Marcel Bächtiger

How do you film a minority that prefers to stay invisible, when you belong to the majority? Andreas Müller and Simon Guy Fässler travelled with the Yenish for six years—all over Europe and as far as the Grisons—faithfully and empathetically filming this freedom-loving nomadic community who bear the wounds of the past.

The images of the condemnation and execution of dictator Nicolae Ceaușescu and his wife Elena on Christmas Day in 1989 are etched deeply in the collective unconscious of several generations of television viewers. Exactly 20 years after its occurrence, the famous show trial was re-enacted in a historically reproduced setting. The film interweaves the stage production with interviews conducted with eyewitnesses and archive material, and takes a look backstage in the Odeon Theatre in Bucharest.

Documentary on Christian Schocher, director of the legendary «Reisender Krieger» (1980).

How do you film a minority that prefers to stay invisible, when you belong to the majority? Andreas Müller and Simon Guy Fässler travelled with the Yenish for six years—all over Europe and as far as the Grisons—faithfully and empathetically filming this freedom-loving nomadic community who bear the wounds of the past.

The images of the condemnation and execution of dictator Nicolae Ceaușescu and his wife Elena on Christmas Day in 1989 are etched deeply in the collective unconscious of several generations of television viewers. Exactly 20 years after its occurrence, the famous show trial was re-enacted in a historically reproduced setting. The film interweaves the stage production with interviews conducted with eyewitnesses and archive material, and takes a look backstage in the Odeon Theatre in Bucharest.

Documentary on Christian Schocher, director of the legendary «Reisender Krieger» (1980).