Cecilia Mangini

Juste wanders the streets of Paris looking for people only he can see. He collects their last memory before helping them into the afterlife. One day Agathe, a young woman, recognizes him. She belongs to his previous life. She is alive and he is a ghost. How will they manage to love each other and seize this second chance?

"Il mondo a scatti" is a film that intertwines images of today and yesterday, still images and moving images through a dialogue between two people who reflect on the visible and invisible things of the world: Cecilia Mangini, unstoppable ninety years old, photographer, documentary maker, screenwriter is filmed by Paolo Pisanelli, photographer, director, curator of cultural events.

No synopsis available yet.

In 1962 Cecilia Mangini, an Italian filmmaker made 'Stendali', a documentary about a group of women who practiced an Ancient Greek funeral rite in the southern Italian town of Martano (Puglia, Lecce). Shortly after the filming of 'Stendali' the women died out, with no one to replace them, the rites disappeared, leaving the town in its silence. In 2011, 50 years later, the film 'Moroloja' looks back upon the site of the funeral, revisiting the town of Martano, revealing that some of the women are still alive. Narration by Cecilia Mangini.

The story of Cecilia Mangini, documentary maker, photographer and intellectual who told thirty years of Italy's history with her films.

No synopsis available yet.

Before becoming a film critic, then a maker mainly of sharply engaged documentaries, usually in tandem with her late husband Lino Del Fra, Cécilia Mangini was a photographer. Taking pictures was something she did all her life, alongside whatever else she was working on. In 1965 Mangini and Del Fra went to war-torn Vietnam to make a film they never finished. More than half a century later, she returned to these images, moving and still, some of which she found again by accident.

This documentary is one of the earliest film enquiries on women's condition in Italy, seen in its different aspects: social, economic, psychological. Starting from an analysis of the feminine role models proposed by the cultural industry, the film finds its protagonists among all kinds of women.

Documentary compiled from archives and accompanied by a poet's commentary, shows the sweep of modern Italian history from 1911 to 1961, centering on the conditions leading to Fascism and the post-WWII reaction to the Fascist experience.

Documentary compiled from archives and accompanied by a poet's commentary, shows the sweep of modern Italian history from 1911 to 1961, centering on the conditions leading to Fascism and the post-WWII reaction to the Fascist experience.

The life, the problems, the hopes of the ragazzi of the suburbs of Rome. Ignored by the city, these young men spontaneously express their vitality, their violence, their willingness to put themselves at risk. They are at the center of "Ragazzi di vita", the first novel by Pier Paolo Pasolini, author of the text of this documentary.

The life, the problems, the hopes of the ragazzi of the suburbs of Rome. Ignored by the city, these young men spontaneously express their vitality, their violence, their willingness to put themselves at risk. They are at the center of "Ragazzi di vita", the first novel by Pier Paolo Pasolini, author of the text of this documentary.

No synopsis available yet.

"Il mondo a scatti" is a film that intertwines images of today and yesterday, still images and moving images through a dialogue between two people who reflect on the visible and invisible things of the world: Cecilia Mangini, unstoppable ninety years old, photographer, documentary maker, screenwriter is filmed by Paolo Pisanelli, photographer, director, curator of cultural events.

"Il mondo a scatti" is a film that intertwines images of today and yesterday, still images and moving images through a dialogue between two people who reflect on the visible and invisible things of the world: Cecilia Mangini, unstoppable ninety years old, photographer, documentary maker, screenwriter is filmed by Paolo Pisanelli, photographer, director, curator of cultural events.

A cinematic journey to discover, through previously unpublished documents and manuscripts, the world of writer and ethnographer Grazia Deledda, the first Italian woman and writer to win the Nobel Prize for Literature in 1926. A revolutionary author, she transcended the confines of male-dominated culture and asserted her creative path as an artist and a woman.

Series inspired by Pier Paolo Pasolini’s Comizi d’amore. This time, Italian people are confronted with though questions about sex before marriage, extramarital affairs and homosexuality.

No synopsis available yet.

The film begins at night, as parishioners holding lanterns form a series of processions, travelling through the night from Rome, and villages in the Abruzzi and Lazio regions, to make it to the Santuario della Madonna del Divino Amore, 10 miles from the capital, by morning. More than an anthropological study of ecstatic devotion – with its genuflecting disciples, and women who scream desperately at the sky – Divino Amore also speaks to Mangini’s interest in disappearing rituals and communities at risk of extinction. When generations of worshippers pour out of the church at the end of the service, formality dissolves into secular leisure, as families perched on horse carts eat plates of spaghetti and men fall asleep on the grass. The velvet-clad austerity of the church’s interior gives way to a series of pastoral tableaux.

The film begins at night, as parishioners holding lanterns form a series of processions, travelling through the night from Rome, and villages in the Abruzzi and Lazio regions, to make it to the Santuario della Madonna del Divino Amore, 10 miles from the capital, by morning. More than an anthropological study of ecstatic devotion – with its genuflecting disciples, and women who scream desperately at the sky – Divino Amore also speaks to Mangini’s interest in disappearing rituals and communities at risk of extinction. When generations of worshippers pour out of the church at the end of the service, formality dissolves into secular leisure, as families perched on horse carts eat plates of spaghetti and men fall asleep on the grass. The velvet-clad austerity of the church’s interior gives way to a series of pastoral tableaux.

The Italian unification, also known as Risorgimento, took place between 1815 and 1870. During this period, caricature was a privileged medium for political commentary. From Napoleon III to Garibaldi, no one escaped the caricaturists, who also resorted to drawing to talk about the new legal system, the emancipation of women or the freedom of the press.

Initial panorama of Brindisi, a city with a peasant tradition. The petrochemical, city within a city. Children in poor neighborhoods, workers' voices: the crisis, the layoffs, the need for the recommendations of the Christian Democrats to enter Montecatini. Wealthy men and women binge at the restaurant. Voices of agrarians, forced to leave the earth to make room for the petrochemical. A ballroom. In a puppet theater, a show is staged in which the worker is addressed as "starved". At a course for foremost workers, various compliant testimonies follow one another: Monteshell is a large industry, and no one has any criticisms against it. But another worker, elsewhere, with his face in the shadows, confesses that everyone is afraid to speak, skilled workers get the same pay as simple ones, 400 colleagues have been fired, union activists are "special supervised", and going on strike is a business. 35mm b/w

Two young militants in love try to link their ideals to their everyday life together. A reflection on the attempt to combine love, intimacy and revolution.

A unique 1960s documentary on the traditional dirge sung by women in Griko, an ancient dialect of Salento, so old that it originates from the ancient Greeks who once colonized that part of southern Italy.

A unique 1960s documentary on the traditional dirge sung by women in Griko, an ancient dialect of Salento, so old that it originates from the ancient Greeks who once colonized that part of southern Italy.

An expressionist and hypnotic vision of a disconcerting rural ritual in Lucania, the symbolic slaughter of a goat, a collaboration between Mangini and her husband and partner Lino Del Fra.

Third and last episode by Cecilia Mangini and Lino Del Fra in which they investigate what Italians think about sex and gender. Now, the questions focus on the notion of modesty and on the meaning given to the sacrament of marriage.

No synopsis available yet.

A work commissioned by the Ministry of Labour to which Mangini brings an eloquence that transcends any propaganda ambition. It is an accurate portrait of a vision about a land of new highways and factories built on the grounds of shepherds and farmers.

The industrial city of Brindisi is the setting for this film, the tension between the bright promises of the industrial world and the not-so-bright reality of a young worker, in one of Mangini's most emblematic works.

The industrial city of Brindisi is the setting for this film, the tension between the bright promises of the industrial world and the not-so-bright reality of a young worker, in one of Mangini's most emblematic works.