Ava Rocha

The film is a narrative starting from the story of Pierre and Syl, a couple that experiences the conflict between possession and freedom in a troubled relationship. Pierre is insecure and jealous, while Syl can’t even imagine that spending time with her friends will affect her boyfriend’s emotions – and also her own in a tragic way. A musical in tribute to Brazil, the garden of the Atlantic Ocean.

During one night, a woman walks through Rio de Janeiro, and hears the music around: jazz, rock, eletronica...

Reviewing home videos, filmmaker Paula Gaitán constructs a curious narrative about her youth while talking to her children. A filmic note in the form of an essay based on material made in Super 8. "Of which there are no limits, and full of affection and imagination", says the author.

A meeting with music, composer, poet and sociologist Negro Léo. He gives his thoughts on the development of music, Brazilian and international politics, the rise of neo-pentecostal evangelical churches and obsession over social media, in parallel with his own life story.

At 84 years of age, Lúcia Rocha admitted herself to a hospital in São Paulo to undergo heart tests. Upon receiving the news about the risk to her life, Lúcia, laconic, tells the doctor: 'Then open it'. This is the second time she has undergone bypass surgery. From this gesture, the documentary Abry was born (with y, sign of the unconscious, according to the nomenclature invented by his son, Glauber Rocha). To relate her memories, she invites filmmaker Joel Pizzini, who offers his mini camera as an instrument to amplify Lúcia's imagination. Abry is a poetic dive into Lúcia Rocha's fabulous universe, reconstructing her trajectory in Brazilian cinema through sounds, images and characters with whom she lived closely.

A documentary short on Glauber Rocha's mother Lúcia.

A documentary short on Tempo Glauber, a foundation created by filmmaker Orlando Senna and Glauber Rocha's mother Lucia in order to celebrate and preservate her son's legacy.

A documentary following five actresses through Santa Catarina roads as they perform the play of the title.

Freely inspired by the poem Hierarquia (1970), by Pier Paolo Pasolini, which launches his vision of Brazil at that time, the film takes up and confronts the hybrid reality of a convulsed country, its dramatic tensions, based on radical experiences.

The film presents the theatrical show "Os Sertões", staged by the group Teatro Oficina during 2007, in the city of Canudos, founded by Antonio Conselheiro and massacred by the Brazilian army in 1897.