Voltaire

When, in 1733, Voltaire, the most brilliant mind of his day, collaborates with Rameau, its greatest composer, in undertaking an ambitious reform of operatic practice, the result is the biblical opera Samson. But the libretto is condemned and the score lost – possibly reworked here and there in later compositions. Claus Guth and Raphaël Pichon, haunted by this interesting project that had turned into one of the most intriguing failures in operatic history, have tried, not to recreate the letter, but to revive the spirit: to marry a strong, noble libretto with the most eloquent music.

Concert performance of Bernstein's Candide, with additional connecting texts by Loriot (Vicco von Bülow). The world is absurd, and no one understands that better than Loriot. In this witty and whimsical adaptation of Leonard Bernstein’s operetta Candide, the legendary German comedian takes on the role of narrator, guiding the audience through Voltaire’s tale of optimism gone wrong. With sharp humor and elegant storytelling, Loriot adds his signature touch to Candide’s misadventures across war-torn lands, ill-fated romances, and philosophical catastrophes—all set to Bernstein’s dazzling score. A delightful blend of high culture and comedy, this Candide is as satirical as it is spectacular.

The story is based on Voltaire's tale "Le monde comme il va" ("The world as it is"). Sent by the genie who presides over the destiny of Persepolis (Paris!), the Scythian Babouc carefully informs himself of everything, to tell the genie whether or not to destroy the city. This is the pretext for a series of interviews, scenes taken on the spot or reconstructed in the studio. We meet a musician who lives for his art and a Marxist historian, both of them optimists in the end; but also a war widow and an economically weak old lady: while the "fureur de vivre" gives free rein to the Golf Drouot and socialites hide their turpitudes behind a façade of good manners. A large, poorly housed family bravely faces up to its fate, and the children are happy; a working-class household talks about the union struggle, inhumane working conditions and reasons for hope. Finally, a poet sums it all up by talking about his commitment to the service of mankind.

Inspired by a Voltaire tale, a satire of society and its values through the astonished and critical eyes of a newly arrived "ingénue" who ridicules all customs in order to marry the woman of his heart.

This is tragic comedy about how Candide was brought up in the best of all possible worlds, and how he was expelled from it; how he lost his beloved Beatrice and his master Azcarate; passing through existential storms and shipwrecks; of faith and encounters with the miseries of the universe; and how Candide wanted, at all times, that this was the last day of the world

When, in 1733, Voltaire, the most brilliant mind of his day, collaborates with Rameau, its greatest composer, in undertaking an ambitious reform of operatic practice, the result is the biblical opera Samson. But the libretto is condemned and the score lost – possibly reworked here and there in later compositions. Claus Guth and Raphaël Pichon, haunted by this interesting project that had turned into one of the most intriguing failures in operatic history, have tried, not to recreate the letter, but to revive the spirit: to marry a strong, noble libretto with the most eloquent music.

Concert performance of Bernstein's Candide, with additional connecting texts by Loriot (Vicco von Bülow). The world is absurd, and no one understands that better than Loriot. In this witty and whimsical adaptation of Leonard Bernstein’s operetta Candide, the legendary German comedian takes on the role of narrator, guiding the audience through Voltaire’s tale of optimism gone wrong. With sharp humor and elegant storytelling, Loriot adds his signature touch to Candide’s misadventures across war-torn lands, ill-fated romances, and philosophical catastrophes—all set to Bernstein’s dazzling score. A delightful blend of high culture and comedy, this Candide is as satirical as it is spectacular.

The story is based on Voltaire's tale "Le monde comme il va" ("The world as it is"). Sent by the genie who presides over the destiny of Persepolis (Paris!), the Scythian Babouc carefully informs himself of everything, to tell the genie whether or not to destroy the city. This is the pretext for a series of interviews, scenes taken on the spot or reconstructed in the studio. We meet a musician who lives for his art and a Marxist historian, both of them optimists in the end; but also a war widow and an economically weak old lady: while the "fureur de vivre" gives free rein to the Golf Drouot and socialites hide their turpitudes behind a façade of good manners. A large, poorly housed family bravely faces up to its fate, and the children are happy; a working-class household talks about the union struggle, inhumane working conditions and reasons for hope. Finally, a poet sums it all up by talking about his commitment to the service of mankind.

Inspired by a Voltaire tale, a satire of society and its values through the astonished and critical eyes of a newly arrived "ingénue" who ridicules all customs in order to marry the woman of his heart.

This is tragic comedy about how Candide was brought up in the best of all possible worlds, and how he was expelled from it; how he lost his beloved Beatrice and his master Azcarate; passing through existential storms and shipwrecks; of faith and encounters with the miseries of the universe; and how Candide wanted, at all times, that this was the last day of the world