Tadhg O'Sullivan

In a small house, on the Irish coast, a woman writes a letter to an unknown correspondent. She ponders the evanescence of memory and art. Her home brims with traces of life—faded photographs, scattered artworks, some unfinished. All is shrouded by the constant murmur of the sea: that vast canvas of everything that was and will be.

When her mother Nuala goes missing somewhere in Ireland, artist Myrid Carten returns from London to find her. Her search takes her into a feuding family, a contested house; and a history that threatens to take everyone down, including herself.

Naofumi Yximalloo Ishimaru is an obscure cult musician who has spent most of his 57 years on the fringes of music and society. Perennially uncertain of what he wants, Naofumi is constantly moving - drawing people to him before pushing them away and setting out alone once more.

The story of Irish farmer Thomas Reid who, for years, has been locked in a grueling battle with his neighbor - U.S. microchip manufacturer Intel who want to expand into Reid’s land.

This is a beautiful and poetic cinematic ode to our moon. Made primarily from international cinematic archives in combination with literary fragments and original moonlit cinematography filmed across five continents, To the Moon steps lightly through the ages and ideas that people have drawn from the moon to create a meditative work.

‘The Great Wall has been completed at its most southerly point.’ So begins Kafka’s short story ‘At the Building of the Great Wall of China’, and so, at Europe’s heavily militarised south-eastern frontier, begins this film. In the shadow of its own narratives of freedom, Europe has been quietly building its own great wall. Like its famous Chinese precursor, this wall has been piecemeal in construction, diverse in form and dubious in utility. Gradually cohering across the continent, this system of enclosure and exclusion is urged upon a populace seemingly willing to accept its necessity and to contribute to its building.

In a small house, on the Irish coast, a woman writes a letter to an unknown correspondent. She ponders the evanescence of memory and art. Her home brims with traces of life—faded photographs, scattered artworks, some unfinished. All is shrouded by the constant murmur of the sea: that vast canvas of everything that was and will be.

In a small house, on the Irish coast, a woman writes a letter to an unknown correspondent. She ponders the evanescence of memory and art. Her home brims with traces of life—faded photographs, scattered artworks, some unfinished. All is shrouded by the constant murmur of the sea: that vast canvas of everything that was and will be.

When her mother Nuala goes missing somewhere in Ireland, artist Myrid Carten returns from London to find her. Her search takes her into a feuding family, a contested house; and a history that threatens to take everyone down, including herself.

Naofumi Yximalloo Ishimaru is an obscure cult musician who has spent most of his 57 years on the fringes of music and society. Perennially uncertain of what he wants, Naofumi is constantly moving - drawing people to him before pushing them away and setting out alone once more.

The story of Irish farmer Thomas Reid who, for years, has been locked in a grueling battle with his neighbor - U.S. microchip manufacturer Intel who want to expand into Reid’s land.

This is a beautiful and poetic cinematic ode to our moon. Made primarily from international cinematic archives in combination with literary fragments and original moonlit cinematography filmed across five continents, To the Moon steps lightly through the ages and ideas that people have drawn from the moon to create a meditative work.

This is a beautiful and poetic cinematic ode to our moon. Made primarily from international cinematic archives in combination with literary fragments and original moonlit cinematography filmed across five continents, To the Moon steps lightly through the ages and ideas that people have drawn from the moon to create a meditative work.

This is a beautiful and poetic cinematic ode to our moon. Made primarily from international cinematic archives in combination with literary fragments and original moonlit cinematography filmed across five continents, To the Moon steps lightly through the ages and ideas that people have drawn from the moon to create a meditative work.

‘The Great Wall has been completed at its most southerly point.’ So begins Kafka’s short story ‘At the Building of the Great Wall of China’, and so, at Europe’s heavily militarised south-eastern frontier, begins this film. In the shadow of its own narratives of freedom, Europe has been quietly building its own great wall. Like its famous Chinese precursor, this wall has been piecemeal in construction, diverse in form and dubious in utility. Gradually cohering across the continent, this system of enclosure and exclusion is urged upon a populace seemingly willing to accept its necessity and to contribute to its building.

‘The Great Wall has been completed at its most southerly point.’ So begins Kafka’s short story ‘At the Building of the Great Wall of China’, and so, at Europe’s heavily militarised south-eastern frontier, begins this film. In the shadow of its own narratives of freedom, Europe has been quietly building its own great wall. Like its famous Chinese precursor, this wall has been piecemeal in construction, diverse in form and dubious in utility. Gradually cohering across the continent, this system of enclosure and exclusion is urged upon a populace seemingly willing to accept its necessity and to contribute to its building.