Kornelia Boje

It was one of the great crimes of the Second World War: from 1941 to 1944, a total of 872 days, the siege and starvation of Leningrad by the German Wehrmacht on Hitler's orders lasted. Over a million people fell victim to the blockade, most of them dying of hunger. Countless of these starving people wrote diaries with the last of their strength, and cameramen filmed in the paralyzed city. Evidence from the hell of the siege, many of the film recordings, but above all the written memories on which this documentary on the occasion of the 80th anniversary of the liberation is based, remained under lock and key after the war. The voices of those who had suffered through this terrible time should not be heard by anyone, because they did not fit the pathos of the Leningrad heroic song that was officially sung. Most of the recordings come from women. The writers feared neither the enemy nor the Communist Party or Stalin, who often proved incompetent in providing for the population.

Donizetti's opera as film.

When British philosopher Harold Hilliard took off for Warsaw to lecture on the Dysteleological Surd, he had no idea that he would soon become embroiled in international espionage. During the trip he tried to open a suitcase he mistook for his own. When a fellow passenger, a Pole with stainless steel teeth, took umbrage, Hilliard put it down to bad manners, but when the same man saw him pick up the wrong coat in the plane, Hilliard realized that he was suspected of spying. The party at the airport to welcome Hilliard only convinced the Polish agent that the British Secret Service was now picking its men with extraordinary cleverness. Hilliard, whose works were little known in England, was warmed by unaccustomed praise but chilled by the apparent certainty of the counter espionage people that he was a British agent whose code name was Whale.

The owner of a hotel at the river of a lake lives deeply embittered since his girlfriend disappeared in mysterious circumstances more than 20 years ago. But when one day he sees on television a young woman with a remarkable resemblance to her, he decides to hire her. Her presence increases his sick obsession to recover his lost love.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

In the small town of Rechnitz a terrible crime against humanity was performed during the holocaust. Until now, no-one dares to talk about it.

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No synopsis available yet.

The tension between a working-class family on the rise and their middle-class neighbors is reflected in the relationship between two boys, who take on their fathers' hostility. The situation escalates. When the neighborhood is declared a rabies zone, the worker grabs his rifle for no good reason, injures his neighbor's son, and kills his poodle.

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Nele Ungureit is blindsided: suddenly, after 35 years of marriage, her husband Fred leaves her for his secretary. Nele's ideas of happiness together in old age are suddenly shattered. Even her two grown-up children Susan and Hannes are no support for her in this difficult situation. Nele has great difficulty adjusting to her new single life - until the surprising inheritance of a spacious city villa gives her an idea: together with some senior citizens she has met in the meantime, Nele sets up a shared flat and life together. The only problem is that her son Hannes has his own plans for the villa.

Micha has disappeared! The talented 17-year-old son of unemployed construction manager Klaus Aßmann and his wife Anne refused to go to school. Despite his many talents, he saw no point in getting his high school diploma. After a bitter argument with his father, Micha has now vanished without a trace. Klaus and Anne Aßmann turn to the police.

A former Soviet officer returns to Germany forty years after WWII...

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No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Shortly before her wedding, Ella learns that she has leukemia. A bone marrow transplant from a blood relative is the only way to save her life. But her mother confesses to her that she was adopted as a baby. Ella sets off in search of her biological mother and begs her: “Mother, I don't want to die!

Life on the border to the GDR is as dreary as the "Werra-Post". To increase circulation, Willi Busch, reporter and heir to the local paper, takes action: sometimes he demolishes telephone boxes, sometimes he fantasizes a child into a prophetess who talks to sheep. Only when he fakes a dead man's past as an informer does Willi's paper corpses suddenly become real...

Samuel Beckett directs for German television.