Álvaro Vidal

A foreign girl arrives to her new apartment. Her three roommates welcome her rather distantly, for no reason at all, and she can smell that there is something going on...Literally. Everyday when she walks out of her room, she notices a strong smell of insecticide that nobody is willing to explain.

A young woman walks into a restaurant. She has a very important plant to carry out. One last date. One last chance. One couple. Two glasses. One right choice. One wine stain.

How do we represent the ideas of gender? This short reflects about this topic, as we see an unidentified character, suited up, and with a paper bag over his head, walking down the hallway of its high school.

A foreign girl arrives to her new apartment. Her three roommates welcome her rather distantly, for no reason at all, and she can smell that there is something going on...Literally. Everyday when she walks out of her room, she notices a strong smell of insecticide that nobody is willing to explain.

A foreign girl arrives to her new apartment. Her three roommates welcome her rather distantly, for no reason at all, and she can smell that there is something going on...Literally. Everyday when she walks out of her room, she notices a strong smell of insecticide that nobody is willing to explain.

A young woman walks into a restaurant. She has a very important plant to carry out. One last date. One last chance. One couple. Two glasses. One right choice. One wine stain.

A young woman walks into a restaurant. She has a very important plant to carry out. One last date. One last chance. One couple. Two glasses. One right choice. One wine stain.

How do we represent the ideas of gender? This short reflects about this topic, as we see an unidentified character, suited up, and with a paper bag over his head, walking down the hallway of its high school.