Shōhei Yamamoto

The life of Tatsuya, a young man of proper yet mysterious descent, whose outward respectability hides his urges for rape and torture.

Junko pretends to be a yakuza and gets more than he bargained for when he is tasked with avenging the murder of a fellow gang member. If he turns the task down, he will face the consequences for betrayal.

Nishinari, Osaka— Katsuhiro Tokuyama (Ryu Gan), who had been living as a civilian, gives in to repeated pleas from his former comrades and revives the delinquent gang Tokuyama-kai. The Tokuyama-kai begins seizing territory one after another from local yakuza groups. However, a clash with Nishinari’s largest prostitution syndicate, Shiraku-kai, becomes inevitable. Shiraku-kai retaliates by murdering one of Tokuyama-kai’s members, Shinjiro Nakanishi (Kyosuke Yabe), and kidnapping Katsuhiro’s only son, Nishiki. Swearing vengeance for Shinjiro and the rescue of Nishiki, six men arm themselves with Japanese swords and head for the Shiraku-kai headquarters. Waiting for them are 100 elite swordsmen, the Shiraku-kai’s fearsome “Batto-tai.” Six against one hundred. The curtain rises on a brutal, fearless battle where death holds no meaning.

Three stories of moral sickness set during Japan’s prosperous Genroku era are told in this bloody follow-up to the sexploitation classic Shogun’s Joy of Torture, the politically incorrect moral lessons paint a trio of tales of tragic heroines caught up in violence, sadomasochism, incest and torture.

Kekko Kamen, the fearless heroine who wears red boots, a red mask, and nothing else, she has an uncanny way of destroying her opponents by stunning them with her private parts and proceeding to kick their butts.

Nozomi Hanada, the underboss of the Kanto Saiseikai Obara Group, lives his life on the path of chivalry while protecting his happy family with his wife Komaki and son Toru. One day, a major incident that shakes the Kanto Yakuza society breaks out. Nishimatsu, the chairman of the Saiseikai, decides to have the popular Obara succeed him, instead of the powerful Fukui. However, the ambitious Fukui is not satisfied with the decision and stabs Nishimatsu to death in order to take the chairman's position. He takes the outrageous step of putting the stigma of parent murder on Obara. Nozomi and his friends decide to fight to live the path of chivalry, but an even more cruel fate befalls them.

After assuming the title of second boss of the Obara Group, Nozomi Hanada begins a counterattack against the Kanto Saiseikai Fukui Group.

Li Mansei is a martial-arts champion turned undercover agent. When he is captured by a drug lord, his sister Li Koryu turns to his former martial-arts school, including the powerful Sonny Kawasaka, for help in the inevitable battle royale.

Pinku from 1967.

Kobe in the Showa era. Within the Hamasei-gumi, a branch of the Yamaga-gumi, there were two men known for charging ahead purely on emotion—the Okanaka brothers. The older brother, Hirokazu (Hitoshi Ozawa), and the younger, Ryuji (Yasukaze Motomiya), shared the same family crest, but if something rubbed them the wrong way, they wouldn’t hesitate to beat even their own allies half to death. One day, Ryuji causes trouble by wrecking a gambling den run by the Umeda-gumi, leaving him with no place left in Kansai. Hirokazu takes responsibility for the incident and leaves the yakuza world, becoming a civilian… but fate is far from done with the brothers.

Pinku from 1967.

Pinku from 1970.

Pinku from 1967.

Pinku from 1967.

Set in Shibuya in 1949, this is another film based on real life former yakuza boss Noboru Ando's memoirs.

Pinku from 1972.

No synopsis available yet.

A couple comes to Tokyo to find work. The girl is raped by a gangster.

Okoma (Red Cherry) was a woman gambler until she retired from the yakuza world. Two years later, she returns home, and finds that the big boss has been assassinated and his daughter is having trouble keeping things in line against the rival gang headed by the men who killed her father. Okoma decides to avenge her former boss and help his daughter, a former friend of hers. She recruits her own gang, starting with an expert knife-fighter, her former lover. After a fight, the new Gang Leader captures and tortures Okoma sadistically.

Toyotomi Hideyori's married granddaughter, Princess Sen, is targeted by someone. Hattori Hanzo, who receives the news, challenges the blocking of conspiracy to recover Senhime.

Pinku from 1971.

Shippuu (Hayate) appeared suddenly dead. However, he fell into the hands of Sarutobi for due to his loss of memory.

A sensual drama depicting the sad end of a fateful love story between a traumatized woman who is unable to love the opposite sex. Naomi Tani, who gained popularity as the "Queen of SM," teams up with director Kinya Ogawa, a big name in pink movies, to passionately portray the wavering love of a man-hating chef. Oku (Naomi Tani), who runs a sushi restaurant, is admired by many of the regulars for her bewitching appearance and skillful chef, but due to abuse from her late father, she has lost faith in men and is drowning in lust with Kazue. Oku witnesses Kazue having a relationship with a man, and is shocked when she meets the mysterious chef Shinkichi (Shohei Yamamoto).

A detective investigating a serial rapist discovers that he and the perpetrator come from the same lineage of depraved individuals, a genealogy of violent and sexually perverse deviants that stretches through the Meiji, Taisho and Showa eras and can even be traced back to the Edo era.