Leandro Listorti

The film does not describe, rather it observes, in a distant manner, the world of Martin, a seventeen year old who feels he doesn’t belong anywhere, not at home, school, nor with his friends or members of his rock band. In search of some happiness, Martin takes off to the coastal town of Mar de Plata, where his older brother lives. Unglamorous, yet enchantingly addictive and refreshingly genuine, Acuña paints a confused and uncomfortable world, and makes us want revisit it over and over again.

Nicolás Barsoff, a young Argentine actor of Austrian and Russian descent, rescues a box of film reels just as his father was about to throw it away. He hopes the box will be the key to unlocking a tendency toward darkness that haunts him as part of an inevitable inheritance he tries to combat with natural medicines. Through the archive, we delve into the story of a family torn apart by World Wars I and II, immigration to Argentina, and the military dictatorship of 1976. His two grandparents are presented as antagonistic characters in the context of the disappearance: two ghostly figures in a genealogy that Nicolás will try to reconstruct.

A filmmaker meets her ex-boyfriend, who plays a role in her new film, in which the authenticity or falsity of a kiss in a gay scene is debated, with backstage included. Metacine or metagay? Gay cinema within cinema or cinema within gay cinema, variations of a daedalus of representations. "The current boyfriend" feeds on lateral humor, on the political of desire as a talk in the kitchen, on the flicker-free observation of who we are and what we pretend to be, as a nucleus that is reinterpreted with always different gestures, once as drama and another like comedy, almost without knowing which is appropriate.

Mountakha is a Senegalese immigrant who has just arrived in Buenos Aires. In Dakar he was a truck driver. While trying to get that job in this new city, he does some temporary jobs. Mountakha wonders if he can be a good salesman, or if his destiny is tied to acting. Some of his new friends have a particular bond with the cinema.

In his second feature film, Leandro Listorti establishes a parallel between two worlds he seems to know well: that of plants and that of cinema. This delicate cinematographic work, full of beautiful images—both archival and current—gives an account of the immense work of classification and preservation, and generously invites us to think about forms of representation and memory.

In his second feature film, Leandro Listorti establishes a parallel between two worlds he seems to know well: that of plants and that of cinema. This delicate cinematographic work, full of beautiful images—both archival and current—gives an account of the immense work of classification and preservation, and generously invites us to think about forms of representation and memory.

In his second feature film, Leandro Listorti establishes a parallel between two worlds he seems to know well: that of plants and that of cinema. This delicate cinematographic work, full of beautiful images—both archival and current—gives an account of the immense work of classification and preservation, and generously invites us to think about forms of representation and memory.

Set in Santa Victoria, Argentina, this 2SLGBTQ+ supernatural docu-drama tells the story of a Wichí community facing displacement, along with their efforts of retaliation, at the hands of a negligent government’s plan for urbanization.

What if I told you the plot of Vertigo is true, but the story even more perversely rooted in the traumatic history of a dictatorship, in a nation’s obsession with a woman who became a goddess and a savior, and in the real-life attempt to reincarnate her in the body of her successor? Through supernatural means, Isabel Martínez de Perón attempts to extract from the embalmed body of Eva Perón the dose of charisma she lacks.

This fully archival journey through the 35 years of Alfredo Stroessner’s regime in Paraguay reveals unseen footage and explores one of the longest-running dictatorships in history, whose effects still resonate today.

Documentary about the Argentine poet, born in San Juan, Jorge Leonidas Escudero. His voice -speaking and reading- is the thread that brings together the experience as a gold digger in the San Juan mountains, the enthusiasm for games of chance, poetry, nature. The player loses, however he insists. Poems, friendship and humor remain, the celebration of the spoken word.

A moving discovery is made while walking through the streets of Paris. Part documentary, part loaned archive, but completely a declaration of love.

A moving discovery is made while walking through the streets of Paris. Part documentary, part loaned archive, but completely a declaration of love.

A film of and through the trees. Leaves catch, consume and resist the light through the seasons.

Since the end of the 90’s, more than thirty teenagers have taken their own lives in Las Heras, a southern town in the province of Santa Cruz. There were no indications of the causes for these suicides, and no one can explain what happened. Based on those deaths, and others that still occur today, this film evokes those existences, trying to examine the emptiness and the mystery that surrounded their lives and deaths.

Since the end of the 90’s, more than thirty teenagers have taken their own lives in Las Heras, a southern town in the province of Santa Cruz. There were no indications of the causes for these suicides, and no one can explain what happened. Based on those deaths, and others that still occur today, this film evokes those existences, trying to examine the emptiness and the mystery that surrounded their lives and deaths.

Since the end of the 90’s, more than thirty teenagers have taken their own lives in Las Heras, a southern town in the province of Santa Cruz. There were no indications of the causes for these suicides, and no one can explain what happened. Based on those deaths, and others that still occur today, this film evokes those existences, trying to examine the emptiness and the mystery that surrounded their lives and deaths.

Between January 2019 and May 2020, Adriana Lestido undertook a journey, without company or assistance, through the Arctic Circle and the Svalbard Islands, a frigid and inhospitable region shared by Norway and Iceland. During those months, Argentine photography recorded, in all its splendor, a still unknown ecosystem.

Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.

Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.

Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.

The omnibus feature SUCESOS INTERVENIDOS consists of shorts by a who’s who of Argentine documentary and experimental-film giants, including Edgardo Cozarinsky and Gustavo Fontán but also Claudio Caldini, Andrés Di Tella and Gabriela Golder. Each one of them created a piece of a few minutes in length using archival footage from SUCESOS ARGENTINOS (“Argentine Events”), a popular newsreel series from 1938 to 1972 whose episodes have recently begun to be digitized by Buenos Aires’s “Pablo C. Ducrós Hicken” Film Museum.

The omnibus feature SUCESOS INTERVENIDOS consists of shorts by a who’s who of Argentine documentary and experimental-film giants, including Edgardo Cozarinsky and Gustavo Fontán but also Claudio Caldini, Andrés Di Tella and Gabriela Golder. Each one of them created a piece of a few minutes in length using archival footage from SUCESOS ARGENTINOS (“Argentine Events”), a popular newsreel series from 1938 to 1972 whose episodes have recently begun to be digitized by Buenos Aires’s “Pablo C. Ducrós Hicken” Film Museum.