Debapratimm Dasgupta

Tiki-Taka is a ZEE5 Original sports comedy movie starring Parambrata Chattopadhyay, Emona Enabulu, and Ritabhari Chakraborty. The movie revolves around Khelechi, an African national, who comes to India with a football laden with narcotics to deliver it to P.K, who runs a drug cartel. However, in a comedy of errors P.K's men pick up the wrong guy, and Khelechi ends up with Raju, a con man.

'Aay Khuku Aay' tells the story of a rural father in the vicinity of Bolpur, W.B. who takes his girl to her wedding. Then?

Two cousins strive to reclaim their ancestral home, overcoming numerous obstacles with help from a doctor and lawyer. This heartfelt journey celebrates family bonds, blending tradition with the spirit of modern life.

Kaushik Ganguly will bring the story of dismissal in his new film ‘Palan’ in the context of 2022. The characters of Kharij will remain the same, the names will not change. The story will change a bit to keep pace with the context of this era.

In a fading North Calcutta Rajbari, Titli clings to routine after her husband Shaon vanishes. As Durga Puja nears, Megh arrives, an unexpected guest who brings warmth and a painful revel of thought. Amid rituals and memories, unspoken grief surfaces, stirring buried emotions, silent longing, and the ache of unfinished stories.

In the tranquil yet enigmatic village of Kaliachak, resides Asik, a bright student, who dreams of living a life as vast as the open sky. However, beneath the seemingly straightforward life lies a dark world of deceit and despair.

An old lady, Shobharani Basu, is found dead in her apartment. A self-appointed private investigator calls it a murder. What could be the cause of her death?

It's a story about an urbanized couple Tanvi and Nikhil whose life's pace revolves around their respective careers so much so, that they have no time to spend with each other or start a family. The film deals with motherhood, love, aspirations and priorities individuals make in their lives, touching upon major societal issues, solutions and trading of human emotions for personal benefits.

A gifted make-up artist gets entangled up in a world of crime with a psychopathic vigilante.

Adi is devastated after his girlfriend's death while Nayantara is left in shock after her boyfriend leaves her. Adi and Nayantara get married to each other but find it difficult to forget their past.

Four men plan to bring back the fun in their lives by planning a trip to Uzbekistan without informing their wives about it. However, their wives soon begin to suspect their intentions and chase them.

Sorting through a backlog of email proves nostalgic and illuminating for a young alcoholic.

The story of the film revolves around a cursed nightie which changes hands in a logical manner, not magically. The original owner of the nightie had experienced unfulfilled love, which ultimately led to a curse on it. A wannabe actress comes to Kolkata from a village in pursue of her career. She can cross all limits in order to become successful. She uses that nightie for seducing producers and she doesn't regret in what she is doing. The events that take place later form the climax of the story.

Mahendra Kumar Choudhuri, the middle prince of the Bhawal Estate was affected by syphilis and was taken to Darjeeling for treatment. He apparently died in Darjeeling and was cremated there. After 12 years, a Sanyasi shows up at the estate, arousing people’s curiosity and leading to a rumour that he is the lost prince of the Bikrampur Estate.

Nilkantha, an artist, is admitted in a mental asylum but even while undergoing treatment, he manages to write a play.

Three friends with stars in their are struggling in the Kolkata film industry to make it big as actor, director and screenwriter respectively, when they hit upon the perfect idea for a film, and make it into a script. But finding a producer to finance the film proves tougher than conceiving it; so they approach a diva both for starring in the film as well as producing it. Spurned even by her and at the end of their tether, they take recourse to the only option left - to play out the plot of the film in real life, which is to kidnap the heroine to raise funds by way of ransom. But unexpected twists ensue.

Five young people are driven by primal human instincts - to escape, find thrill, seek revenge or wait for destiny. And one old wizened man is trying to touch upon their minds.

Rudra is a pizza delivery man who lives with Anuradha, his girlfriend and an aspiring author. However, a horrific incident changes his life when he starts doubting Anuradha's existence.

Selfie is a film that portrays the multi-dimensional relation between a hero and a commoner. Soumitra Chatterjee, the iconic personality of Indian cinema comes across a guy who is his namesake. The second Soumitra Chatterjee is jeered at by people at different stages of his life. Worse, his fiancee seeks in his presence traces of the iconic Soumitra Chatterjee. His only solace remains in his own ventriloquist persona. Simultaneously, the legendary Soumitra Chatterjee meets the attractive woman who happens to be young Soumitra's love interest, but secretly pines for the old and famous Soumitra. The famous Soumitra has a bizarre dream in which this girl appears in a reality show called The BIG BOSS. He talks about this show in a television interview. The finale is a complex web of fantasy and reality involving these three protagonists.

Rwik and Sahana are journalists from Calcutta, who visit `Jhumura`, a fictitious village in Purulia to do a story on `Jhumur`, an almost dying folk art. The young duo meets an elderly couple, who are traditional Jhumur artists. Their conversation leads Rwik and Sahana to discover an unheard tale of love, hatred and compassion that commence with the tune of Jhumur and culminate in the serene locales of Purulia. This film is a lyrical saga that revolves around the life, love and struggles of Jhumur performers of Bengal.

Dr. Somshankar Roy, a social scientist, engages Swagato and Anwesha to create 'mock' crisis on the streets. The aim was to observe reactions of people to different forms of crisis happening around them, and to analyse and derive conclusions about human behaviour from them. But all theories and deductions go astray when they come face to face with a real crisis in their own lives and cannot decipher whether the crisis is MOCK or REAL.

A pre-teen servant boy dies of suspected carbon monoxide poisoning on a cold winter night in the kitchen. The household is suddenly plunged into psychological turmoil, torn between guilt and fear of a police investigation and the resulting scandal. As events unfold, the employer and his wife reveal their petty, hypocritical selves.

Burning with a desire to be a journalist, a young man gets his chance when a publisher -- the father of a friend -- suggests that he write a story on the daily life of the people in his house (several families worth of people). The material turns out to be too incohesive and abundant to work into a pointed, thematic article, and just when he is about to give up, his younger brother asks him a simple question: "How many coal burners are there in Calcutta?" This triggers an idea for a story about Calcutta's pollution -- and the aspiring journalist dreams of myriads of burner-toting citizens invading the publisher's home demanding redress. Maybe he is finally on the way to a story that matters.