Vlastimil Fišar

​In 1947 Prague, Holocaust survivor Dita lives in a hostel for orphans, acting as a protective mentor to a younger girl while failing to fix her own shattered life. Unable to form lasting bonds or find a place in a society that has moved on, she drifts through emotional isolation.

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The film was based on the novel "Milión" by Karel Štorkán. The book and the film depict the events surrounding the great construction disaster in Prague in 1928, in which 46 construction workers died. The disaster thrilled the entire republic at the time, yet was never fully explained. The filmmakers focus on the story of Ing. Vondrák, the designer of the construction.

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Late at night Eva Trojanová returns home to an agitated husband; three days later, her body is found with bruises on her neck. Her spouse, missing after a business trip, becomes the prime suspect and flees to northern Bohemia. When investigators learn he is innocent, Captain Hart continues pursuing him, not as a criminal but as a desperate man whose plight may endanger himself or draw him into conflict with the law.

The distressing fate of the Czech great Jan Amos Komenský, forced to leave his homeland after the White Mountain disaster. It depicts his encounters with various European personalities of the 17th century - the Queen of Sweden, artists and scientists. It emphasises the hero's nobility, but also his inner resilience, which allowed him to overcome many personal and professional tragedies. The parable of The Labyrinth of the World and the Paradise of the Heart becomes part of the story. However, Comenius's concept is sculpturally lifeless and, in particular, the religious dimension is "erased" from it. The simplistic biography therefore does not avoid schoolboyish dryness.

To the intolerant and bloody-minded Prague actor Bergner (Milos Kopecký) is the lead in Moliere's Misanthrope which he is studying now as tailor-made. On top of that he is malicious and he advises to the new actress Helenka (Dagmar Havlová) in such a way that she upsets the theatre director. If Bergner accuses somebody of a mischief and he is wrong, he never apologizes. When he almost crashes an older elegant lady by his car on the zebra crossing, instead of an apology he calls her an old ballet dancer... But in Brno's TV he takes part in a discussion on manners and he gives himself as an example of good manners and grace. In the train he meets a magic old man (Ladislav Pesek) who warns him and admonishes him to change his behavior. After he arrives to Prague the old man's threat comes true.

The Czech revival movement is divided at the end of the first half of the 19th century. While the older generation, such as František Palacký, urges restraint, students lean towards radical positions. A report on the revolutionary events in Paris prompts Czech Prague residents to write down the demands of the Czech nation for self-determination and the proclamation of a constitution. Tensions peak during the All-Slavic Congress in Prague's Žofín. Vienna rejects the Czech demands and the congress is brutally dispersed by the Austrian police. Prague begins to build barricades...

A smaller town has its own newspaper. The editor, Stanek, works there and is concerned with status and a comfortable life. His teenage son has his own problems and doesn't understand his father's attitude. Conventional morality without real critical passion.

A Czech film comedy about the ordinary days of an ordinary Novák family, about the confusion of finding and the winding road to wisdom...

Hubert Hrabe, known as Smart Boy, is a Prague dandy who is always skirting the edge of the law. Like every likable rogue, he has a worthy adversary - Police Inspector Mourek, who has long been trying in vain to put him behind bars. However, this defender of justice, who is constantly trying to outsmart his "own" criminal, ends up becoming the victim of his own zeal while hunting forgers that are as good as any in Europe, as Hubert the Smart Boy, sets a trap for Mourek

Lying in the construction industry used to be a criminal offence, but skilful people could do a lot of things. This somewhat embarrassing tragicomedy convinces us that even builders should be honest. The protagonist here is a moral designer who occasionally drops in to sing to enjoy something other than work.

Sunday in September 1977, a celebration of the Miners Day. The old Hepnar is sitting at the cemetery and is recalling events from ten years ago. That time the representative of the ministry Barvír announced at the miners meeting that mining in the mines would decrease. He reasoned this decision by the fact the deposits of coal are almost used up. The boss of the mine and most of the miners protested. Barvír did not take their critical objections into account. He announced at the communist district meeting the closure of the business as the mine according to new economic principles did not prosper.

The story of the chief prosecutor Dr. Klapka - a self-confident, cold-blooded, calculating man who lives in the comfort befitting his position - and his attractive wife. Dr. Klapka sues the factory owner Muller for murdering his brother and, years ago, his mistress for selfish reasons. The prosecutor has no direct evidence and must rely only on his oratory skills to propose the maximum sentence. In his desperate attempt to win the trial, he grabs at every straw. In this case, such a straw is a mysterious exotic stranger with alleged clairvoyant abilities to read the writer's character from a manuscript just by touching it with his fingers.

No synopsis available yet.

No synopsis available yet.

The film follows Karel Novák, who is appointed as the head of a research institute's new department. His ambitious wife, Eva, sees this as an opportunity for social advancement. She quits her job, turns their apartment into a hair salon, and begins networking with influential people. However, her efforts entangle Karel in a web of shady business dealings, including a dubious connection with a foreign company, Djungarden. As misunderstandings and comedic mishaps unfold, Karel finds himself in trouble with the police, while Eva struggles to maintain control over their chaotic rise in society.

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A car deliberately runs down a young man on a road by a small border town. The locals recognize the dead man as one of the students who were there on volunteer work some time before. The police detectives, Major Kalas (Rudolf Hrusínský) and Lieutenant Varga (Radoslav Brzobohatý) can then get on the trail of the people with whom the victim was involved, especially at the photographic studio headed by Bohuslav Pacer (Bohus Záhorský).

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Luděk Krejza, a tile-layer, returns from prison after serving time for manslaughter. In a retrospective, the viewer is introduced to his story. It is a not very well-known film, which with the passage of time has completely disappeared from the awareness of even the more deeply informed interested in domestic cinema. The song "Dudes, you're on" is sung by the Yo Yo Band.

The management of the Meteor motorcycle factory is forced by a representative of the central headquarters to accept the expensive design of a racing machine and abandon the unfinished prototype of a folk motorcycle of their own design. However, the factory's workers and technical team decide to complete the prototype of the "Pepíky", as they call their five-hundred-horsepower motorcycles, ahead of schedule.

Two people scarred by a wartime past meet again years later during an archaeological dig. But the silent, inaccessible man in particular is reluctant to admit to anyone his harrowing experiences in a Nazi concentration camp, where he was the subject of horrific medical experiments.

No synopsis available yet.