Soula Athanasiadou

A Polytechnic student, Thanasis, shortly after the death of his mother, moves into the house of his forty-five-year-old brother Petros, who still lives in the atmosphere of the 60s. A former Polytechnic student, he too had formed a rock band with his friends, a group that they still try to keep alive in their free time. Thanasis sees on the doorstep of the house a woman who looks a lot like Eleni, his brother's former girlfriend. He watches her intently and realizes that it is indeed Eleni. She has come from abroad to attend a regular meeting of the old company, which no one seems to remember anymore.

No synopsis available yet.

What lies hidden in a nymphet’s soul? Lust for sex? Self-preservation? Childhood trauma? Father quest? Who can really see? A Police Officer who wants to bring Rosie back onto the right track does - but Rosie is too busy flirting with middle-aged men, destroying virtuous families and scheming her way up the social ladder, while also wallowing in seedy night clubs of the ’60ies wrestling Frida, the naked dancer hiding a rod, for Jim’s eyes only. Jim is not 100% sure which one of the two blondes he wants to kill so he might just make a serious mistake and kill Rosie. But is it really easy for a nymphet to be killed?

Two ambitious young employees land a job at the small store of an avaricious man, intending to stay there no more than a few months. But, fate has other plans in store for them. How many dreams must one sacrifice to find happiness?

A poor teacher, living with her disabled father and lazy brother, falls in love with a doctor. The doctor's mother tries to prevent the romance and helps get the teacher fired from the school. The teacher ends up becoming a singer, but she never forgets her lover...

Greek melodrama about a woman shunned by her family after being raped by her sister's husband.

18 year old Stefania is brought to a juvenile reformatory for young prostitutes. The institution is actually a prison, and one of the worst and most squalid of its kind. It's a real hell. Two dozens of ragged girls are crammed into a dormitory, locked by a thick iron door, two in each bed. Meals and work is carried out in other sections of the building, separated by iron bars. A young doctor shall investigate the newcomer. When they meet, they immediately recognize each other. It is Giorgos, the doctor that treated Stefania's mother a couple of years ago, and then had a little flirt with Stefania. He has been thinking of her ever since. He immediately falls in love with her, and wants to help her. Stefania is thinking about any possibility to get out from the prison. She flirts with the ugly yard guard Armandos, and with the truck driver coming with foodstuff, but in vain...

Petros, one of Greece's best athletes, decides to end his life with the help of his beloved wife Anna in order to escape his incurable illness and the terrible pain that accompanies it. Anna is then brought to justice on charges of premeditated murder. The trial unfolds through the testimonies of people close to them, who testify about the reasons that led her to this decision. During a break in the trial, mentally and physically exhausted, she cuts her veins and dies. Innocent or guilty? The answer to this question is left to the audience.

Yannis meets and falls in love with the leading actress of a play, Emma. She convinces him to propose one of his plays to the theater director. The director agrees to stage it, but in a more commercial version. Yannis feels guilty because he has allowed his play to be compromised and ruined. Soon, his relationship with the actress will be shaken by the weight of their character differences. He will eventually leave Emma, shortly before the play's premiere.

The everyday lives of some international football players before and after a big game.

This immensely successful remake of the 1929 foustanella classic was directed by Dinos Dimopoulos and quickly established its stars (Dimitris Papamichael and the beautiful Aliki Vouyouklaki) as the Greek cinema's top box-office draws. The story itself rigidly follows the conventions of its subgenre, although because Greek filmmakers were still churning out foustanellas for decades afterward, it hardly seems more dated than the original. Once again, it tells the tale of Mitros (Titos Vandis), a wealthy herd owner with a foster daughter named Astero (Vouyouklaki) whom he marries off to another herd owner, despite the fact that she and his son Thimios (Papamichael) are desperately in love. The other herd owner dies and Astero loses her mind a bit (although she doesn't wig out quite as spectacularly as Aliki Theodoridou in the silent original), but Mitros finally comes to the right decision and allows the children to marry.