
Directing
Balz Raz
Born
1943-09-11 (83)
Place of birth
Basel, Switzerland
Known for
Directing
Credits
7 titles
BALZ RAZ, born September 11, 1943 in Basel, Structural draftsman, lighting technician at the Stadttheater Basel, studied at the German Film and Television Academy in Berlin (1967-1970), scripts, night work at the post office, Collaboration on various films, including "TransAtlantique" by Hans-Ulrich Schlumpf, since 1972 Super 8 film diary (meanwhile approx. 24 hours of film material), own films, since 1976 single sets, postcards, since 1982 exhibitions with pictures and objects in Basel and surroundings, 1984/85 anthroposophical study year, co-founder of the "Edition 350" (so far 18 titles, among others by Peter Handke and Antonio Porchia), three books of short stories, readings in Switzerla…
Known for
NRNo synopsis available yet.
Filmtagebuch 2002
2002
NR«My Filmdiaries, which I’ve been making since 1972, contain pictures of clouds, railway stations water, shadows, flowers, stairs, trees, rails and people; they are light, form and movement. The images, always 18 per second, are arranged as they were filmed and are captured on colour or black and white on super 8 film. The only sound is the noise of the projector and – depending on the spectators – a question, an exclamation, a cough, a laugh or fragments of conversation in the flickering darkness of the room.»
Filmtagebuch 2004
2004
9.0On the last voyage of the Italian ocean liner EUGENIO C. from Genoa to Rio de Janeiro, Zurich-based ethnologist Roger Wiedmer meets Brazilian Zaira Gelbert. He wants to repeat the journey to the Indians of the Amazon described by Claude Lévy-Strauss in "Tristes Tropiques" some forty years later and begins with the first chapter: "La fin des voyages." Zaira Gelbert returns to her roots in her homeland after a two-year stay in Europe. The love story between the two—which lasts the eleven days of the crossing—becomes a dialogue between two cultures. The encounter with Zaira opens Roger's eyes. Now he perceives the sea, the ship, and above all the passengers with their stories. He meets emigrants, poets, first-class passengers, tourists, crew members, priests. A stowaway is also traveling with them.
TransAtlantique
1983
NRFilm by Balz Raz.
Parallax
1986
NRFrom 1976 and until today I write "Einzelsätze". The entire work has the title "FILOUSOPHISCHES".
FILOUSOPHISCHES
—
NRExperimental 16mm film
Abbilder des Todes
1967
Film credits
Behind the camera
NRNo synopsis available yet.
Filmtagebuch 2002
2002
NR«My Filmdiaries, which I’ve been making since 1972, contain pictures of clouds, railway stations water, shadows, flowers, stairs, trees, rails and people; they are light, form and movement. The images, always 18 per second, are arranged as they were filmed and are captured on colour or black and white on super 8 film. The only sound is the noise of the projector and – depending on the spectators – a question, an exclamation, a cough, a laugh or fragments of conversation in the flickering darkness of the room.»
Filmtagebuch 2004
2004
NRFilm by Balz Raz.
Parallax
1986
NRFrom 1976 and until today I write "Einzelsätze". The entire work has the title "FILOUSOPHISCHES".
FILOUSOPHISCHES
—
NRExperimental 16mm film
Abbilder des Todes
1967
NRShort film.
Late May 1989
1989
