Inge van Bruystegem

The series Auwch revolves around everyday painful and embarrassing situations in which the main characters are constantly getting into, with the familiar awkward silences result ... the apparent inability of men to understand women, is it often central, but also the awkwardness in dealing with friends and with fellow VIP's in their professional lives.

Paris, 1982. Franck and Serge are police investigators in charge of making a good catch in the Parisian porn industry. In order to infiltrate the mafia, they take over a peep show in Pigalle riddled with debts. In attempt to jump start the business, they begin to produce short porn films.

A vampire wants to live in a city that doesn't want her.

Bettina Rheims and Serge Bramly's Rose, c'est Paris is both a photographic monograph and a feature-length film. This extraordinary work of art, in two different but interlocking and complementary formats, defies easy categorization. For in this multi-layered opus of poetic symbolism, photographer Bettina Rheims and writer Serge Bramly evoke the City of Light in a completely novel way: this is a Paris of surrealist visions, confused identities, artistic phantoms, unseen manipulation, obsession, fetish, and seething desire.

A chase for a suitcase and a tragic love story. In one world, all the characters are in Black and White, but the backgrounds remain in color.

In this frenzied tale about passionate affairs, vicious cycles and fresh blood, a disillusioned older woman is trying to hide her true nature from the young girl she is dating.

The series Auwch revolves around everyday painful and embarrassing situations in which the main characters are constantly getting into, with the familiar awkward silences result ... the apparent inability of men to understand women, is it often central, but also the awkwardness in dealing with friends and with fellow VIP's in their professional lives.