Justus van Oel

Jonny, a deadbeat groomer, follows a young woman through the streets of Amsterdam to find out if she is the girl he accidentally killed in a recurring dream, a hallucination or, worse, a memory.

The new bank manager tries to get rid of two difficult bank employees by playing them off against each other in a devious way. Looking for weaknesses, acquired privileges are withdrawn and one employee is used to catch the other committing fraud. The pressure continues to mount. Then a former customer is brought in, a man bent on revenge who still hasn't gotten over a bankruptcy from the distant past.

In the TV film Polonaise, traffic jams have grown into a phenomenon in which traffic jam call girls, hairdressers and photographers enliven the endless delays. The film follows a number of people in a jam on the A5. The central character is a Pole in an expensive Saab Convertible, who is wanted by the police. A red Panda carries the heavily pregnant Hilde and her cynical sister. Hilde is worried because she has not seen her friend anymore after a quarrel. In an old Saab, a young couple is bickering. She is a `yuppie cunt' who stakes her marriage for a parking licence and is tired of her husband smoking dope. Charlie the music promoter is driving his son's car. He likes traffic jams, because they allow him to settle his deals undisturbed and meet his secret love, the traffic jam call girl Nena. While the characters are confronted with each other and themselves more and more, tension rises to a peak. A radio pirate connects the story lines with his chatter.