Kristýna Květová

Max and Sally, the heroes of popular Czech animated series are leaving the TV in order to become a regular boy and girl.

One phone call shakes Petra's life from the ground up. Her husband's fatal collapse causes Petra to become a widow from day to day. As she soon finds out, sadness and loneliness are not the only challenges she has to face.

On a cold February morning, 12-year-old Niki and his family arrive at the Kharkiv metro station to take shelter from the terrifying war raging outside. For Niki's family, daylight is synonymous with mortal danger, and the boy is not allowed to leave the station premises, living under the constant glow of their neon lights. While aimlessly wandering around the abandoned cars and full platforms, Niki meets Vika (11), and a new world opens up to him. As their bond strengthens, the children find the courage once again to feel the sun on their faces.

The northernmost city in the world, Longyearbyen, is the most populated settlement in the Norwegian archipelago of Svalbard. A Czech social anthropologist attempts to make a new home for herself here with her family whilst also researching social transformations in the local community. The loss of jobs in the mining industry, as well as the complicated relationship between Norwegian natives, foreign immigrants, and tourists all contribute to the city's change of atmosphere whilst the surrounding snowy mountains melt and avalanches threaten the daily existence of the local population. This portrait of the microcosm of an ice town is a raw glimpse into the contemporary globalized world.

The real fate of Jiří Arvéd Smíchovský, a prominent hermeticist, occultist, believer in black magic and an exceptionally well-educated person with a brilliant memory. This avid book lover had doctorates in law, theology and philosophy and was fluent in five languages. He was interested in occult teachings, practiced magical ceremonies, was in contact with the Freemasons, but at the same time he was a member of the National Fascist Community while being homosexual. During the war he cooperated with the Nazis, after the war with the communist StB.

Evžen lives a bohemian life in Prague. An unexpected trip back to his homeland Switzerland confronts him with the smuggled crocodile Karlchen, his father’s sustained delusion and the grotesque charm of the bourgeoisie.

As if directing a science-fiction film, Johana Ožvold dissects the story of electronic music. From the pioneer sound engineers working behind the Iron Curtain, through the French avant-garde composers, up to the post-modern creators of digital sonic artefacts, the first-time filmmaker summons an abstract landscape that is haunting and yet achingly beautiful. A voice appears from old television screens forgotten in the maze of some futuristic archive where past and future seem to coexist in a complex and multi-layered way.