Eduardo Lago

Boy from a poor family loses his only asset: a colorless little horse that his imagination turns into a magical and colorful pretty stallion. To get his pet back, he leaves home and faces all dangers ahead with courage, getting involved in many adventures.

Iolanda, a widow who is the matriarch of a large and complicated family, is the hostess of a large party in a mansion that brings back many memories. The celebration is marked by a barbecue with lots of gossip and fun among old friends.

A religious comedy in 5 segments, illustrating maniqueism on Earth, as shown by movies. God and his son Jesus disagree on how to manage human life on Earth.

Poor people who live in the slums in Rio de Janeiro decide to occupy an empty apartment building in the rich part of the city. Meanwhile, a rich girl falls in love with a poor composer. Based on the musical play "Pobre Menina Rica", by Vinícius de Moraes and Carlos Lyra.

In Rio de Janeiro, the forty and something years old Mercedes (Lília Cabral) goes to the psychoanalyst and tells the story of her life since she was a girl and lost her mother. Along the three years of analysis, her life changes and she divorces from her husband Gustavo (José Mayer) and has love affairs with the younger Theo (Reynaldo Gianecchini)

Eternamente Pagu is a biographical film about Patrícia Galvão, best known as Pagu, a Brazilian political, literary and artistic activist. An important figure of the Brazilian Modernism, Pagu was also a militant for the Brazilian Communist Party after she married writer Oswald de Andrade. She broke up with Andrade and, as a journalist was arrested by the Dictatorship of Getúlio Vargas. After she left prison, she abandoned Communism in favor of Trotskyist Socialism, married Geraldo Ferraz, and started a career as theatre director.

The story of José Abelardo Barbosa, narrated from the time of his youth, when he was at medical school, and dropped everything to become a radio announcer. After that, we follow the transformation of his life and the creation of his alter ego, Chacrinha.

Forty-year-old Cláudio is always looking for a romantic relationship. His routine changes when he has to take care of his 12-year-old daughter: women no longer look at him and the conquest tactics have no effect.