Henry Hopper

Two outsiders, both shaped by the circumstances that have brought them together, forge a deep and lasting love.

A poetic road trip through Pulitzer prize-winning CK Williams' life over the course of 40 years.

The men of a small town on the edge of nowhere mysteriously disappear, one by one, leaving women and children behind to fend for themselves in a desolate and dreamlike world.

It's the fall of 1985. The intertwining tales of three 5th grade friends, Chris, Joe and Ted, unfold in the suburban paradise of Palo Alto, as the threat of a mountain lion looms over the community.

A performance artist turns up dead with a carrot up her butt by LAX. Three detectives interview her friends to find out who killed her and why.

A fashion photographer gets more than he bargained for when a roll of film in a used camera contains sinister imagery of high-society menace that sends him into a labyrinth of imminent danger.

When a wide-eyed 10-year-old girl visits her fathers insect laboratory, she receives an unorthodox education in genetics.

We are taken though the principal milestones of Hopper's biography, including his debut start in Hollywood, the meeting with James Dean and the influence he played upon him, his insubordination on sets and conflicts with the Hollywood directors which led to his black-listing, the years in New, the making of 'Easy Rider' (with an interesting connection of the ultimate road movie with the French new wave directors), 'Apocalypse Now', 'Blue Velvet', 'Colors', his fight with dependency on drugs and alcohol. We come to know Hopper as a complex artist, a valuable photographer who had always a camera on him and whose portraits or American life shots figure among the best in the genre, but also a rebel painter (who may still be rediscovered and become famous in posterity) and exquisite art collector.

Aspiring filmmaker Maja struggles to make a movie about punk rockers in Myanmar, and unwittingly becomes the subject of her own documentary..