Mikhail Eliseev

The film tells the story of the final years of the life of Nicholas II, the last emperor of Russia. It follows his devoted wife, Empress Alexandra; his son, Tsarevich Alexei; his daughters, Grand Duchesses Olga, Tatiana, Maria, and Anastasia; and his brother, Grand Duke Michael Alexandrovich. The love and loyalty of those closest to Nicholas accompanied him through the most difficult years of his life. But they could not protect him from betrayal. The treachery and cowardice of members of the Romanov dynasty, politicians of every kind, and generals who had sworn allegiance to the throne ultimately led to the collapse of the empire. The story of the imperial family unfolds against the backdrop of a tragic turning point in history.

An ordinary working class boy, like all his peers, he played football day and night and dreamed of being a striker. But no matter which team he played for - in the yard, at the factory, or in the army - he was inevitably put in goal.

Russian troops occupied Paris. Russia became the first power in the world. Now everything seems possible. Young winners, guards officers, are sure that equality and freedom will come - here and now. For this they are ready to sacrifice everything - position, wealth, love, life ... and the country itself.

Vyacheslav Vorobyov is a soldier of the special division of the OMON. By coincidence, after one of the special missions, colleagues and commanders begin to suspect Vyacheslav of the death of a comrade. Wanting to rehabilitate himself in front of them and earn their trust again, the main character is called on an extraordinary dangerous business trip to the city of Nazran. There he meets a girl named Natasha, with whom he falls in love at first sight. Natasha accepts the young man's advances, and they form a relationship. But Slava hides his place of work and the purpose of his business trip. Natasha learns the truth only at the moment when Slava embarks on the most dangerous combat mission of his life.

In a military town, lost in the woods it's own life goes on. The town is quite well-being, but it has everything - good and bad. The investigator comes to the town, he's conducting the case of the theft of the forest in the area surrounding the military unit. Bitter enemies - Apraksin and Bragin are faced with a choice - to solve their personal problems or to eliminate bandits. The duty is stronger - both come into the battle with the criminal gang.

Timothy Petrov is chosen as the new ataman of the Cossack village. He is approached by a businessman from St. Petersburg — Zaretsky — and asks to sell him stanitsa land for the construction of the plant. The previous ataman refused Zaretsky, because the Cossacks want to build a Church on this land. Petrov's daughter, Katya, lives in St. Petersburg and sings in a folk ensemble. One day at a corporate party Katya is kidnapped. She manages to call her father and say that is the village of the Hat. The girl is beaten and thrown out of the car. Petrov urgently comes to St. Petersburg. Close to the village of the Hat in the ditch, he finds a half-dead Kate. The ataman takes the daughter to hospital — she is unconscious, and doctors can't guarantee that the girl will survive. Now Petrov wants only one thing — to find abusers daughter and take revenge on them. And blood Yes good name Cossack and life is not a pity to give!

This is a story of a great love facing the greatest drama of the history of Russia. Admiral Kolchak is a true war hero and beloved husband and father. One day he meets Anna, the love of his life and the wife of his best friend. The revolution in his heart faces the revolution in his own country His destiny is to become the Supreme Ruler of Russia.

During the post-WW2 reconstruction in Russia, bald-headed technocrat Drozhdov equates communism with the empowerment of the ordinary man over the arrogant "specialness" of genius. Dedicated scientist Lopatkin takes refuge in Moscow with the potty, brilliant old inventor Busko. Lopatkin works tirelessly on his invention, embarking on a roller-coaster of rejection and acceptance, his work vilified, plucked apart and plagiarized by colleagues, particularly by his nemesis Drozhdov. Drozhdov's wife Natasha, alienated from her cold, controlling husband, is increasingly drawn to Lopatkin, whom she knew when they both taught at the same school. Soon she runs away from her husband and happily keeps house for the two absent-minded ex-professors Lopatkin and Busko. Natasha is ready to give Lopatkin her own life, love and faith. Lopatkin is eager to sacrifice his life for the idea, doing the utmost for his motherland.

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It was a time with a rise of artistic life in the former capital of Russia. But the rise ended quickly and tragically with arrests and executions. Modern St. Petersburg and Petrograd of 1921 strangely and intricately intertwine in the mind of the director. The cruel, bloody, but romantic world of the first years of the Revolution converge with the artistic and domestic life of contemporary filmmaking on the same ground, on the same streets and squares.