André Brunot

Young sailor Edmond Dantès is wrongfully imprisoned, escapes, finds treasure, and reinvents himself as the wealthy Count of Monte Cristo to exact revenge on those who betrayed him.

César Dandieu is an honest cashier in an oil company, and Fernand Mouchette an absent-minded inventor. The latter comes to propose a new type of carburetor to the company when César has to hand in the day's takings to his superior.

On the meandering Canal St. Martin, at the Parisian Hôtel du Nord, a nearly fatal gunshot separates a dejected young couple. But, amid a sad but beautiful panorama of lively characters, love has the final say. Can life be a fairy tale?

No synopsis available yet.

New Europe presidential candidate Etienne Alexis is a scientist promoting artificial insemination for social betterment and therapy to eliminate passion. To celebrate his engagement to a cousin, he hosts an aseptic picnic, where Mother Nature asserts herself. A shepherd's flute conjures a windstorm throwing Alexis together with the luscious Nénette, a farm lass who, although unimpressed with men, wants to have a baby.

It's no holds barred for Julian in pursuit of upward mobility. Although expected to channel career aspirations into the Church of the post-Napoleonic era, his intensely romantic liaisons propel him forward at a pace he cannot control.

La Vie d'un honnête homme English: The Virtuous Scoundrel, is a French comedy drama film from 1953, directed by Sacha Guitry, written by Sacha Guitry, starring Michel Simon and Louis de Funès.

Story of an aging dandy who is the factotum and arranger of female conquests for a brusque young millionaire.

A student from an elementary school accidentally breaks the glass roof of his school. His comrades decide to support it by working during the summer holidays in order to pay for reconstruction.

To try solving the strange disappearances of 11 young Parisian women, the police obtain the services of Adrienne Charpentier, friend of the latest missing person.

The film is a 125-minute, black-and-white biography of French priest and diplomat Charles Maurice de Talleyrand-Périgord (1754–1838), who served for 50 years under five different French regimes: the Absolute Monarchy, the Revolution, the Consulate, the Empire, and the Constitutional Monarchy. Its title comes from one of the main historical nicknames for Talleyrand, that he shares with demon king Asmodeus and English poet Lord Byron.

A father wants to try by all means to avenge the death of his son, a test pilot, whose responsible is the attractive female star of a Parisian cabaret.

Surprised at the feet of the wife of Duke de Maulévrier, an influential academic, Hubert de Latour-Latour claims that he was only asking her to help him enter the Institute. The timing was perfect, as a seat had just become available.

1938, France, Paris, at the Superior Conservatory of Dramatic Art ("Conservatoire Supérieur d'Art Dramatique"). The first-year entrance exams are in full swing. Many applicants, few accepted. Isabelle (Janine Darcey) is one of the few chosen. She joins former students from the second and third years, including François (Claude Dauphin) and Cécilia (Odette Joyeux). They attend the drama class run by Professor Lambertin (Louis Jouvet). The young people, passionate and eager to become comedians, clash in tumultuous love affairs, because by dint of acting, they imagine that life is a farce. François, for example, is in love with Isabelle, who also loves him, but is pursued by Cecilia, his former mistress... "Put art in your life and life in your art!"

A specialist in the fight against cancer, a young doctor finds himself suffering from a terrible illness.

1824 in Issoudun. A bourgeois, Rouget, lives as a husband and wife, La Rabouilleuse, who holds him in her power. The old man's nephew, ex-Colonel Philippe Bridau of the Imperial Guard, swears to hunt the intruder.

No synopsis available yet.

Biography of Lucien Guitry, stage comedian, by his son, movie director, and a poetic reflection on the passionate love of both men for their chosen art forms.

The young King Boris of Neustria, who has followed his family in their exile in London, falls in love with the daughter of a wealthy American businessman. The latter, however, will only approve the union if Boris gives up royalty for the business world.

Having cured the local café owner, Diogène Leguignon becomes convinced that he is a healer and possesses the fluid. His wife sees the benefits of this gift and urges Diogene to exercise his power, particularly on a wealthy old man, M. Coq. Arlette Leguignon, however, is in love with a young doctor, who is violently opposed to her future father-in-law. Leguignon ends up condemned and, disgusted, no longer wants to look after others. When Mr. Coq dies, making him his legatee, Leguignon has to contend with the Coq family. This time, Doctor Martinet comes to his defense. The inheritance is used to build a clinic where Leguignon can carry out his experiments as a magnetizer.

In order for important British admiralty papers to pass into the hands of the Germans, the spy Gordon has the ingenious idea of ​​transforming a lamentable drunkard into a Lady, haughty but submissive to his orders. Stella's transformation is complete, the success extraordinary. Why must a French officer touching the heart of the former pochard bring down the fragile edifice? A submarine is about to blow up, Gordon is shot down and a confessed Stella returns to her horrible taverns to drown her sorrows in alcohol for good.

Antoine Mouret, an authoritarian restaurateur, is the head of a large family where, for reasons of interest, people only marry cousins. But some have other plans, Marcus especially when he meets a passing circus girl.

On the very day of his wedding, Valentin Le Barroyer sees the one he was to marry fly away. Hélène has always loved her cousin André, to the great displeasure of her aunt who had combined the failed marriage. The two lovers take refuge in the Dordogne at the home of Hélène's grandmother who believes them to be really husband and wife. Valentin finds the young couple too late, he only has to console himself with a friend of Hélène's.

The director of a private institution is the father of seven charming young girls. He has money worries. A rich bachelor, still young, a few years ago advanced him a large sum of money. He makes frequent visits to his debtor; the poor father, as mediocre a psychologist as he is a poor businessman, hammers himself in his head, not guessing that the visitor is reluctant to make his choice between the seven sisters.