Julija Steponaitytė

A slow, continuous zoom focuses on the Armenian mountains above an ancient riverbed, while the voices of two demons echo off-screen. Inspired by Michael Snow’s Wavelength, a hallucinatory meditation on disappearance.

Taking all that was great from the first instalment, the movie aims to be a wilder, leaner, faster-paced and even more entertaining anthology this time around, with a new crop of award-winning, visionary filmmakers from around the globe.

Sangaile, a 17-year-old spending the summer at her parents’ lakeside villa, becomes drawn to a free-spirited girl she meets at a nearby aeronautical show. As they grow closer, she begins to confront her fears and embrace a connection that encourages her to pursue her passion for flight.

A psychology postgraduate student escorts two patients and their nurse to a seaside psychiatric clinic. Along their journey, they break through each other's barriers, delve into the sources of their various traumas, and discover the lasting imprints left on their fragile souls.

It's a sad comedy about twenty something's generation and the question 'if somewhere is better?'

It’s a real challenge to get into the girls dormitory. You have to be careful, you have to be silent, nobody can notice you. Ben and Vega are sixteen years old. Ben and Vega are in love. Ben comes to Vega. Vega is waiting for Ben. You know the rest.

Normal people don't explode themselves!? Film was nominated for Sidabrine Gerve Award for Best Student Film 2013.

Featurette in which Julija Steponaityte and Aistė Diržiūtė reflect on one another's characters from The Summer of Sangaile "in character."

Twenty-five films from twenty-five European countries by twenty-five European directors.

A miniature movie, kids inhabit the landscape and communicate through the river, the sky, the air.

The story of a fifteen-year old girl who feels that her room, her district, her school and even herself is too small for her.

Three friends in their thirties meet up in downtown Vilnius after a long time apart.