Martin Hrebeň

Acting

Martin Hrebeň

Born 1976-01-24 · Československo, [dnes Slovensko]

Martin Hrebeň played his first role as a 10-year-old in Martin Sulík's film Staccato. The role that made him famous was the embarrassed red-haired boy, the orphan in the film Freckled Max and the Ghosts and in the series Aunt. At the age of 13, he began performing at the LUDUS Theater. Despite his rich acting experience, he was not accepted to the conservatory because he did not master playing a musical instrument. He is no longer involved in acting.

Acting credits

No artwork available
7.0

A TV movie about little rascals, two brothers who are forced to run their own farm. In the two-part TV movie, you will get to know the brother duo - Martin and little Karel, whose life stories will amuse you, but their surroundings will sometimes despair because of them. But how are they supposed to get along without going on a rampage when they have so many worries?! - help their dad save up for a house, take care of the household, protect themselves from the terrible violin fiddling of the neighbor, solve the problem with the found treasure and most importantly: find a new mom.

Čertiská

1989

No artwork available
8.0

A father/son get-together trying, in their inept way, to do some repair work to their home that they have out in the country.

Boy's Vacation

1989

No artwork available
NR

No synopsis available yet.

Teraz sa už nehráme...

1987

Freckled Max and the Spooks poster
6.0

A parody of Frankensteinian stories. It is a story of a little boy, an orphan who arrives at the Castle of Count Frankenstein - a world inhabited by mysterious and sometimes a bit ridiculous scary creatures. Although each one of them is different, they all share one thing: they feel lonely and they are desperate for a little love and affection.

Freckled Max and the Spooks

1987

No artwork available
NR

No synopsis available yet.

Koleso osudu

1991

The Southern Mail poster
6.8

Based on the eponymous novel by Ladislav Ballek. An aging man wanders through a familiar rural landscape, triggering memories of his blond-boyhood in a small town. As he recalls everyday lives, adventures, and background events - war’s end, shifting borders, loyalties - the boundary between real and imagined blurs.

The Southern Mail

1988