Karsten Krause

Amid German reunification in 1990, 50-year-old Patty first loses her job and then her friend Jelena. In a small East German town, she collects discarded objects and meets the younger Franz. When her flat becomes so full of belongings that she can no longer enter it, she sets out into a colorful forest. A journey through landscapes and history begins—carrying away more than just her.

A bear is hunted and caged. But he escapes again and again. He is loved as much as he is feared. A hybrid of wilderness and projection. The film PAPILLON follows his trail. And also becomes a hybrid. Of documentary and myth.

Martin and Constanze retreat to a secluded holiday home in northeastern Germany for his 60th birthday - he yearns for fishing and fine dining, she a lavish city party. En route they meet Gaby, the local innkeeper. Joined by Martin’s old friend and his young mistress Lene, they toast and rejoice, until a stranger knocks, pleading in an unknown language for help.

1.6 million tons of unexploded military munition (UXO) were dumped into the Baltic and Northern Seas after the Second World War. A brooding and meditative cinematic journey observes the effects this has on nature and people around the Baltic.

Rio, an introverted young man, tries to make a living for himself by commiting petty theft in restaurants and resorts around the Croatian coast. His life, however, drastically changes when Andrea, a young Serbian part-time worker, enters his life, with the two becoming partners in crime, planning a major heist of two wealthy women staying at the hotel Andrea works at.

Simon spends a summer day by the river with Enes's clique, whom he knows from the neighborhood. Between moments of uncertainty and sluggish conversations, the hours slip by. But then Marie shows up and Simon is suddenly wide awake.

Amid German reunification in 1990, 50-year-old Patty first loses her job and then her friend Jelena. In a small East German town, she collects discarded objects and meets the younger Franz. When her flat becomes so full of belongings that she can no longer enter it, she sets out into a colorful forest. A journey through landscapes and history begins—carrying away more than just her.

A bear is hunted and caged. But he escapes again and again. He is loved as much as he is feared. A hybrid of wilderness and projection. The film PAPILLON follows his trail. And also becomes a hybrid. Of documentary and myth.

Martin and Constanze retreat to a secluded holiday home in northeastern Germany for his 60th birthday - he yearns for fishing and fine dining, she a lavish city party. En route they meet Gaby, the local innkeeper. Joined by Martin’s old friend and his young mistress Lene, they toast and rejoice, until a stranger knocks, pleading in an unknown language for help.

1.6 million tons of unexploded military munition (UXO) were dumped into the Baltic and Northern Seas after the Second World War. A brooding and meditative cinematic journey observes the effects this has on nature and people around the Baltic.

Rio, an introverted young man, tries to make a living for himself by commiting petty theft in restaurants and resorts around the Croatian coast. His life, however, drastically changes when Andrea, a young Serbian part-time worker, enters his life, with the two becoming partners in crime, planning a major heist of two wealthy women staying at the hotel Andrea works at.

Simon spends a summer day by the river with Enes's clique, whom he knows from the neighborhood. Between moments of uncertainty and sluggish conversations, the hours slip by. But then Marie shows up and Simon is suddenly wide awake.

The ensemble of buildings that makes up the maternity clinic and art school in Hamburg where the director taught is the starting point for this sober interrogation of how motherhood and career can be combined based on three generations of German women.

La empresa is a strange creature of a most ambiguous nature: a fiction film about documentary filmmaking as fiction filmmaking, and what it all does to a region’s economy as well as a collective psychology. Or is it? Isn’t it more to the point to say that... But before we get lost here, let’s state what La empresa talks about: how the caminata nocturna, the illegal crossing of the border between Mexico and the United States, was turned into a business that ranges from four-hour night-time tours for tourists out for a sick thrill to reenactments for film and television crews. The latter, of course, is at the core of André Siegers’ casually ironic look at this economy of disaster. When the Germans arrive in town, they meet a workforce already in place and willing to play to any national stereotype – as the French seem to get other kicks out of presenting the caminata nocturna than the Netflix internationals.

Marion experiences a day. It could be yesterday, but not tomorrow, because at the end of the day she is dead, stumbled in a moment of routine.

Tells the story of mushroom pickers who, in the summer and autumn months head, to the southern Carpathians of Romania to begin their search. Far from being a leisure activity, for many of the pickers this is a main source of income which they and their families rely on to get by. In makeshift campsites, they spend months between dense coniferous forests and the Transalpina road, where they sell the gathered mushrooms to passing tourists or people on weekend breaks. The majority of their harvest is taken by intermediaries, who sell the mushrooms abroad for many times the price.

Ida lives on a sailing yacht with a crew of five men. While on shore leave in Marseilles, she becomes fascinated with the French Foreign Legion and decides to sail to Sidi Bel Abbès, the Legion's former headquarters in Algeria.

A man’s voice from offscreen. He lists individual words, has problems of articulation. At first these are abstract terms, the screen stays black. Sky, street, village and house, however, are accompanied by suitable images. They take us into the speaker’s life. It is his house. These are his automatic shutters. We look into the kitchen where his wife is preparing something. He exercises in a specially equipped room. Later he sits in front of the microphone again, obviously recording his voice to preserve it. Another dimension opens between the recorded words and sentences and beyond the images. There is an inevitability in the room – and a great love. The robot vacuum makes its rounds. Who will put the words stored on the computer into a meaningful context later?

In south-western Texas, elongated mountain ranges, broad valleys, prairies and deserts pass by. At the Bottom of the Sea explores this imposing landscape and its many meanings, starting with its timeless beauty that has inspired many painters. Once, this part of the earth's crust was part of the ocean floor; the compressed skeletons of billions of sea creatures are now mined as limestone.

In south-western Texas, elongated mountain ranges, broad valleys, prairies and deserts pass by. At the Bottom of the Sea explores this imposing landscape and its many meanings, starting with its timeless beauty that has inspired many painters. Once, this part of the earth's crust was part of the ocean floor; the compressed skeletons of billions of sea creatures are now mined as limestone.

Three Iranian women, filmmakers and childhood friends, explore through filmed correspondence the different paths their lives have taken: remaining in their native country, emigrating or living in exile. Over the course of thirteen years of life, the images examine the notion of home and the relationships that matter.

Gerti Gerbert was photographed by her husband Eugen over a period spanning more than forty years. Besides the obligatory family photographs, from their wedding day until his death Eugen took countless pictures of Gerti: in her underwear, in homemade summer frocks, or completely naked; on the beach, in the woods, in the car, or on the floor at home. Using the Gerberts’ picture archive, interviews with Gerti, and Eugen’s notes, the film looks at what remains of life and love at the end.

The contents of a black briefcase lead us into a superficially well-ordered life in West Germany in 1970, in a city that can be seen as representative of the entire country. In this briefcase: the meticulous documentation of an affair between the small business owner Hans and his secretary Monika.