Anne Cameron

A gambler and a prostitute become thriving business partners in a remote Old West mining town until a large corporation arrives on the scene.

David is a young man seduced by a religious cult that uses starvation, exhaustion, and brainwashing to mold recruits into money hustling disciples of a messiah-like leader. Chronicles David's chilling transformation into a gaunt, mindless shadow of his former self...and his ultimate salvation when friends and family launch a plan to kidnap and deprogram him.

An ex-junkie takes on seedy urban culture to try and locate his daughter.

Ian Tracey plays 11-year-old Peter, who is plagued by demons and sent to an institution for setting fires. Peter escapes and hops a freight train headed into northern B.C. He is befriended by a native shaman or "dreamspeaker" (George Clutesi). The shaman makes some strides but is unable to get to the root of Peter's problems. Peter is captured by the police and taken back to the institution where he slides down even further.

Part of the Daughters of the Country series, this film, set in the 1850s, unfolds against the backdrop of the Hudson's Bay Company's monopoly of the fur trade. In protest, some Métis engage in trade with the Americans. Madeleine, the Métis common-law wife of a Hudson's Bay Company clerk, is torn between loyalty to her husband and loyalty to her brother, a freetrader. Even more shattering, a change in company policy destroys Madeleine's happy and secure life, forcing her to re-evaluate her identity.

David is a young man seduced by a religious cult that uses starvation, exhaustion, and brainwashing to mold recruits into money hustling disciples of a messiah-like leader. Chronicles David's chilling transformation into a gaunt, mindless shadow of his former self...and his ultimate salvation when friends and family launch a plan to kidnap and deprogram him.

An ex-junkie takes on seedy urban culture to try and locate his daughter.

Ian Tracey plays 11-year-old Peter, who is plagued by demons and sent to an institution for setting fires. Peter escapes and hops a freight train headed into northern B.C. He is befriended by a native shaman or "dreamspeaker" (George Clutesi). The shaman makes some strides but is unable to get to the root of Peter's problems. Peter is captured by the police and taken back to the institution where he slides down even further.

Part of the Daughters of the Country series, this film, set in the 1850s, unfolds against the backdrop of the Hudson's Bay Company's monopoly of the fur trade. In protest, some Métis engage in trade with the Americans. Madeleine, the Métis common-law wife of a Hudson's Bay Company clerk, is torn between loyalty to her husband and loyalty to her brother, a freetrader. Even more shattering, a change in company policy destroys Madeleine's happy and secure life, forcing her to re-evaluate her identity.