Miroslav Babuský

A story of Karel Jaroš, an emotionally arid man, whose mother suffers from Alzheimer disease. It is not love, but the sense of duty that stops him from sending his mother to a mental institution. On the other hand, this way he can finally connect with her. And not just with her but also with his teenage son and with himself.

The last drop for Jan's resolution is the voluntary death of his father-in-law, whose strength and patience ran dry. Grandma made decisions about Grandpa's life, old age as well as the funeral. Jan is sure that he and his wife Olga are on the same route. He recalls his past life when he used to have his own will and dreams and he wants to live again with dignity and freedom. He longs to control his own life again. And his solution is escape from the present life. In this movie we watch, in parallel ,the fates of Jan's married daughters Olinka and Alenka and his sons-in-law Erik and Pepík.

Sons of two different natures come to live alone with their stroke-paralyzed father and their seriously ill mother. Libor, a religious teacher, with his wife Jana, and Jirka, an atheistic, indecisive and melancholic photographer, with his young son Dominik and his young lover Nikol. Both brothers have to cope with partner problems in addition to their parents' illnesses. Libor and Jana's relationship is marked by futile attempts to conceive. The divorced Jirka, who is thinking of going abroad, does not know how to treat Nikol, who is also ignored by the family. After three days, the father dies, which brings some reconciliation, but the problems of their relationship remain open.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

High school teacher Jiří is torn from his solitude and everyday life by an unexpected nighttime visit from his beloved younger sister, former seamstress Růžena. She tells her brother that she has run away from her husband Fanda, a textile merchant, because of his greed and vulgarity. However, Jiří later learns from his other sister, Tylda, that Růžena spent a lot of money and left her husband for a dragoon captain. The captain has now rejected his pregnant lover because he is getting married. Disappointed, Růžena believes that her brother has turned away from her because of her lie, and she decides to take a desperate step...

For those who love romantic fairy tales full of mysterious magic and spells, filming began in June on the story of Princess Mařinka and the young man Černoočko. The two meet secretly in the woods near the castle and dream of a future together. However, their love is a thorn in the side of Černoočko's grandmother, the witch Křivonožka, who would prefer her grandson to forget about Mařinka and devote himself to the craft of witchcraft. Therefore, she takes advantage of the opportunity when Prince Hubert arrives at the castle for a courtship, deliberately arousing Černoočko's jealousy and hoping that he will renounce Mařinka. However, Černoočko secretly transforms himself into a bird using a complex spell and flies to the castle to see for himself what is happening.

Loosely inspired by a real criminal court case. It took place in Prague and the Tatra Mountains between 1926 and 1928 and was later described as one of the biggest, if not the biggest, cases the pre-Munich Republic had ever seen. Nevertheless, the police and judiciary at the time failed to clarify and close the case in such a way that it would not raise legitimate questions long after the trial had ended. Even though the court handed down its verdicts, the case remained open in a way, and this is also reflected in the script, which remained faithful to the facts in its basic outline," says screenwriter Václav Šašek, author of the two-part television production The Trial of the Martyn Murderers...

Wild Swine is actually an ironic name for the great search operation of Prague's criminologists, who in a tangle of criminal activity of various kinds were digging around like wild swine before they managed to solve a complicated case. The story takes place in a variety of social spheres, from the Roma people to the world of Prague prostitutes and bakshellers to prominent people.

The two heroes of the film's story - the decent but dry engineer Zárub and the marriage swindler Majer - are granted this wish by the mysterious forces of the moon. The two men change their appearance, which, however, contrasts sharply with their unchanged characters and voices. The incomprehensible swap naturally becomes the source of many comic plots and situations.

Nineteen-year-old Pavel Kříž spends all his free time in Prague's arcades, bistros and discos with a group of thieves called Roby. Pavel has a high school diploma, but works as a window cleaner, and a large part of his income comes from the scams, scams and thefts of Roby's crew, to whom he supplies guaranteed tips. So he's not too happy when the cleaning manager assigns him a young temp, Jana Hálková. Although the girl makes no secret of her distaste for Pavel's way of life, a fragile emotional bond develops between them. But this cannot last in the environment in which Pavel moves. The young man gets into more and more trouble - part of Roby's party is caught by the police and he cannot find the money to pay back the debt. The situation escalates when a group of thieves kidnap Jana...

A directors autobiography about his debut during the rise of socialism.

Little Péťa visits his grandfather in the Krkonoše Mountains, where a swarm of bees settles on a tree. When Péťa disturbs it, the entire swarm attacks him, leaving him in a deep coma. Ordinary treatments fail, so Dr. Vrba insists on a beekeeper’s blood transfusion. Grandpa’s blood type doesn’t match, prompting a frantic search—ambulances, authorities, even foreign donors—to find a suitable beekeeper. After multiple transfusions from various volunteers, Péťa shows signs of recovery. With dawn breaking, hope returns as he awakens.

No synopsis available yet.

Even great love does not necessarily overcome a difference of morals - although the young hero is very much in love, he still rejects the comfortable and easy existence he could lead thanks to the family of his future father-in-law. A tediously moralistic comedy, it picks up with all seriousness the morality of a socialist man who has broken forever with petty bourgeois ideas. It is therefore too contrived, nor does it succeed in elevating the tawdry story in any way. A comedy about life's little and big compromises.

No synopsis available yet.

No synopsis available yet.