Joan Braderman

THE HERETICS uncovers the inside story of the Second Wave of the Women’s Movement for the first time in a feature film or video. Joan Braderman, director and narrator, follows her dream of becoming a filmmaker to New York City in 1971. By chance, she joins a feminist art collective at the epicenter of the 1970’s art world in lower Manhattan. In her first person account, THE HERETICS charts the history of a feminist collective from the inside out.

A noir mostly set in a bathroom stall and stairwell. A private dick trapped in a tight spot. A narrator searching for a way out of the story.

Joan Braderman talks about and appears in front of a projected version of the soap opera Dynasty.

THE HERETICS uncovers the inside story of the Second Wave of the Women’s Movement for the first time in a feature film or video. Joan Braderman, director and narrator, follows her dream of becoming a filmmaker to New York City in 1971. By chance, she joins a feminist art collective at the epicenter of the 1970’s art world in lower Manhattan. In her first person account, THE HERETICS charts the history of a feminist collective from the inside out.

THE HERETICS uncovers the inside story of the Second Wave of the Women’s Movement for the first time in a feature film or video. Joan Braderman, director and narrator, follows her dream of becoming a filmmaker to New York City in 1971. By chance, she joins a feminist art collective at the epicenter of the 1970’s art world in lower Manhattan. In her first person account, THE HERETICS charts the history of a feminist collective from the inside out.

A noir mostly set in a bathroom stall and stairwell. A private dick trapped in a tight spot. A narrator searching for a way out of the story.

Joan Braderman talks about and appears in front of a projected version of the soap opera Dynasty.

Joan Braderman talks about and appears in front of a projected version of the soap opera Dynasty.

Joan Braderman talks about and appears in front of a projected version of the soap opera Dynasty.