Eugene Marner

Following the death of their miller father, his eldest son inherits the mill, the middle one a donkey, and the youngest a cat. While initially disappointed, the lad soon learns not only that the cat can talk but is quite resourceful.

To save her father, a girl who always puts others before herself promises to live her life in a lavish castle with a strange beast.

"Two young Negro girls from a poor neighborhood are filmed in the course of living and of explaining themselves. Simple, fascinating, moving. Unfortunately, according to the point of view of Oberhausen, this sort of thing is considered to be not "filmic"; it is however precisely the type of human exploration that only the cinema can do." –Cahiers du Cinema, April 1965

This cinema-verite-style documentary interweaves the pregnancy and childbirth of a young woman with the lingering death of a cancer patient to comment on the celebration and tragedy of existence. The tenderness and intimacy of the young couple, and the mystery of birth are contrasted with the dignity of a man who faces his death without deception.

Following the death of their miller father, his eldest son inherits the mill, the middle one a donkey, and the youngest a cat. While initially disappointed, the lad soon learns not only that the cat can talk but is quite resourceful.

To save her father, a girl who always puts others before herself promises to live her life in a lavish castle with a strange beast.

"Two young Negro girls from a poor neighborhood are filmed in the course of living and of explaining themselves. Simple, fascinating, moving. Unfortunately, according to the point of view of Oberhausen, this sort of thing is considered to be not "filmic"; it is however precisely the type of human exploration that only the cinema can do." –Cahiers du Cinema, April 1965

This cinema-verite-style documentary interweaves the pregnancy and childbirth of a young woman with the lingering death of a cancer patient to comment on the celebration and tragedy of existence. The tenderness and intimacy of the young couple, and the mystery of birth are contrasted with the dignity of a man who faces his death without deception.