Vihar Stoychev

In the 17th century, a Bulgarian Christian region is selected by the Ottoman rulers to serve as an example of conversion to Islam. A Janissary who was kidnapped from the village as a boy is sent to force the reluctant inhabitants to convert. The Turkish governor seeks a peaceful solution, but ultimately torture, violence, and rebellion break out.

Impersonating a knight is one of the favorite games of nine-year-old protagonist. Now as Don Quixote, now as D'Artagnan he is fighting evil, he is searching for justice and defending the weak. Together with his friends, packed in cardboard armor, they play all day long. As he is playing, however, he unwittingly witnesses the relation between his parents and gradually comes to understand that the world of the adults is far removed from the canons of knightly honor. His parents love him, but never seem to find the time to listen to his concerns. The deceit, corruption and lack of respect in his own family alienate the small boy. The only adult, whom the boy trusts, is his uncle to whom he is attached by a genuine, equal, man-to-man friendship. He takes him to the cinema and theater performances and talks to him like with his peer. Will this sensitive kid ever succeed in building an internal armor against selfishness and rudeness?

A young man attempts to save a prostitute from a prostitution ring. His fury is two-sided: on one hand, it is caused by the futility of honesty, on the other hand, it is caused by the triumphs of treachery.

Sashko and Tanya are two lovers who want to go on a holiday at the seaside. In order to earn money, Sasho starts working in a brigade digging a well in the yard of Chief Krumov's villa. The workers accidentally discover the remains of human skeletons, a tin ring and several buttons, most likely belonging to participants in the September Uprising of 1923. To avoid complications, everyone decides to keep quiet. However, Sashko decides to break his silence and tell the truth, for which he pays with his life.

Kireto: The Boy Who Left

During World War II, a mountain village priest, Pop Vecherko, unwittingly shelters a disguised partisan and helps run an underground press that prints the Communist Manifesto under the guise of hagiography. When a misdelivered package reaches the Synod and triggers mass arrests of clergy, a chance grenade explosion orchestrated by local children creates chaos, allowing Vecherko and his unsuspecting ally, the mayor, to slip away unnoticed.

A small circus troupe wants to perform for the children in a small Eastern European town, but is prevented from doing so by the evil town boss. The circus' clown and his colleagues come up with a plan to defeat the boss and his men and put on a show for the kids.

Apostol, an architect on this side of forty, meets by chance Bella at a swimming pool on the night of her graduation party.