Luciano Pavarotti

On the eve of the 1990 World Cup final, Plácido Domingo, José Carreras, and Luciano Pavarotti sang together for the first time. A look behind the scenes at a musical event whose phenomenal success lasted for more than a decade.

Join Joey B Toonz, self-proclaimed "idiocracy historian", as he dives headfirst into the world of social media obsession. Armed with a microphone and a genuine concern for society, Joey treats humanity’s online existence as a case study in why aliens refuse to communicate with us. Every clip is dissected with his signature sarcastic commentary and rapid-fire humor. This collection features Joey's earliest commentary videos, documenting his first discovery of TikTok and the bizarre world of selfie culture, "influencer" narcissism, and humanity's relentless pursuit of internet fame. Featuring nearly ninety minutes of classic Joey B Toonz videos, this collector's edition also includes never-before-seen bonus videos, videos banned from YouTube, and other exclusive content you won't find anywhere else.

A short film tribute about the musician Meat Loaf, released by his family in 2023 on the anniversary of his death.

Marking the 40th anniversary of winning a singing competition as part of a choir from his hometown of Modena in 1955, Luciano Pavarotti keeps a long-held promise and returns to the small town in North Wales to give a very special gala concert at the 1995 Llangollen International Musical Eisteddfod. Joining Pavarotti that evening is the BBC Philharmonic Orchestra, conducted by Leone Magiera, the modern day Corale Gioachino Rossini, Modena, directed by Paolo Rossini, and, for the finale, Japanese soprano Atzuko Kawahara. The program combines popular operatic arias and choruses, Neapolitan songs, one of Pavarotti’s own compositions, orchestral overtures and interludes, and a very special duet for the finale.

Billions watched as Luciano Pavarotti, Placido Domingo and José Carreras performed for the first time as The Three Tenors 30 years ago. This is their story.

Featuring never-before-seen footage, concert performances and intimate interviews, filmmaker Ron Howard examines the life and career of famed opera tenor Luciano Pavarotti.

In the late 1990s, iconic photographer Bruce Weber barely managed to convince legendary actor Robert Mitchum (1917-97) to let himself be filmed simply hanging out with friends, telling anecdotes from his life and recording jazz standards.

Archive footage of interviews, concerts and personal material bring to light the solo performance work of Mercury, the lead singer of Queen.

Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.

The Three Tenors began their collaboration with a performance at the ancient Baths of Caracalla in Rome, the eve of the 1990 FIFA World Cup Final. Following the big success of the 1990/1994 concerts, The Three Tenors opened a world tour of 31 concerts, the last one in 2003. Seven of these 31 concerts had been recorded for TV but disappeared somewhere in London. All attempts to bring back these invaluable recordings to the audience failed. Now, after all these years, C Major in cooperation with Three Tenors Ltd. managed to assemble the most beautiful moments of six lost concerts in Munich, Tokyo, London, Vienna, New York and Pretoria.

Eugenia is the queen of an imaginary European country. When her husband dies, quite unexpectedly, the country is left without a king. According to the law, the new king needs to be married so that leaves out the eldest son. Her youngest son, Prince Arnaud is married to the lovely Armelle and they have two young children. They become the future rulers of the kingdom.

Katherine Jenkins introduces a look back at the outdoor concert given by the great tenor Luciano Pavarotti, then 55, in July 1991 to celebrate 30 years of singing opera. The star studded audience included the Prince and Princess of Wales, Michael Caine and Andrew Lloyd Webber.

LUCIANO PAVAROTTI was the rare artist who could easily bridge the divide between classical and popular music. Together with an impressive roster of the best-known names in rock, pop and jazz, Pavarotti entertained millions of people around the world with his "Pavarotti & Friends" concerts. This release is the first time that these tracks have been brought together in one album! Rarely has such a glittering array of singing legends from such varied genres been brought together at one time--on both DVD and CD! Featuring Bryan Adams, Andrea Bocelli, Bon Jovi, Bono/The Edge/Brian Eno, Mariah Carey, Eric Clapton, Sheryl Crow, Celine Dion, The Eurythmics, Elton John, Lionel Richie, Frank Sinatra, Sting and Zucchero.

No synopsis available yet.

With a career that includes a 35-year tenure as composer of the Berlin Philharmonic and record sales topping 200 million, Herbert von Karajan is one of the most legendary figures in 20th-century classical music. Comprised of archival footage, performance highlights and interviews with the likes of Anne-Sophie Mutter, Christa Ludwig and Seiji Ozawa, this retrospective chronicles the life and times of the iconic Austrian maestro.

An intimate portrait of iconic photographer Helmut Newton shot by his wife and fellow photographer June Newton.

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Liza Minnelli, Michael Caine, Adam Sweeting, Tim Arrowsmith, Ian McKellen, Eric Clapton, José Carreras, Bono, Anthony Haas, Luciano Pavarotti, Francis Hanly, Dustin Hoffman, Erica Banks, Plácido Domingo, Brian May, Anthony Wall, Ricky Martin, Andrea Bocelli

The gravel voiced Italian singing sensation and his entourage performed at London's Royal Albert Hall on May 4, 2004. The concert is captured on this disc for his many fans around the world.

Luciano Pavarotti at his best during the 1978 Christmas concert. The first video recording of this great singer in a magnificent performance of sacred music, Schubert's Ave Maria, Franck's Panis Angelicus and other Christmas melodies, such as Minuit, Crétiens at the historic Montreal Notre-Dame basilica. This program received the Christopher Society of New York award in 1981.

The famous New York City landmark is given the spotlight, as well as the variety of ways in which people make use of it: running, boating, walking, skating, music, theatre, sports, picnics, parades and concerts. Further illustrated are the complex problems the NYC Parks Department deals with in order to maintain and preserve the park and keep it open and accessible to the public.

'Ol' Blue Eyes' eightieth birthday celebration; star-studded entertainment, tributes by a diverse company of guests, songs closely associated with Sinatra sung by vocalists and groups from the early days of rock and roll to the 90's. A living legend toasted by legends of the music world and of Hollywood.

Luciano Pavarotti, Leone Magiera, Philharmonic Opera Orchestra (1993)

Pavarotti & Friends

After the Viennese premiere, the Fledermaus (the bat) conquered the world. It is one of the few operettas that are regularly performed at the major opera houses such as the Metropolitan Opera, the Scala Milan, the Vienna State Opera and the Royal Opera House Convent Garden in London. John Cox directed this lavishly equipped production by Julia Trevelyan Oman initially in London in 1977. On New Year's Eve 1990, this staging offered the luxurious ambiance for the farewell to Joan Sutherland from her London audience. The singer had admired them since her first great success at this prestigious opera house in the fifties. The rushing feast in the second act reached its climax with its stormy cheered performance and the commitment of her friends and colleagues Luciano Pavarotti and Marilyn Horne, with whom she often stood together on the stage.

The Pavarotti & Friends for the Children of Liberia was held on June 9, 1998, in support of the War Child charity, specifically to benefit the orphans of war-torn Liberia. The concert was directed by Spike Lee and featured guest performances by Stevie Wonder, Celine Dion, Jon Bon Jovi, Spice Girls, Trisha Yearwood, Natalie Cole and The Corrs.

Tony Randall and some children, filmed in Connecticut, provide the framework of the history of some of the carols sung by opera stars.

Pavarotti & Friends was a series of benefit concerts hosted by Italian operatic tenor Luciano Pavarotti between 1992 and 2003 in his home town of Modena, Italy. Proceeds from the events were donated to humanitarian causes including the international aid agency War Child and the United Nations High Commissioner for Refugees. Pavarotti & Friends for the Children of Bosnia took place on September 12, 1995 in support of the War Child charity, specifically to benefit war-torn Bosnia. The concert featured guest performances by Bono, Meat Loaf, Simon Le Bon, Michael Bolton, The Edge, Brian Eno and Dolores O'Riordan.

The Three Tenors is a name given to the Spanish singers Plácido Domingo and José Carreras and the Italian singer Luciano Pavarotti who sang in concert under this banner during the 1990s and early 2000s. This is the first collaboration of the trio, with a performance at the ancient Baths of Caracalla, in Rome, Italy, on July 7, 1990 – the eve of the 1990 FIFA World Cup Final. Zubin Mehta conducted the orchestra of Maggio Musicale Fiorentino and the orchestra of Teatro dell'Opera di Roma.

The Three Tenors: Paris 1998 (re-released with the subtitle The Concert of the Century) is a live album by José Carreras, Plácido Domingo, and Luciano Pavarotti with conductor James Levine. The album was recorded at a Three Tenors concert on 10 July 1998 during celebrations for the FIFA World Cup. The concert took place in front of the Eiffel Tower on the Champ de Mars in Paris, France. The Orchestre de Paris accompanied the singers. The audience at the live concert numbered around 150,000 people.[2] A sound system and large screens were placed along the Champ de Mars for the crowds further back to see and hear the performance.[2] Producer Tibor Rudas claimed prior to the concert that 2 billion viewers were expected to watch the televised performance worldwide.[3]

The Pavarotti & Friends for Guatemala and Kosovo concert was held on June 1, 1999, and raised $1 million for War Child programs to aid young refugees from Kosovo and Guatemala. The concert featured guest performances by Mariah Carey, Ricky Martin, B.B. King, Joe Cocker, Boyzone, Lionel Richie, Gianni Morandi, Renato Zero and Gloria Estefan.

It's not opera; it's not a pop concert; it's not Broadway. It's all of these and none of them. Once you accept the fact that this sequel to the original blockbuster concert recording is less about music and more about entertainment and the power of musical personalities, you can appreciate what you're hearing as an event--phenomenal and bizarre, momentous and frivolous. This is an occasion to celebrate the voices and egos of three huge superstars, and to have fun listening as Luciano Pavarotti, Placido Domingo, and Jose Carreras interact, bouncing lines off each other and playing to the overwhelmingly enthusiastic audience.

John Copley’s colorful production, with designs by Beni Montresor, was created around the beloved superstar Luciano Pavarotti. As the simple, good-hearted Nemorino, he enchanted audiences with his larger-than-life personality as well as his golden voice. Enzo Dara as the quack Dr. Dulcamara provides the elixir of the title that helps Nemorino win the heart of Adina, the girl of his dreams, sung with youthful energy by Kathleen Battle.

Celebrating a great artist is always a gala occasion, but when the honoree is the legendary Luciano Pavarotti, the event is one to treasure. To pay tribute to the 30th anniversary of Pavarotti’s Met debut, the company featured him in fully staged excerpts of three operas: Act II of Donizetti’s L’Elisir d’Amore, Act III of Puccini’s La Bohème (the opera he sang at his debut), and Act IV of Verdi’s Aida. Joining the superstar tenor were colleagues like Ruth Ann Swenson, Leo Nucci, Daniela Dessì, Maria Guleghina, and Dolora Zajick, all conducted by James Levine.

Pavarotti & Friends was a series of benefit concerts hosted by Italian operatic tenor Luciano Pavarotti between 1992 and 2003 in his home town of Modena, Italy. Proceeds from the events were donated to humanitarian causes including the international aid agency War Child and the United Nations High Commissioner for Refugees. The Pavarotti & Friends for War Child concert was held on June 20, 1996. Proceeds from the concert were donated to the international aid agency, War Child, specifically in aid of children in Bosnia. The concert featured guest performances by Elton John, Sheryl Crow, Eric Clapton, Liza Minnelli and Joan Osborne.

No synopsis available yet.

James Levine’s love for this seldom-heard score infuses every measure of Verdi’s music. Superstar Luciano Pavarotti heads the cast as the Muslim warrior prince Oronte who converts to Christianity out of love for the Italian Giselda (Lauren Flanigan)—before dying of the wounds he received in battling the Crusaders. Samuel Ramey is the Crusader-turned-hermit Pagano. Mark Lamos’s striking production has sets by John Conklin and costumes by Dunya Ramicova.

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Luciano Pavarotti live from the Piazza Grande, Modena.

Andrea Chenier is a poet during the French Revolution. He and Maddalena are in love. Gerard, former servant in Maddalena's house, denounces them to the Tribunal, but recants it too late. The lovers go to the guillotine together.

Verdi's opera performed by the Metropolitan Opera Orchestra and Chorus, conducted by James Levine.

The Three Tenors capture the joy and spirit of the season with their first ever Christmas concert, live from Vienna, featuring performances of international seasonal favorites by the best-selling and world-renowned trio. Enjoy the gifts of The Three Tenors and be part of the holiday event of the year.

A landmark two-hour television variety special recorded live at Ford's Theatre in Washington, D.C., and broadcast on NBC on March 6, 1981, to honor President Ronald Reagan and First Lady Nancy Reagan.

A famous opera singer, Giorgio Fini, loses his voice during an American tour. He goes to a female throat specialist, Pamela Taylor, whom he falls in love with.

Luciano Pavarotti brings his spectacular voice and artistry to one of the most famous of all tenor roles—Manrico, the ardent troubadour, trapped in an impossible situation by forces beyond his control. The sensational Dolora Zajick, only days after her Met debut, gives an incandescent performance as the demented gypsy Azucena, thirsting for revenge against Count Di Luna (Sherrill Milnes). Eva Marton is the passionate Leonora, desired by both Manrico and the Count, and James Levine brilliantly leads the Met’s orchestra and chorus in some of Verdi’s best-known music.

Donizetti's opera as film.

The opera is set in the Latin Quarter of Paris, in 1830. Four young Bohemians share a studio. The plot is focused upon the love of Rodolfo for his neighbor, Mimi.

Celebrated tenor Luciano Pavarotti takes the stage in one of the world's great opera houses -- Barcelona's Gran Teatre del Liceu -- for this thrilling evening of selections by Rossini, Mozart, Puccini and Bellini. The 11 pieces include Rossini's "La Promessa" and "La Danza"; Bellini's "Vanne, O Rosa Fortuna" and Bella Nice Che d'Amore"; Sibella's "Girometta," Respighi's "Nevicata" and "Pioggia;" and di Capua's "O Sole Mio."

The incomparable Luciano Pavarotti at his most eloquent brings Donizetti’s Nemorino to live as only he can, combining vocal fireworks, personal charisma, and charm. The enchanting production by Nathaniel Merrill, with designs by Robert O’Hearn, is the perfect setting for Nemorino’s quest to win the heart of beautiful Adina, sung by the sparkling Judith Blegen. Brent Ellis as Belcore and Sesto Bruscantini as Dr. Dulcamara round out the all-star cast. Nicola Rescigno conducts.

La Scala went all out for its 1986 production of this grandest of grand operas, with a strong cast and, most important for a video recording, a larger-than-life staging. The Triumph Scene in Act II is by no means Aida's only attraction, but it is the part that makes the strongest and most lasting impression and it is the visual and musical climax of this production. Stage director Luca Ronconi brings on a procession to dwarf all processions: looted treasures, heroic statuary, miserable captives struggling under the lash of whip-bearing slave drivers. On par with these visuals is Lorin Maazel's first-class performance of the popular Grand March with the outstanding La Scala chorus and orchestra. In Act III, the contrasting tranquility of the Nile Scene also gets a visual treatment to match the music's qualities.

The opera's dramatic structure frames and enhances the characters. Scenes of magnificence regularly alternate with scenes of darkness and squalor. From sumptuous interiors, we move to a dark street, a lonely inn. The secondary figures are astutely counterpoised: the plotting courtiers against the plotting Sparafucile and Maddalena (also ambiguously tender-hearted). When Rigoletto says "Pari siamo", he could be expressing the motto of the whole work: the beautiful and the ugly can be equally good, equally evil.

In celebration of its 100th anniversary in 1983, the Metropolitan Opera hosts a four-hour performance uniting some of the world's most spellbinding opera singers and conductors. The event includes a ballet from Samson et Dalila and boasts incredible classical performances from Kathleen Battle, Plácido Domingo, Jose Carerras, Leonard Bernstein, Marilyn Horne, Leona Mitchell, Luciano Pavarotti and many more.

An Egyptian military commander, Radamès, struggles to choose between his love for the enslaved Ethiopian princess Aida, and his loyalty to the Pharaoh. To complicate the story further, the Pharaoh's daughter Amneris is in love with Radamès, although he does not return her feelings.

Verdi's early masterpiece is based on a Victor Hugo play with a complicated plot concerning a young woman and the three men vying for her affections—her elderly uncle, a king destined to become Holy Roman Emperor, and a bandit who is actually an overthrown nobleman. Though there is plenty of action arising from the various passions and grudges scattered among these characters, the opera is best appreciated as a feast of beautiful and dramatic Italianate singing. With virtuosic roles for a quartet of principals, the opera delivers one feat of heroic vocalism after another.

Live from the Metropolitan Opera, 14 February 1980. This version takes place in Boston rather than Sweden.

Opera royalty Luciano Pavarotti brings dignity and power to the title role in this 1982 production. During a squall at sea, Idomeneo -- the king of Crete -- swears to Neptune that if the monarch survives, he'll sacrifice the first person he encounters onshore. Tragically, that person ends up being his son, Idamante (Frederica Von Stade). Maestro James Levine masterfully conducts the orchestra and chorus of the Metropolitan Opera. A musical production that was designed for the "Live From the Met" series, this program was produced by Jean-Pierre Ponnelle.

A stellar cast brings Puccini’s spellbinding opera to life, seizing every opportunity to thrill the audience. Luciano Pavarotti is Cavaradossi, the painter and political revolutionary in love with the beautiful and famous singer Tosca (the riveting Shirley Verrett). Rome’s diabolical chief of police, Baron Scarpia (Cornell MacNeil), wants Tosca for himself—but he underestimates the fury of a woman in love. With torture, murder, and a suicide in its final moments, Tosca packs more dramatic punches than most other operas—and this classic telecast captures them all. James Conlon conducts in a production by the incomparable Tito Gobbi, one of the great Scarpias of the 20th century.

Puccini’s heartbreaking story of young love in the garrets of Belle Epoque Paris has attracted many famous singers through the years. But with James Levine at the helm and the starry duo of Luciano Pavarotti and Renata Scotto as Rodolfo and Mimi, every bit of emotion in the score pours across the footlights and seduces the audience. In this case, the audience was in the millions since this was the very first in the “Live from the Met” series of telecasts. The evocative production is by Fabrizio Melano, designed by Pier Luigi Pizzi.

Herbert von Karajan conducts La Scala Orchestra and Chorus with soloists Leontyne Price, Fiorenza Cossotto, Luciano Pavarotti, and Nicolai Ghiaurov.

No synopsis available yet.