Evelyne Istria

Director of a care facility for the elderly, Marie-Lou strives to introduce an innovative care philosophy based on listening and respecting residents’ dignity, despite resistance from part of her staff. Her encounter with Mari, a Japanese theater director battling cancer, will profoundly reshape her path. By forming a deep, supportive friendship, the two women join forces in a shared struggle to make the impossible possible.

Julie and Mathieu, soon after meeting for the first time, embark in a quest across Paris to stop one of Mathieu’s pupil at school from doing anything stupid after finding a troubling love letter. Inside Mathieu’s old little car, the two characters mix like oil and water, with the math teacher’s carelessness for others not going so well with Julie’s larger than life personality. The more Mathieu discovers some fragility under Julie’s exuberance, the more the two become inseparable.

Yannick is a caregiver in a retirement home. Between permanent pressure and budget restrictions, he faces the lack of means with a contagious good mood. But when he is forced to share the dining room with a class of children, the situation becomes complicated. Their arrival, as well as that of his hostess, Aude, will shake up the daily life of everyone, especially the residents.

In the eighth month of her pregnancy, which she is struggling to fully accept, Lucile discovers that her paternal grandmother is not dead, as she had always been told, but is alive and well in a small village in the Morvan region. Does this secret hide a terrible curse that would strike all the boys in the family and threaten Lucile's child? Or does it hide other family secrets? Against the advice of her loved ones, Lucile leaves for Morvan, determined to face the ghosts of her past...

Christel and Christoph have no education, no morals - they are working as servants in wealthy homes in order to clean out their hosts. Having decided to combine their talents and efforts, they are starting to work in the the house of Therions - wealthy bourgeoisie of Mulhouse...

Mise-en-scène of the classic tragedy of Sofocles, carried out by Antoine Vitez in the National Theatre of Chaillot

Fred works for an insurance company as a computer engineer. He is bored with enduring the trials of his shrewish wife, so, after using actuarial tables to calculate the most common means of death, he cleverly prepares the family bathroom and brings about her demise. For a while he is content with his new freedom, but then he recognizes that a friend is in a similar situation.

In Paris, in 1942, on a Thursday, the Parisian police herded together some 13,000 Jews for deportation to German territory. In this story, Paul (Christian Rist) is a teenager who tries to prevent this from happening. At first he attempts to save two elderly Jews, but they are resigned to their fate and comply with the order to assemble. For a short while, he is able to keep Jeanne (Christine Pascal) from joining them, but, after a long and strenuous day, she finally escapes from him he is too tired to chase after her.

A young couple of burglars, waiting for trial, marry in jail. Annick writes down her observations of the women's ward. When she hears that her lover must serve a twice as long prison sentence, she plans their escape.

We are in 1814, in Auvergne, in the dark fir forests of Livradois, near La Chaise Dieu. Gaspard and his beautiful cousin Anne-Marie see their love thwarted and their lives disrupted because of a treasure that an old uncle, who made his fortune in Guadeloupe, buried in the mountains of Auvergne.

A plain in the countryside. The wind is blowing. A white fabric flutters in the wind. Grey clouds. A farm. A hand pushes a bucket into a well and the chain keeps turning.

Police Commissioner Jules Maigret returns to the small village where he spent his childhood at the request of the Countess of Saint-Fiacre, who has received a disturbing anonymous letter.

When Grover's Corner, a small, uneventful American town, becomes a mirror to an entire society. This Pulitzer Prize-winning classic of American theater, adapted here for television, portrays the Gibbs and Webb families, captured in the immutability of their daily lives in the 20th century.