Marta Kubišová

Three loosely-connected tales that represent different aspects of love: temptation, dreams, and adventure.

No synopsis available yet.

'The Magic Voice of a Rebel' portrays the story of the Czech singer Marta Kubisová, who without never intending it, became a symbol of freedom for all generations in the newly free Czhecoslovakia in 1989. It is Marta herself who tells us her life story and how the Soviet invasion in Czechoslvakia in 1968 changed her life. Because of her deep involvement in the Prague Spring movement, she went from being the most popular singer in the country to being banned and suffering a sudden removal from the public scene by the new authorities imposed from Moscow. She refused to escape to exile and together with other banned intelectuals and artists became a disident instead. Blacklisted and persecuted by the secret police, she also suffered the betrayal of beloved people who were collaborating with the regime.

The exemplary accountant Antonín Safránek lives his orderly life as a citizen of a small town. His wife Eliska brings up their three children and desperately tries to get by on her husband's low salary every month. At the same time, she sadly watches the luxurious life of their neighbor and other people like him who have no qualms about improving their standard of living by cheating. One day, the infallible Safránek makes a mistake in the cash clearance and there are nine one-hundred Crown bills left in the safe. An unexpected company control carried out the next day passes without problems and the account is closed. The temptation is too strong. The insufficient control enables Safránek to gradually steal one million Crowns.

Ester Krumbachová - a costume designer, screenwriter, director; one of the boldest personalities of the Czech New Wave. She worked in theatre, she was a writer and an illustrator. She co-created films such as O slavnosti a hostech (1966), Sedmikrásky (1966), Vsichni dobrí rodáci (1969), Pension pro svobodné pány (1968), Valerie a týden divu (1970), Slamený klobouk (1972) and many others. In the 1960s, she was a 'pivot' of the art scene in Prague, attracting artists who were on the threshold of their career, just setting out to find their own form of self-realization. Those who underwent her tutelage remember her forever. Director Vera Chytilová talks to those who knew Ester Krumbachová, who worked with her, befriended her, loved her. She sets off on a search that is to end by answering the question: Who was Ester?

No synopsis available yet.

No synopsis available yet.

A musical portrait of the legendary Marta Kubišová, filmed just before the August 1968 invasion restricted her artistic activities.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Theodora Remundová’s documentary portrait looks at Iva Janžurová’s dramatic and comedic roles in both film and theater, as well as the roles she has played in her family and in social and political life. The director (Janžurová’s daughter) has created a film filled with the truthfulness, sincerity, and capacity for self-reflection of a woman who has devoted her life to acting. The use of clearly staged scenes is combined with an openly acknowledged effort to avoid the kinds of clichés usually found in biographical documentaries to create an organic whole that provides an overview of Janžurová’s pivotal roles while also sharing highly personal and intimate moments from her life. Vít Kořínek (kviff.com)

Karel Gott's concert is undoubtedly part of the Christmas tradition on Czech Television. The broadcast recording took place, as usual, at Lucerna in Prague on December 8 and 9 as part of the "Christmas Concerts – Karel Gott 1996" tour. Songs from the album "Zázrak vánoční" (Christmas Miracle) and the CD "Belcanto" were performed, as well as the ever-popular older hits and lovely guests invited by K. Gott to his program – Marta Kubišová, Petra Janů, Ilona Csáková, and Leona Machálková. The performances were accompanied by two orchestras – Karel Gott's Orchestra, conducted by M. Talián, and the Czech Christmas Symphony Orchestra, conducted by F. Preisler. And what would Christmas be without Christmas songs and carols? Of course, Karel Gott did not forget about them either. They will be the traditional highlight of the entire program, which will certainly contribute to the Christmas atmosphere in your home.

Getting into the popular music spotlight is not easy, as even an enthusiastic amateur, an overconfident young man whose singing career soon fails, will find out... A tantalising insight into the backstage of the entertainment industry, neither the musical passages nor the unexpectedly massive participation of the singing stars of the time succeeded.

Kameňák 2, inspired again by well-known and less well-known stone jokes (director Zdeněk Tročko received an incredible sixty thousand of them from the audience!) directly follows the first part, which ends with the gushing of a blue erectile spring from the rock at the Kameňákov castle. The miraculous effect of the blue spring on potency causes an unprecedented uproar in the town, and even old Kropáčková experiences its beneficial power. However, as suddenly as the spring appeared, it also disappeared. But did it really disappear? And where? The insidious granny Kropáčková knows this best, who in the second part becomes a terror to the young men in the town. The disappearance of the blue spring of a lucrative business has not let even the local mafia sleep. All traces lead unmistakably to the Kropáčková house in the manor house...

Taking a cue from Franz Kafka's "Letter to My Father," this highly personal film follows Czech director Jan Nemec as he attempts to engage in a dialogue with his deceased mother. While alive, Nemec's mother had a troubled relationship with her son; this rumination seems to be Nemec's public platform for coming to terms with unresolved familial issues. The director embellishes his film by linking personal events with 20th century history.

Medallion of the extremely successful star of the 1960s Marta Kubišová.