Esa-Pekka Salonen

Autumn season at the opera opens with Covid fan tutte, starring leading Finnish soloists The first opera in the autumn repertoire will be Covid fan tutte, featuring for example soprano Karita Mattila and conductors Esa-Pekka Salonen and Hannu Lintu. The new libretto to the score of Mozart’s Così fan tutte will be written by Minna Lindgren. The premiere of Covid fan tutte will take place at the end of August. Directed by Jussi Nikkilä, the opera will be sung by Finland’s most prominent soloists, including Karita Mattila, Miina-Liisa Värelä, Tommi Hakala, Johanna Rusanen, Tuomas Katajala, and Waltteri Torikka. Minna Lindgren will write a topical libretto to the score of Mozart’s Così fan tutte, combining elements of satire and reality shows.

No synopsis available yet.

Benjamin Millepied and the L.A. Dance Project join forces with Esa-Pekka Salonen and the Orchestre de Paris to celebrate Pierre Boulez through dance. A performance to mark the composer's centenary, followed by works by Stravinsky and Bartók.

Under the baton of charismatic Finnish conductor Esa-Pekka Salonen, the Orchestre de Paris performs Olivier Messiaen's most famous work: The ambitious and beguiling Turangalîla-Symphonie.

The documentary dives intimately behind the scenes of the Finnish National Opera and sucks the viewer in like the best of thrillers. The three hours fly by, even for those who aren’t necessarily interested in opera as an art form.

Premiered in 1926, Leoš Janáček’s absorbing masterpiece Veˇc Makropulos reflects all the dominant musical styles of the early 20th century, from Bohemian tunefulness to big Straussian phrases, Berg-like jaggedness and primeval rhythms. With the “breathtakingly grandiose” (Salzburger Nachrichten) Angela Denoke in the lead role, this emotionallypowerful opera was given superior treatment at the hands of the Wiener Philharmoniker under Esa-Pekka Salonen. Recorded live at the Salzburger Festspiele on 8 & 30 August 2011. Angela Denoke stars as Emilia Marty, with Raymond Very as Albert Gregor, Peter Hoare as Vitek, Jurgita Adamonyté as Krista, and Johan Reuter as Jaroslav Prus. Esa-Pekka Salonen conducts the Wiener Philharmoniker.

The great singing actress Nina Stemme gives a heart-wrenching performance in the title role of Strauss’s blazing one-act drama, adapted from the ancient Greek myth. Patrice Chéreau’s acclaimed production—the last staging he worked on before his death in 2013—also stars Waltraud Meier as Klytämnestra, Elektra’s nightmare-haunted mother, Adrianne Pieczonka as Chrysothemis, her sister, and Eric Owens as Orest, their brother, whose return home brings their family story to a terrifying climax. Esa-Pekka Salonen conducts the monumental and highly influential score.

Condensing the life stories – memories of prison in Silesia – related by Dostoyevsky in his work The House of the Dead, Leoš Janáček composed an opera filled with burning desire and longing. Contagious savagery, cruelty and brutality are exacerbated by the confines of the prison. However, within its concrete walls emerge both tenderness and cruelty at the sight of an injured bird; a multitude of stories and highly personal monologues. With this production, first performed at the Wiener Festwochen in 2007, the Paris Opera pays tribute to Patrice Chéreau.

"Orango" - prologue to an unfinished opera by Dmitri Shostakovich (1906-1975), conducted by Esa-Pekka Salonen, performed by the Finnish Radio Symphony Orchestra and the Mariinsky Theatre Academy. In the 1920s, Soviet biologist Ilya Ivanovich Ivanov carried out a series of experiments to create a human/nonhuman ape hybrid. Three female chimpanzees were inseminated with human sperm. No pregnancy occurred.. In 1929 he organized a set of experiments involving nonhuman ape sperm and human volunteers, but was delayed by the death of his last orangutan.

No synopsis available yet.

Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…

Universe of Sound has won the 2013 Royal Philharmonic Society Award for Audiences and Engagement. The award recognizes an outstanding initiative by an organisation or individual to engage new and existing audiences with classical music in the UK in 2012. The RPS commented "The Philharmonia cements its position as a World leader in the use of digital media" and that the project "provided a thrilling interactive experience for all ages"

This is the 2004 version of Kaija Saariaho's opera performed by the Finnish National Opera and conducted by Esa-Pekka Salonen.

Documentary about the state of the conducting world in the 1990s. Broadcast as part of the BBC OMNIBUS strand of documentaries.

Jean-Pierre Gorin filmed the rehearsals and premiere of Saint Francis, Olivier Messiaen's monumental opera directed for the Salzburg Music Festival by the American wunderkind Peter Sellars. The result was a first-person documentary in the form of a letter.

Interviews with Eva Dahlgren, Esa-Pekka Salonen and Anders Hillborg are shown inbetween performances from their concert from Stockholm Central Station in the summer of 1995.