce. The new head of Oleg’s EMA department is a cold-hearted manager who’s got new strict rules to implement. Oleg couldn’t care less about the rules – he’s got lives to save; his attitude gets him in trouble with the new boss. The crisis at work coincides with the personal life crisis. Caught up between their patients, alcohol-fueled off-shifts, and an evolving health care system, Oleg and Katya have to find the binding force that will keep them together.

The naive school teacher Lena suddenly loses both her job and her husband. "The problem is definitely in me," she decides, and on the advice of a friend, she signs up to reshape herself for the "Become a Goddess" training. The result is obvious: a new image and a loving admirer Andrey. It's just not clear whether Lena managed to find herself, and whether something very important was lost in the process.

In late nineteenth-century Yakutia, Habji and his wife Keremes have just buried their second child, and are preparing for a harsh winter of famine. Instead of giving them the help he promised, the local prince foists a Russian convict, Kostya, on the family, who the law decrees must live in the same house as them. They initially struggle to find a common language, and the convict soon decides that he will be the master of the house from now on.

Five short love stories, which become a statement of the directors about love. A shoemaker, a reporter, a pavement hooker-in, a psychiatric patient and a young man released from prison are the main characters of the film, heroes in a time of no heroes. All of them have the important qualities of being openhearted and not afraid of loving.

A talk show

On New Year's Eve, Pavel mistakenly takes someone else's coat, in which he finds expensive jewelry. At home, he realizes that his daughter's letter to Santa Claus remains in the pocket of his lost coat. The father of the family, together with his wife, is trying to find out what exactly the girl wished for. But six-year-old Varya is afraid to talk about her dream, otherwise it won't come true. In order to preserve the child's faith in miracles, parents will have to find a letter that was lost in the vast city of Moscow, and at the same time return the found gift.

Oleg is a young gifted paramedic. His wife Katya works as a nurse at the hospital emergency department. She loves Oleg, but is fed up with him caring more about patients than her. She tells him she wants a divorce. The new head of Oleg’s EMA department is a cold-hearted manager who’s got new strict rules to implement. Oleg couldn’t care less about the rules – he’s got lives to save; his attitude gets him in trouble with the new boss. The crisis at work coincides with the personal life crisis. Caught up between their patients, alcohol-fueled off-shifts, and an evolving health care system, Oleg and Katya have to find the binding force that will keep them together.

Oleg is a young gifted paramedic. His wife Katya works as a nurse at the hospital emergency department. She loves Oleg, but is fed up with him caring more about patients than her. She tells him she wants a divorce. The new head of Oleg’s EMA department is a cold-hearted manager who’s got new strict rules to implement. Oleg couldn’t care less about the rules – he’s got lives to save; his attitude gets him in trouble with the new boss. The crisis at work coincides with the personal life crisis. Caught up between their patients, alcohol-fueled off-shifts, and an evolving health care system, Oleg and Katya have to find the binding force that will keep them together.

The naive school teacher Lena suddenly loses both her job and her husband. "The problem is definitely in me," she decides, and on the advice of a friend, she signs up to reshape herself for the "Become a Goddess" training. The result is obvious: a new image and a loving admirer Andrey. It's just not clear whether Lena managed to find herself, and whether something very important was lost in the process.

In late nineteenth-century Yakutia, Habji and his wife Keremes have just buried their second child, and are preparing for a harsh winter of famine. Instead of giving them the help he promised, the local prince foists a Russian convict, Kostya, on the family, who the law decrees must live in the same house as them. They initially struggle to find a common language, and the convict soon decides that he will be the master of the house from now on.

Five short love stories, which become a statement of the directors about love. A shoemaker, a reporter, a pavement hooker-in, a psychiatric patient and a young man released from prison are the main characters of the film, heroes in a time of no heroes. All of them have the important qualities of being openhearted and not afraid of loving.

Five short love stories, which become a statement of the directors about love. A shoemaker, a reporter, a pavement hooker-in, a psychiatric patient and a young man released from prison are the main characters of the film, heroes in a time of no heroes. All of them have the important qualities of being openhearted and not afraid of loving.

A widowed aeronautics engineer, who has lost his job, travels with his son hopping freight trains from Moscow to Koktebel, a town by the Black Sea, to start a new life with the father's sister.

A widowed aeronautics engineer, who has lost his job, travels with his son hopping freight trains from Moscow to Koktebel, a town by the Black Sea, to start a new life with the father's sister.

Egor is a vet at a training facility for hunting dogs in a remote region of the country. Surrounded by foxes, deer, badgers, and dogs, he lives in a small building next to the house of the facility's master. He treats the dogs, cleans the kennels, oversees the workers, and meets with clients and their dogs. It's easier for him to get along with dogs than with people. Egor is willing to take on any job to get closer to the facility's master and his near and dear. He wants the impossible - to become a member of that family.

Givi lives in Moscow, and Levan in Tbilisi. The friends had not seen each other for thirty years and found each other on a social network. It would seem that they have nothing in common. Givi is a film director and has family problems. Levan is lonely and lives like a homeless person. Givi is going through changes in his life, while Levan has not changed anything for a long time. But they have something in common – childhood memories. Thanks to communication on a social network, they begin to help each other. Levan opens up to Givi from a new, unexpected side, and Givi gets the opportunity to return to his childhood, to his hometown.

A pandemic has ravaged the world outside. Julia and Volodya are a couple that suffers from Coronaphobia by taking the safety measurements far too seriously. After anticipating all the possible scenarios and doing breathing exercises, the couple reluctantly goes out to the street, a place, in Volodya’s own words, “full of COVID bastards”. Armored and hysterically, the couple arrives at an ordinary supermarket. Almost turning against each other, their suspicion is translated into episodes of excessive outrages against the local shoppers who, according to the couple, are painfully and inconsiderably carefree. Their mission seems to be a success until they encounter an unmasked shopper. From then on, things go downhill for the main characters.

A pandemic has ravaged the world outside. Julia and Volodya are a couple that suffers from Coronaphobia by taking the safety measurements far too seriously. After anticipating all the possible scenarios and doing breathing exercises, the couple reluctantly goes out to the street, a place, in Volodya’s own words, “full of COVID bastards”. Armored and hysterically, the couple arrives at an ordinary supermarket. Almost turning against each other, their suspicion is translated into episodes of excessive outrages against the local shoppers who, according to the couple, are painfully and inconsiderably carefree. Their mission seems to be a success until they encounter an unmasked shopper. From then on, things go downhill for the main characters.

A young man named Kesha returns to his village after a long absence. He has completed a prison term but now simply wants to live a quiet, normal life. His younger brother, only 17, has plans for college. However, the brothers’ perspectives on the future shift dramatically when Kesha joins a gold-mining crew.

When two spoiled hipsters embark on the rusty trawler for a summer internship, they get much more than what they bargained for. This shabby boat is the floating home of a dozen weary and irritable sailors, whose only priority is making money and not getting killed in the process. Ice-cold waves, incredibly beautiful but severe seascapes, hard labour and tons of stinking fish is the daily menu. The sea is unpredictable, and the upcoming storm is not the main test that awaits the ship’s crew. Their trip to sea, however, turns out to be more serious and more tragic than either of them could have imagined.

When two spoiled hipsters embark on the rusty trawler for a summer internship, they get much more than what they bargained for. This shabby boat is the floating home of a dozen weary and irritable sailors, whose only priority is making money and not getting killed in the process. Ice-cold waves, incredibly beautiful but severe seascapes, hard labour and tons of stinking fish is the daily menu. The sea is unpredictable, and the upcoming storm is not the main test that awaits the ship’s crew. Their trip to sea, however, turns out to be more serious and more tragic than either of them could have imagined.

Sascha lives in a village on the Kola Peninsular in northern Russia and dedicatedly manages what is left of an old collective farm. He gets on well with his farm workers who respect him and also tolerate his more or less clandestine love-affair with Anya, a secretary at the local government office. But then Sascha is suddenly faced with a dilemma: the district’s self-seeking administrators, none of whom could be termed squeamish, offer him a lucrative deal for the farm. In legal terms, Sascha doesn’t have much of a leg to stand on since his lease on the farm was only agreed with a handshake. The pressure mounts, and even more so when his employees convince him to stand firm. Against the backdrop of a landscape exposed to the elements, this unflinching man’s destiny takes its course.

Sascha lives in a village on the Kola Peninsular in northern Russia and dedicatedly manages what is left of an old collective farm. He gets on well with his farm workers who respect him and also tolerate his more or less clandestine love-affair with Anya, a secretary at the local government office. But then Sascha is suddenly faced with a dilemma: the district’s self-seeking administrators, none of whom could be termed squeamish, offer him a lucrative deal for the farm. In legal terms, Sascha doesn’t have much of a leg to stand on since his lease on the farm was only agreed with a handshake. The pressure mounts, and even more so when his employees convince him to stand firm. Against the backdrop of a landscape exposed to the elements, this unflinching man’s destiny takes its course.

The film details the early years of the legendary Siberian Punk/Rock group 'Гражданская Оборона' (Grazhdanskaya Oborona), and its frontman, Egor Letov.

"Free Floating" is a melodrama with elements of comedy about a young lad from an ordinary provincial town like many in Russia, with just one kindergarten, one school, one factory. As a result, one grows up here never facing the alternative as to what to choose, for everything is preordained. Leonid is an ordinary lad who, like his peers, goes to discos, dances with girls and picks fights with the local riff-raff later. Everything is going well for him, as his life is totally predictable. But one day the factory closes down and he becomes disoriented. For the first time ever, he is to make a choice on his own and think seriously about what he would like to do...

"Free Floating" is a melodrama with elements of comedy about a young lad from an ordinary provincial town like many in Russia, with just one kindergarten, one school, one factory. As a result, one grows up here never facing the alternative as to what to choose, for everything is preordained. Leonid is an ordinary lad who, like his peers, goes to discos, dances with girls and picks fights with the local riff-raff later. Everything is going well for him, as his life is totally predictable. But one day the factory closes down and he becomes disoriented. For the first time ever, he is to make a choice on his own and think seriously about what he would like to do...

Every year, 25,000 people die on Russian roads. You could say a whole city is disappearing from our planet. And about a third of its "residents" were involved in an accident due to speeding. Many drivers do not consider acceleration even at 30 km / h a violation, but statistics show that they are wrong. Five different stories combined in movie almanacs will make every viewer, at least, think about the right choice of speed. Both on the road and in life.

Every year, 25,000 people die on Russian roads. You could say a whole city is disappearing from our planet. And about a third of its "residents" were involved in an accident due to speeding. Many drivers do not consider acceleration even at 30 km / h a violation, but statistics show that they are wrong. Five different stories combined in movie almanacs will make every viewer, at least, think about the right choice of speed. Both on the road and in life.

Since the morning, the entire population of the planet has been concerned about one news: a red comet is approaching the Earth. A year ago, scientists only assumed this collision, a month ago they tried to establish the exact date - and finally, it was just announced by all communication sources: the end cannot be avoided. Moreover, it will happen tomorrow. There is one day left until... People of different classes, nationalities and faiths in different parts of a large country - each in their own way - are trying to spend this last day of their lives.

Christmas night. Married couple. All the guests have left and it’s time to dig into the marriage relationships – do husband and wife still love each other or not? If they have ever loved at all… Are they telling the truth or are they lying? Can they forgive and forget? Should they stay together or get divorced?

Christmas night. Married couple. All the guests have left and it’s time to dig into the marriage relationships – do husband and wife still love each other or not? If they have ever loved at all… Are they telling the truth or are they lying? Can they forgive and forget? Should they stay together or get divorced?

A short film by the famous Russian director, winner of the Kinotavr Boris Khlebnikov, specially shot for the charity auction Action! 2018.

Kind and lazy Jenya comes to Moscow from small village in Belarus for earnings. Criminal incident unexpectedly separates Jenya from companions and leaves him alone without money and documents. He has no friends or relatives in this big and hostile city and he is about to end as a homeless bum.

Kind and lazy Jenya comes to Moscow from small village in Belarus for earnings. Criminal incident unexpectedly separates Jenya from companions and leaves him alone without money and documents. He has no friends or relatives in this big and hostile city and he is about to end as a homeless bum.

Masked figures with machine guns march into the secondary school in Karatas, take the pupils hostage, and execute one of them. They make no demands. Silent terror is their modus operandi. Seeing as the army will take two days to arrive due to a snowstorm, maths teacher Tazshi decides to assemble his own assault team: his ex-wife, the gym teacher, the cowardly school principal, an alcoholic night watchman, the village idiot, and an incompetent chief of police.

A genuine satiric comedy, based on real conversations - both amusing and sad - overheard by a journalist in one of the most expensive Moscow restaurants. Hilarious and revealing, this is a film about women who choose between affection and money, film producers that don't really know what they're filming, and weary businessmen who sometimes say screw it, down a shot and leave their mother-in-laws to pay the bill. But most of all, it's about true love that favors noisy kitchen floor over gilded fine-dining halls.

A genuine satiric comedy, based on real conversations - both amusing and sad - overheard by a journalist in one of the most expensive Moscow restaurants. Hilarious and revealing, this is a film about women who choose between affection and money, film producers that don't really know what they're filming, and weary businessmen who sometimes say screw it, down a shot and leave their mother-in-laws to pay the bill. But most of all, it's about true love that favors noisy kitchen floor over gilded fine-dining halls.

To celebrate his return to freedom on parole, Oleg invites his older brother Viktor to go fishing. The peasants take their young sons for company — and an innocent expedition turns into unpredictable consequences.

Oleg lives in a small Belarusian village with his wife, three children, and his in-laws. He has practiced more than one trade: ensign, tractor driver, technician at a local school... Then he decides to leave for Moscow to earn extra money: the life of many people compels them to do this (it is always better here we are not). Yet, what reason has Oleg? A closer acquaintance with the life that remains behind in Belarus provides an unexpected answer to this question.

Oleg lives in a small Belarusian village with his wife, three children, and his in-laws. He has practiced more than one trade: ensign, tractor driver, technician at a local school... Then he decides to leave for Moscow to earn extra money: the life of many people compels them to do this (it is always better here we are not). Yet, what reason has Oleg? A closer acquaintance with the life that remains behind in Belarus provides an unexpected answer to this question.

Short film.

Mikhail Afanasyevich Bulgakov lived in the era of wars and revolutions. History became a co-author of his works, and the difficult attitude of the authorities had a strong influence on his creative destiny. In Bulgakov's books, there was a place for Russian history, earthly and unearthly love, satire, and the tragedy of a creative personality. About all this – in the author's program of Anatoly Smelyansky.

The story is about a telephone altercation between two pensioners who were close friends in their youth.

The film focuses on women from a family living in southern Russia: two sisters, their mother, and grandmother. Every summer, the younger women visit the elders, returning to their roots and embracing a traditional way of life. This household is deeply matriarchal—men are present but play secondary roles. The film’s space is filled with rituals: fortune-telling, herb gathering, and bathing. Here, the sacred is intertwined with the mundane. The daughters follow the life paths of their mother, who once traced the steps of the older women in the family.

Annual Charitable Christmas Evening “Action!”