Atticus Ross

A highly sophisticated Program called Ares is sent from the digital world into the real world on a dangerous mission, marking humankind's first encounter with A.I. beings.

Music is an integral part of most films, adding emotion and nuance while often remaining invisible to audiences. Matt Schrader shines a spotlight on the overlooked craft of film composing, gathering many of the art form’s most influential practitioners, from Hans Zimmer and Danny Elfman to Quincy Jones and Randy Newman, to uncover their creative process. Tracing key developments in the evolution of music in film, and exploring some of cinema’s most iconic soundtracks, 'Score' is an aural valentine for film lovers.

Cold and Black and Infinite, North America 2018

Divided into several segments: A detailed examination of the editing process, centered around Fincher screening scenes from the film; in the recording studio for post-production dialogue recording; comparing the final title sequence to its earliest stages of development in a three-way composite. - viewers may also watch any off the three variations in a full-screen mode and a supplement that showcases various scenes in different stages of completion.

The first part of the amazing last show, recorded by fans for fans! On September 10, 2009, Nine Inch Nails played their last show in Los Angeles at The Wiltern. A setlist of 38 tracks with guests Mike Garson, Gary Numan, Atticus Ross, Dave Navarro, and The Dillinger Escape Plan.

I Can't Seem To Wake Up 2017 Festival Tour -- Live from Panorama NYC.

Live From Rehearsals June 2008: "1,000,000" (Live) "Letting You" (Live) "Discipline" (Live) "Echoplex" (Live) "Head Down" (Live)

A group of Nine Inch Nails fans who call themselves 'a tiny little dot' have spent the last three years sifting through fan-shot footage from the final show of Nine Inch Nails' "Wave Goodbye Tour" at Los Angeles' Wiltern on September 10th, 2009 to form an over-3 hour, 37-song concert film. The film is culled from over 75 hours of footage taken from 27 unique fan shot HD footage sources. Over 3,500 collective hours were spent on per-production treatment: a team of nine editors and seven peer reviewers then spent over 680 hours editing each song, and audio from five sources was dubbed in over the course of 65 hours in a professional studio to create the final stereo and 5.1 audio masters.