Veran Matić

Akademija Republika shows a group of people gathered around the club from 1981 until 1995 and how it changed and influenced the cultural and night life around them.

A film about Jasar, a homeless Roma from Belgrade.

Documentary that follows events after the fall of Slobodan Milosevic, while looking back on the previous fifteen years, tracing his rise to power. Personal testimony alternates with analysis of a disintegrating society.

The search for truth of the 16 families of technicians killed in the April 23rd, 1999, NATO bombing of the Radio Television Serbia building.

Made in the form of an extended news report and narrated by journalist Dina Čolić-Anđelković, the film presents a snapshot of the chaotic Belgrade criminal underworld in the early 1990s which sprung up against the backdrop of Yugoslav wars. The film is composed of fragments from interviews with individuals directly involved with criminal activities either through perpetrating them or through trying to stop them.

Through the socio-political overview of the problematic structure of fan clubs and football supporters in Serbia, this movie focuses on a particular case of an incident involving a French citizen - football fan in Belgrade, which led to 12 young people being convicted to 240 years of prison. One of them is Stefan Velickovic. This is the story about the man who became a part of a huge political scandal, and his right to defend himself. As someone who has not even been at the spot of the incident, he has been pronounced guilty of a crime. What are the interests and intentions for making Stefan a scapegoat?

Akademija Republika shows a group of people gathered around the club from 1981 until 1995 and how it changed and influenced the cultural and night life around them.

A film about Jasar, a homeless Roma from Belgrade.

The search for truth of the 16 families of technicians killed in the April 23rd, 1999, NATO bombing of the Radio Television Serbia building.

Made in the form of an extended news report and narrated by journalist Dina Čolić-Anđelković, the film presents a snapshot of the chaotic Belgrade criminal underworld in the early 1990s which sprung up against the backdrop of Yugoslav wars. The film is composed of fragments from interviews with individuals directly involved with criminal activities either through perpetrating them or through trying to stop them.