B.V. Karanth

Venkatasubbaiyya's master asks him to compose a musical masterpiece before his death. However, Venkatasubbaiyya's failure to handle fame lands him in trouble.

Through the story of a young widow who is devoted to her father-in-law but also desires to remarry the film portrays evolving Indian attitudes towards women's roles in society.

In a world that both glamorizes and patronizes her, a successful film star begins to unravel under the weight of the roles imposed upon her, drifting between studios and her personal life as she spirals into an identity crisis.

1987 Kannada political drama film directed and co-produced by Krishna Masadi and is based on the novel written by the acclaimed writer U. R. Ananthamurthy. The film starred Anant Nag in the lead role along with a host of real-time politicians like J. H. Patel, D. B. Chandre Gowda, M. P. Prakash and B. K. Chandrashekar in the key roles.[1] Other pivotal roles were played by B. V. Karanth, M. Bhaktavatsala, Chandrashekhara Kambara, Archana and Bhargavi Narayan. The film's score and songs were composed by Vijaya Bhaskar. The film upon release was critically acclaimed and won multiple awards at the Karnataka State Film Awards for the year 1987–88.

Set in 1920s India, the story follows Kanneshwara Rama, a defiant peasant who becomes a legendary outlaw after confronting local injustice. After a prison stint where he encounters Gandhi’s followers, he joins and eventually leads a group of bandits, becoming a Robin Hood-like figure who aids the poor and challenges feudal authority. His journey is complicated by his relationship with Malli, a former bandit’s mistress, and his growing ambition to establish his own principality.

Choma is an untouchable bonded-labourer in a village who is working along with his family for a landlord, as he belongs to a backward class. Due to his social status, he is not allowed to till his own land, something that he desires most. Though he managed to rear a pair of bullocks that he found straying in the forest, he cannot use them to till the land. He comes in contact of Christian missionaries who try to convert him giving him the lure of the land, but Choma does not want to let go of his faith. He releases the fury that fate has beset on him, by beating his drum.

The movie explores the cultural problems experienced by an American woman, newly married to an Indian, adjusting to Indian norms and customs. It depicts a modern man who studies agriculture in the United States, returns to India with an American wife with their different views. The theme is one alienation from the fellow human beings.

The movie explores the cultural problems experienced by an American woman, newly married to an Indian, adjusting to Indian norms and customs. It depicts a modern man who studies agriculture in the United States, returns to India with an American wife with their different views. The theme is one alienation from the fellow human beings.

Through the story of a young widow who is devoted to her father-in-law but also desires to remarry the film portrays evolving Indian attitudes towards women's roles in society.