Hiroshi Aoyama

No synopsis available yet.

A gripping historical drama that follows the explosive growth of Katsu Kaishu, the hero of the Meiji era, and the interesting human image of his father, Kokichi, who lived for the common people, his neighbors and his children. A film about paternal and maternal love and conjugal love in the creation of mankind, about the healing power of which laughter and tears have. The film that became the last work of the giant star Tsumasaburo Bando.

A resolute young man searching for his mother, whom he was separated from as a child, defies a family who mistreat the poor and homeless.

This is a paradise of dream and illusion, a country of Raccoon Dogs. The Bat Tribe lives in a neighboring country took a young prince of Raccoon Dogs as a hostage, and try to take a Buddhist saint from the temple by force.

In the Meiji period, a schoolteacher tries to hide his lower-class upbringing as he supports a visiting liberal intellectual.

The tale of a feudal swordsman who cynically takes no responsibility for anything, relegating it to others, and then taking the credit.

In early post-war Osaka, three women—war widow Fusako, her Korean expat sister Natsuko, and Kumiko, Fusako's sister-in-law—descend into prostitution, all for their individual reasons.

Years of warfare end in a Japan unified under the Tokugawa shogunate, and samurai spy Sasuke Sarutobi, tired of conflict, longs for peace. When a high-ranking spy named Tatewaki Koriyama defects from the shogun to a rival clan, however, the world of swordsmen is thrown into turmoil. After Sasuke is unwittingly drawn into the conflict, he tracks Tatewaki, while a mysterious, white-hooded figure seems to hunt them both. By tale’s end, no one is who they seemed to be, and the truth is far more personal than anyone suspected. Director Masahiro Shinoda’s Samurai Spy, filled with clan intrigue, ninja spies, and multiple double crosses, marks a bold stylistic departure from swordplay film convention.

The story of the role played by Japanese-American soldiers from Hawaii in the Korean War of the 1950s.

This anthology film consists of nine incidents in the late 19th and early 20th centuries when assassins changed the course of Japanese history.

Chiba Sōsaku, whose childhood name was Otome, was raised by his father Yukiuemon, the successor of the Hokushin Ittō-ryū style, and his wet nurse in Rikuzen Onikobe, where he early on earned the nickname "Little Tengu of Chiba." One day, Otome heard a rumor that Arao Miyauchi, who once was an internal student at the Chiba family but now ran his own dojo in Onikobe, was spreading false rumors out of resentment for not inheriting the Chiba house—a situation that led to his mother's suicide and his father's abandonment of the sword to become a doctor. Enraged, Otome stormed into the Arao dojo only to be captured and publicly humiliated at Onikobe Pass. However, in his heart, Miyauchi hoped to marry his daughter Nanae to Otome and have him inherit the Chiba family.

When the future of his construction company falls into danger, a controlling father pushes his children into unsatisfying marriages and careers in order to regain financial stability.

A young woman begins murdering all those responsible for her ailing father's condition. Because the girl is so outwardly sweet and innocent, the detective looking into the deaths does not suspect her.

A group of military personnel transporting a hydrogen bomb are left to figure out how and why swarms of killer bugs took down their plane; the answer is more deliriously nihilistic, and convoluted, than they could imagine.

Japanese life during the past thirty-five turbulent years is depicted in this film through the eyes of two police detectives. One is Henmi, who comes to Tokyo in 1926 from faraway Kagoshima to join the Tokyo police force. His closest friend is Nihei, a farmer's son from Tohoku who becomes the steadying influence on headstrong Henmi.

A country boss gives up his way of life because of his daughter's marriage.

A Tokyo family escaping the war relocates to a Hokkaido village; their daughter is set to marry the local leader's son, but her siblings disapprove.

This period film is inspired by one of the most notorious scandals to have taken place in Edo-period Japan. The heroine, Ejima, was a lady of the Ooku, the harem of Edo Castle in which the Shogun’s mother, wife and concubines resided, forbidden from contact with any other man except in the presence of the Shogun. The institution played a key role in the Byzantine world of Japanese court politics during the Edo era. In 1714, Lady Ejima was sent to pay her respects at a Buddhist temple in the city, and chose to pay an unauthorised visit to the kabuki theatre – a violation of protocol that was to have tragic consequences.

Misawa Ihei (Nagato) is traveling with his wife Tae (Iwashita Shima) who abhors the practice of sword fighting for prize money. Tae is the daughter of the clan's chief counselor who married the low-ranking Ihei to avoid becoming the clan lord's mistress. Into the mix comes Oba Gunjuro (Tetsurō Tamba), a mysterious ronin who will do anything for money. This leads to a fitting climax as the forces of hate and love converge while the couple attempt to break through the border!

1962 Japanese movie

In 1863, when American warships approach Japan, an enigmatic ronin becomes an important figure in a complex game of power between the Shogunate and the empire.

Remake of Akira Kurosawa's films "Sanshiro Sugata and "Sanshiro Sugata Part II". A young man, Sanshiro Sugata, troubled by personal problems, takes up judo. His teacher, Shogoro Yano, is a devout man who has aroused the enmity of the local practitioners of jujitsu, the older and more accepted of the two sports. Sugata uses his newly learned prowess to gain a measure of respect from others; however, Shogoro insists that the sport has a spiritual side, a lesson Sugata has yet to learn. Eventually, in hand-to-hand combat with the father of a young woman he loves, he comes to understand the true meaning of judo.

A period mystery in which an unconventional priest exposes the truth behind the bizarre death of a maid in the shogun's harem. Kinuyo Tanaka stylishly plays a constantly intoxicated geisha in this all-star entertainment film.

The sexual experiences of the passionate Sakiko, from her fling with her boss in her first job to her ending up as a prostitute.