Irma Perrot

Not content to be an austere judge, M. de Méricourt is also a domestic tyrant. He terrorizes his son René to such an extent that the young man has dared not confess to him that he has married. As can be guessed, a lot of confusion ensues.

Germaine Moreuil's insane jealousy triggers such violent marital quarrels that the spouses file for divorce. When Germaine's parents find out, they sham a fierce spat to disgust their daughter and her husband with the pathetic spectacle of a couple at loggerheads. But just as their farce is on the brink of becoming a tragedy, events combined with the blunders of all four happily reconcile everyone.

Mathias Pascal, only son of a once-rich family, marries beautiful Romalinda, who has a terrible mother-in-law. She controls her daughter, and soon his home life becomes a nightmare. His only moments of lights are his mother and baby, but both die on the same day. Shocked, he leaves his hometown and goes to Monte Carlo, where he wins a fortune at the casino. Returning home, he reads his own obituary in a paper. They have found a corpse in a creek and connected it with his disappearance. Mathias, noticing that he is now free from all ties to his old life, decides to start a new one.

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Jean Bonnard, clean-cut industrialist and the only son of a widow, goes to visit his mother in the small village where she lives. However, early in the morning the police arrive to arrest him, accusing the man of having murdered the old banker who'd made advances towards his girlfriend. Jean's mother is eager to aid her son, whom she believes is innocent. Said Epstein of his film: "I shot small landscapes in Livilliers which seemed to me-- in their reality, I mean-- very large".

The Dark Russian Tragedy. The unspeakable sufferings of an entire tyrannical people are evoked in an impressive synthesis, and the visions of horror follow one another almost without interruption. a martyrdom without precedent in the history of the world.

Everyman Coupeau's attempts to stop drinking are routinely thwarted by the wicked and vengeful Virginie. Based on Zola's novel, Capellani's film is about the free fall of a group of working-class French folk into degradation and tragedy due to carelessness, jealousy, and alcohol abuse. At the time of its release, L'Assommoir was hugely successful.