József Tóth

A young boy after the Hungarian uprising of 1956, raised by his mother with the tale of an idealized dead father, has his world turned upside down when a brutish man appears, claiming to be his true parent.

The story of Venezuelan revolutionary, Ilich Ramirez Sanchez, who founded a worldwide terrorist organization and raided the OPEC headquarters in 1975 before being caught by the French police.

A young farmer in his thirties lives in deep poverty with his wife and children on a farm far away from the village. The driest summer of his life endangers everything he had built and created.

A subway enforcement officer working in the oppressively gray Budapest metro gets a chance at love — but first he needs to find out why passengers are jumping — or being pushed — to their deaths onto the tracks.

1839. The discontented noblemen assemble at the country estate of count Gábor Falussy, on the pretext of a boar hunt. Also an English engineer arrives for the sake of constructing the railway line leading up to the count’s quarry.

Directed, written, and co-produced by Zoltan Kamondi), Kisertesek ("Temptations") illustrates the struggle between ancient traditions and the modern world of restless young Marci (Marcell Miklos), a fatherless young man who is considered somewhat of an outcast within the community.

Lajos Mezei is an insignificant, average, middle-aged man. He works at the post office sorting letters using a machine. His life is but a series monotonous everyday events, but he has a passion that makes him different from his fellow humans. This passion replaces all human relationships and events in his life - he flees into a world of his own, hermetically sealed, which only he can understand and where he therefore feels safe. One day, however, his well-balanced life is turned upside down.

Karcsi, a Roma policeman, lives with Eva, a Swede. One day he is called to the scene of the murder of a wealthy trafficker named Schulter. He begins to investigate the crime, interrogate neighbours and suspects, and untangle a complex situation - one that he, himself, complicates even further. For he is a gypsy, who despite being adopted and raised by "regular" Hungarians, has his nose rubbed in his minority status every day. The film, which is based on the novel by Ákos Kertész, is a shrewd genre work full of dusky humour and surreal situations. Tabló follows a vivid succession of strange images that eventually lead to the emergence of the central story about a charismatic police officer on a tireless quest for the truth, though he must fight against virtually everyone and is just as fallible as the next person. Tabló makes a statement on the issue of race and racism - or, indeed, relations between any minority and majority.

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A dying old woman leaves her apartment to a young man on condition he marry her Romanian niece so that she can legally come to live in Hungary.

Feri returns home after a long stay abroad. He can’t even remember how long he has been away, and he has forgotten all his past, his family, his childhood. The reason for his amnesia is his strange addiction: his dependence on sugar.

A tale about an independent-minded university professor who leaves her family to travel across the countryside to visit a friend.

Based on a true story, a love affair develops between a half brother and half-sister. When pregnancy results and word gets out the public is outraged.

Three generations live side by side. The wilful, jack-in-all-pots grandmother blackmails the family with fake faintings, while grandpa suffers from cerebral sclerosis. Mother manages a fashionable hotel, she needs to look smart and unyielding, even when their weird uncle drives into the restaurant drunk. Father is an introverted, solitary teacher, who from time to time turns the home inside out in pursuit of his hobby, i.e. topography, and his mental balance. Suddenly unexpected things come to light about their teen-age daughter, Juli.

For this austere, clear and sharp telefeature, Judit Elek focused on the last months of Martinovics’ life: his interrogation by the Austrians, the examining Magistrate Schilling in particular, shown as a battle of wits as well as delusions on both sides. Elek had wanted to make this film in the early 1970s, but wasn’t allowed to. When she finally got the chance, the reactions were predictable, as the parallels with recent Hungarian history were simply too obvious for officialdom not to feel anxious. History may not repeat itself, but the variations look eerily similar.