Wajahat Mirza

Roti made in the early 1940s inspired by the German Expressionism, is a real critique of Indian society with prophetic insight. It deals with two models - one of a millionaire, possessed by money and power in an industrial civilisation, the other of a tribal couple living in a primeval state of nature. The millionaire is saved by the couple after an air crash, the tribal couple emigrate to the city, do not find happiness and return. The millionaire is ruined in the city, tries futilely to find salvation among the tribal.

Set in the Ottoman Empire, it deals with the Caesar's (Pande) army and its skirmishes with the local Muslim rulers. The Sultan's (Asooji) son Ziyad (Kumar) is arrested by the Roman army. The Roman princess Rahil falls in love with him. A Muslim maid Leela (Sitara Devi) and the princess help him escape. Long chase scenes and fights follow, which ultimately lead to success for Ziyad and his people.

Ostensibly a Central Asian war fantasy about a conflict between the Cossacks and the Tartars, Mehboob’s film proposes a tale advocating national independence. The Cossacks are oppressed by the despotic Russian king (Siddiqui) and his minister Jabir (Kayamali), who has Tartar blood in him. General Murad (Kumar) covertly sides with the opposition, gets arrested for treason and escapes. He meets the wild Gulnar (Sitara Devi) and gets her to spy as a maid of Princess Nigar (Bibbo). Nigar falls for Murad and Gulnar withdraws from the scene for the sake of her nation. Eventually Nigar, at the head of an army of women, helps defeat the villains.

Radha is a resolute mother, who strives hard against poverty and a lecherous money lender to feed her two sons who grew up with contrasting temperament.

Following his conquest of India, Emperor Babar faces a crisis of loyalty among his troops and nobles. His most devoted subject, Sardar Sheikh, faces a dilemma when his daughter, Hamida, falls in love with Prince Humayun. Sheikh sends Hamida away, prompting Babar to intervene. However, a great sacrifice is ultimately demanded of the Emperor to save his son and reconcile the conflict.

Based on the ill-fated love story of Laila and Majnu, this version shows them as inseparable childhood sweethearts, and subsequently as each others lovers. They want to get married, but as their fathers' (Emir E Basra, and Emir E Yemen respectively) are sworn enemies of each other, they are not permitted to see other, let alone get married. Separated from each other, they long and pine for each other.

Roti made in the early 1940s inspired by the German Expressionism, is a real critique of Indian society with prophetic insight. It deals with two models - one of a millionaire, possessed by money and power in an industrial civilisation, the other of a tribal couple living in a primeval state of nature. The millionaire is saved by the couple after an air crash, the tribal couple emigrate to the city, do not find happiness and return. The millionaire is ruined in the city, tries futilely to find salvation among the tribal.

Set in the Ottoman Empire, it deals with the Caesar's (Pande) army and its skirmishes with the local Muslim rulers. The Sultan's (Asooji) son Ziyad (Kumar) is arrested by the Roman army. The Roman princess Rahil falls in love with him. A Muslim maid Leela (Sitara Devi) and the princess help him escape. Long chase scenes and fights follow, which ultimately lead to success for Ziyad and his people.

Ostensibly a Central Asian war fantasy about a conflict between the Cossacks and the Tartars, Mehboob’s film proposes a tale advocating national independence. The Cossacks are oppressed by the despotic Russian king (Siddiqui) and his minister Jabir (Kayamali), who has Tartar blood in him. General Murad (Kumar) covertly sides with the opposition, gets arrested for treason and escapes. He meets the wild Gulnar (Sitara Devi) and gets her to spy as a maid of Princess Nigar (Bibbo). Nigar falls for Murad and Gulnar withdraws from the scene for the sake of her nation. Eventually Nigar, at the head of an army of women, helps defeat the villains.

Radha is a resolute mother, who strives hard against poverty and a lecherous money lender to feed her two sons who grew up with contrasting temperament.

Following his conquest of India, Emperor Babar faces a crisis of loyalty among his troops and nobles. His most devoted subject, Sardar Sheikh, faces a dilemma when his daughter, Hamida, falls in love with Prince Humayun. Sheikh sends Hamida away, prompting Babar to intervene. However, a great sacrifice is ultimately demanded of the Emperor to save his son and reconcile the conflict.

Based on the ill-fated love story of Laila and Majnu, this version shows them as inseparable childhood sweethearts, and subsequently as each others lovers. They want to get married, but as their fathers' (Emir E Basra, and Emir E Yemen respectively) are sworn enemies of each other, they are not permitted to see other, let alone get married. Separated from each other, they long and pine for each other.

1939 Mehboob Khan film

Young, bored millionaire (Motilal) has a bet with his doctor that he will go out into the world without taking any money and survive for 300 days.

A man is arrested for murder but escapes and becomes a bandit to clear his name and find the real killers.

Birju and Ramu are brothers and have a friendly bond with each other, They do a lot of pranks with the villagers, but the pressure of the landlord and the urban bad guy Bhairon Singh leads villagers to pay a fee for their lands to work on them. This leads Ramu to join the army as a Jawan (Soldier). Bhairon Singh, with the help of Thakurain, plans to frame Birju as a criminal on the night of Janamashtmi. Bhairon Singh brutally rapes Ganga and steals the entire wealth from the safe of her father.

A social drama centered around a powerful figure, their influence, and a narrative involving devotion or authority.

A captivating social drama featuring Husn Banu and Surendra. Dive into an early glimpse of Indian cinema's exploration of societal themes.

A disgraced widow is forced to work as a maid for her fatherless child.

A social/family drama exploring themes of modesty, hidden secrets, and the social constraints placed on individuals within a family setting.

After a seven year absence, Dr. Ram Singh returns to his village intending to sell his land and go back to the city. He finds that the peasants are being mistreated by the local landlord and the landlord's sister, Sushma.