Lilli Holmer

In this wry comedy, the self-deceiving exploits of Lasse (Peter Hesse Overgaard), are shown, as he more or less innocently runs small cons on the people in his life, all the while sponging off of his girlfriend in a bohemian quarter of Copenhagen. He is a no-count, but fairly handsome young stud who imagines that he is some sort of art promoter, or is perhaps even a video artist himself.

The neighbourhood is tough. New-built concrete towers, which are not yet completely finished but already slum. Daily police raids. Daily suicide jumps from the roofs. Here lives Sally in a two-bedroom, with her parents and younger brother. Sally is dreaming big. She wants to be a fighter pilot, and she wants to be rich! She has already started her own business, collecting empty bottles and bits and pieces of scraps. And Sally don't care much for the immigrants in her area. She takes every opportunity to vent her inner racist. Turkish Zuhal move in with his family. "A new flock of Bedouins" Sally condescendingly comments. But what she does not know is that this will be one of the major turning points in her life ...

A comedy about girls joining the army in Denmark. Marianne joins to keep up a long family tradition as her brother won't. Both her brother and her boyfriend find her decision difficult to accept.

Thomas, a naive young dental student, faces a rather difficult challenge. His millionaire aunt, a bit of a sex nut, will give both him and his dental school millions if he can prove that he is sexually able and skillful. His schoolmates hear rumors of this trial, but understand the challenge to be for him to keep his celibacy.

Hermann works at NATO headquarters in Brussels and is only home on weekends. He is quite a male chauvinist. That is why his wife Merete has not told him that she has pursued a career in the army and become a lieutenant. In Merete's regiment, Senior Sergeant Vasby suspects her of being a spy because of her "mysterious" conversations with NATO. This develops into an amusing spy hunt, and many people get involved. When Hermann is called up again, he "forgets" to tell his wife.

The young headmaster of a boy's boarding school has decided that due to the virility of his young charges, they are a sort of national treasure. He believes that his school should become co-educational as soon as possible. In order to raise funds for the changeover, the boys stay behind during their summer vacation and temporarily convert the school into a love hotel.

Lieutenants Adam and Ditlev dream of being accepted into the Guard Hussar Regiment, and Captain von Rabenberg puts the two rivals to the test.

A girl inherits a string of industrial concerns that will become bankrupt by the inheritance tax unless the girl marries the son of the owner of a competing industrial concern.

Tine is in love with the young owner of a beautiful castle, Karsten. She has been dreaming about the castle since she was a small child and visiting her auntie, who is a neighbor to the castle. But an evil plot has been made to take the castle from Karsten.

This film is based on a true story, depicted in the novel of the same name, "Der kom en dag" (The Day Came), written by Flemming B. Muus. Quote: On April 9, 1940, we surrendered, under protest, to an army that broke all treaties, attacked our borders, occupied our country, and seized all executive power. But soon, the will to resist was born. Groups of people came together in a common desire to help win the war and liberate our country.

Who decides where the cupboard should go in a marriage? The film begins with three cheerful movers, Karl, Fredrik, and Lasse, struggling with a pompous cupboard because an accountant and his wife cannot agree on where it should go. Of course, they eventually agree. Mrs. Accountant is the one who decides. As the three stable brothers drive the moving van away, they run over a young girl. Her name is Lone, and she is the daughter of the accountant they were moving for. She is taken to the hospital with a broken leg. However, love has also entered the picture.

We follow two randomly selected destinies: two young girls whose data could have been taken straight from the police files, which contain so many human documents—many sad, but also many joyful, because a large proportion of those who were initially weak and frivolous are saved from the temptations of the big city.