Georg Nonnenmacher

A mockumentary about the most improbable of things: a German player who became a legend of Brazilian football.

Hand luggage is stuffed into a bag; one last cigarette before the guard knocks on the door. A prisoner is about to go on a journey. René is to be transported in a prison bus to another town for a court hearing. "Raumfahrer" describes the curious procedure of the transfer of a prisoner – or ‘Verschubung’ as it is known in German – from the point of view of the prisoner. It’s a case of constant stop and start in front of closed doors and gates, as well as endless periods of waiting around. As the bus travels through town and country, the world moves past René’s narrow observation slit in cinemascope. Everything seems close enough to touch and yet so very far away.

No synopsis available yet.

Michael Scholly is released 28 years after being sentenced to life imprisonment for murder. He had three years to prepare for this moment. But the world outside the prison walls has fundamentally changed in his absence and Scholly's ideas and expectations have little in common with reality. Questions arise: Can Scholly meet the demands placed on him? Is Scholly ready for freedom? His first year after discharge was supposed to provide answers - but the answer came sooner than expected.

Being a referee is not exactly a path to popularity and when the whole stadium's chanting, "Maim the ref!" then it can be very lonely out there on the pitch. Georg Nonnenmacher and Henning Drechsler take a look at life as a referee, how they do the job, the skills and qualifications needed, how they cope with the insults, hidden fouls, difficult and sometimes wrong decisions, the threats (death and otherwise) and, above all, the question: why am I doing this to myself?

A mockumentary about the most improbable of things: a German player who became a legend of Brazilian football.

A mockumentary about the most improbable of things: a German player who became a legend of Brazilian football.

Hand luggage is stuffed into a bag; one last cigarette before the guard knocks on the door. A prisoner is about to go on a journey. René is to be transported in a prison bus to another town for a court hearing. "Raumfahrer" describes the curious procedure of the transfer of a prisoner – or ‘Verschubung’ as it is known in German – from the point of view of the prisoner. It’s a case of constant stop and start in front of closed doors and gates, as well as endless periods of waiting around. As the bus travels through town and country, the world moves past René’s narrow observation slit in cinemascope. Everything seems close enough to touch and yet so very far away.

No synopsis available yet.

Michael Scholly is released 28 years after being sentenced to life imprisonment for murder. He had three years to prepare for this moment. But the world outside the prison walls has fundamentally changed in his absence and Scholly's ideas and expectations have little in common with reality. Questions arise: Can Scholly meet the demands placed on him? Is Scholly ready for freedom? His first year after discharge was supposed to provide answers - but the answer came sooner than expected.

Michael Scholly is released 28 years after being sentenced to life imprisonment for murder. He had three years to prepare for this moment. But the world outside the prison walls has fundamentally changed in his absence and Scholly's ideas and expectations have little in common with reality. Questions arise: Can Scholly meet the demands placed on him? Is Scholly ready for freedom? His first year after discharge was supposed to provide answers - but the answer came sooner than expected.

Being a referee is not exactly a path to popularity and when the whole stadium's chanting, "Maim the ref!" then it can be very lonely out there on the pitch. Georg Nonnenmacher and Henning Drechsler take a look at life as a referee, how they do the job, the skills and qualifications needed, how they cope with the insults, hidden fouls, difficult and sometimes wrong decisions, the threats (death and otherwise) and, above all, the question: why am I doing this to myself?