Ferenc Pusztai

Based on true events, Mayflies is the story of a famous Hungarian assassin from the 1930s – Pipás Pista. It starts with his arrest, and it is revealed that he was born as a woman but lived with a male identity. In prison, while waiting for execution, he forms a relationship with Irma, a pastor’s daughter, who teaches him to read and write. Their relationship develops into a strong bond that results in clemency being granted for Pista. However, Irma must pay the price for it. Their ambiguous love story is still relevant 100 years later, when manipulation and corruption still affect our choices.

A mother with an affection to air-refreshers, a daughter looking down on her mothers job.

At a gas station in the middle of nowhere, a young man arrives to meet his father he hasn't seen for 30 years. On the same day, a van with four prostitutes breaks down at the very same gas station, on the way to Switzerland. The three days they spend together in the station change their lives forever.

Piroska is an overweight, alienated nurse who can’t resist cream-filled pastries. She works in the terminal ward of a hospital; her life is surrounded by death. One day she sets off to find her long-lost childhood friend. While tracing her recollections, she embarks on a paradox-filled voyage within her own memory and the memory of those she encounters.

A Hungarian journalist who is about to start a family journeys to the United States in the hopes of finding his own father, a scientist who went missing in the 1970s while working on a top secret military research project that examined 'voices' from outer space.

A Hungarian journalist who is about to start a family journeys to the United States in the hopes of finding his own father, a scientist who went missing in the 1970s while working on a top secret military research project that examined 'voices' from outer space.

A weekend hunting party in Transylvania becomes something darker when the true motives and histories of the hunters are revealed following a shooting.

An old woman flies past six floors after jumping from the roof of her apartment block. Six stories on the poor state of humanity, told with humour and rare imagination to the accompaniment of a pulsating soundtrack from Amon Tobin. A woeful burlesque set in the present by one of Europe’s most original contemporary filmmakers.

Tibor Malkáv is an andaverage 37-year-old man, who though not rich, leads a comfortable and uncomplicated life. All this changes when he finds out his mother is dying of cancer and the cost of surgery is well beyond his means. A one-eyed man known as the Cyclops offers Tibor a solution to his financial woes, however, there is a catch and Tibor has to kill someone in return. What follows is a chain reaction that has long-lasting and unexpected results.

In the late '90s Balazs's family is falling apart front of his brand new VHS camera he got for his 8th birthday.

At a gas station in the middle of nowhere, a young man arrives to meet his father he hasn't seen for 30 years. On the same day, a van with four prostitutes breaks down at the very same gas station, on the way to Switzerland. The three days they spend together in the station change their lives forever.

Based on the Hungarian novel "Our Street" by Sandor Tar, the film deals with a post-apocalyptic Hungarian-Ukranian village where everything is rotten, planes randomly crash, and only alcohol moves people around - no money, no electricity, only barter. In this wasteland, Ocsenas is the only hero, the one trying to survive amidst the savages and war, the one who helps everyone out, all while caught up in a love triangle that will define his future.

A Hungarian journalist who is about to start a family journeys to the United States in the hopes of finding his own father, a scientist who went missing in the 1970s while working on a top secret military research project that examined 'voices' from outer space.

In 1957 the Soviet Union decides to give Hungary the chance to choose the world's first cosmonaut, who can be the very first person in space. It seems like the best candidate is Lajkó, the gypsy spraying pilot.

Eszter, 16, is secretly in love with her English teacher, while Peter, also 16, is hopelessly in love with Eszter. One day, the teacher announces that he is leaving the school to move to London. That same day, Eszter receives a farewell e-mail message from him. An online affair begins and spirals into sexual abuse.

Andor Czettl, in his early sixties, visits the secret service archives one day to read into the reports about himself and discovers a shocking fact. His very best friend János Pásztor was an informer, spying on him and writing reports about him for decades. Sára Cserhalmi's first feature focuses not so much on the actual problem of informing and betrayal as on the contradictory relationship of the two protagonists. It avoids any final judgments. First and foremost, it seeks answers to questions like how an informer can live in our present times and how the one being reported on can cope with this state. Can a close friendship that began decades ago last if such betrayal comes to light? How can someone live and cope with this fact?