Antonín Holub

The idea of mystery unites the three debut stories - the original Bermuda Triangle with its mysterious phenomena has begun to shift and can be traced anywhere in the world, including Czech and Slovak territory. Here, too, unexplained shifts in space and time occur. This idea is supported by the aforementioned short stories, but the inventiveness of the subject matter and staging is very heavy-handed, and the film passed through the cinemas without much interest.

A family purchases a home robot designed to look like a grandmum. Their neighbours immediately buy a more expensivve model as the two families always try to up the other one. Both grandmums start to "terorize" their families because they were set up to ensure the mums exercise, the kids study etc. Apart from that they start causing problems to the other family ... cut ropes with hanging clothes, pierced tires, etc. Once they get to killing each other family's pets the parents get really worried about the safety of their kids. The grannys later destroy each other while fighting and the families decide that they'll be better off without any robots. (It's some time since I saw this so the details may be off.) Mainly thanks to the design of the robots it's rather a comedy than a horror. Unless you are ten. And a rather good comedy!

Viktor Mezek, a respected mentor to apprentices, invites his orphaned apprentice Laco for Christmas when his relationship with Hana falters. After the holidays, Laco is taunted over rumors of a homosexual relationship with Mezek and beats a fellow apprentice, risking expulsion, then disappears. Mezek searches the town, his son meanwhile visits and Hana shows them old home footage, until Viktor locates Laco hitchhiking and tries to stop him.

The title character of this somewhat bitter comedy is Klára Zárubecká, a saleswoman at a train station buffet, a resolute and energetic woman who, with enviable enthusiasm, attempts to restore her family's reputation and thus ensure a happy future for her younger brother. In her everyday life, when Klára forces her customers to buy kittens, rejects a persistent admirer nicknamed Funebrák, and saves money for a large, albeit somewhat neglected villa, her stepbrother Fanda arrives with his girlfriend Erika, and her stepfather Viktor arrives with his mistress, wanting to borrow money from her, as he has done so many times before.