Garrett Bradley

The World's Fakest News Team tackle the biggest stories in news, politics and pop culture.

An annual American awards ceremony honoring cinematic achievements in the film industry. The various category winners are awarded a copy of a statuette, officially the Academy Award of Merit, that is better known by its nickname Oscar.

This investigation into the layers of mass incarceration and its shaping of the modern black American family is seen through the eyes of a single mother in New Orleans, Louisiana.

Fox Rich, indomitable matriarch and modern-day abolitionist, strives to keep her family together while fighting for the release of her incarcerated husband. An intimate, epic, and unconventional love story, filmed over two decades.

A cinematic omnibus rooted in New Orleans, challenging the idea of black cinema as a "wave" or "movement in time," proposing instead a continuous thread of achievement.

In Japan, earthquake preparedness is a way of life — and a full- blown industry.

The World's Fakest News Team tackle the biggest stories in news, politics and pop culture.

An annual American awards ceremony honoring cinematic achievements in the film industry. The various category winners are awarded a copy of a statuette, officially the Academy Award of Merit, that is better known by its nickname Oscar.

This investigation into the layers of mass incarceration and its shaping of the modern black American family is seen through the eyes of a single mother in New Orleans, Louisiana.

Fox Rich, indomitable matriarch and modern-day abolitionist, strives to keep her family together while fighting for the release of her incarcerated husband. An intimate, epic, and unconventional love story, filmed over two decades.

Fox Rich, indomitable matriarch and modern-day abolitionist, strives to keep her family together while fighting for the release of her incarcerated husband. An intimate, epic, and unconventional love story, filmed over two decades.

A cinematic omnibus rooted in New Orleans, challenging the idea of black cinema as a "wave" or "movement in time," proposing instead a continuous thread of achievement.

A cinematic omnibus rooted in New Orleans, challenging the idea of black cinema as a "wave" or "movement in time," proposing instead a continuous thread of achievement.

In Japan, earthquake preparedness is a way of life — and a full- blown industry.

In our current world, where worth is often gauged by online popularity, an economy has developed for paying for followers and likes. Through access inside the “click-farms” of Bangladesh, Like explores the multi-million dollar industry that grows social media followings for celebrities and brands alike.

Safe (2022) is the second in a trilogy of short films that explore the nuanced overlap between women’s interior and exterior lives. Exhibited as a three-channel film, the work utilises both black-and-white and colour, 35mm film and HD video. Bradley’s soundscapes draw from the exterior world (street corners, city sirens, public parks), and include evocative fragments of language which are directly culled from research.

A young musician tries to find her place in New Orleans, city of musical dreams and failures. Bradley expresses the musician's inner life with remarkable editing and a moving soundtrack that reinforces the city's slow pace.

A young musician tries to find her place in New Orleans, city of musical dreams and failures. Bradley expresses the musician's inner life with remarkable editing and a moving soundtrack that reinforces the city's slow pace.

Commissioned by The Museum of Modern Art on the occasion of Just Above Midtown: Changing Spaces (October 9, 2022-February 18, 2023).

Against the backdrop of New York and New Orleans, Elliott, Leanne and Jermaine question their ability to dream amidst a crumbling economic climate. Opening in the streets of downtown Manhattan, Elliott (23), living at home after college, is surrounded by incomplete projects, frustrated and in search of purpose. Simultaneously, in New Orleans, Leanne (26), an aspiring model/actress and single mother of four, struggles to pick up the pieces, presenting at times a clash between family and her ambitious career. Plagued by an unforgiving criminal record, Jermaine (22), a New Orleans native, shifts through his home town for what seems like a hopeless attempt at legal employment. After a series of rejections, he resolves to reinvent himself in hopes of successfully starting anew.

Against the backdrop of New York and New Orleans, Elliott, Leanne and Jermaine question their ability to dream amidst a crumbling economic climate. Opening in the streets of downtown Manhattan, Elliott (23), living at home after college, is surrounded by incomplete projects, frustrated and in search of purpose. Simultaneously, in New Orleans, Leanne (26), an aspiring model/actress and single mother of four, struggles to pick up the pieces, presenting at times a clash between family and her ambitious career. Plagued by an unforgiving criminal record, Jermaine (22), a New Orleans native, shifts through his home town for what seems like a hopeless attempt at legal employment. After a series of rejections, he resolves to reinvent himself in hopes of successfully starting anew.

The first in an evolving trilogy of films, AKA (2019) deals with the indeterminate dynamics between the mothers and daughters of interracial families and was debuted at the Whitney Biennial in 2019.