Michael Williams

BBC Arena's documentary on the Dames of British Theatre and film featuring Maggie Smith, Eileen Atkins, Judi Dench and Joan Plowright on screen together for the first time as they reminisce over a long summer weekend in a house Joan once shared with Sir Laurence Olivier.

Four stories featuring the mice of Brambly Hedge. In 'The Secret Staircase' Primrose and Wilfred set off looking for costumes for the Midwinter celebrations. Wilfred is determined to follow in the pawprints of his exploring hero in 'The High Hills'. In 'Sea Story' the mice run out of salt. And, living in the mill with three little babies is not easy for Poppy in 'Poppy's Babies'.

In 1930s fascist Italy, adolescent Luca just lost his mother. His father, a callous businessman, sends him to be taken care of by British expatriate Mary Wallace. Mary and her cultured friends - including artist Arabella, young widow Elsa, and archaeologist Georgie - keep a watchful eye over the boy. But the women's cultivated lives take a dramatic turn when Allied forces declare war on Mussolini.

Real life husband and wife Judi Dench and Michael Williams star in this Screen One film as the parents of teenage boy diagnosed with schizophrenia

Wilfred's Rafting Expedition: Wilfred joins Mr Apple and the Weavers to the High Hills. Mr Apple and Wilfred do some exploring, getting lost and stuck up ridges. Primrose and the Weavers search for them.

In 1415, in the midst of the Hundred Years' War, the young King Henry V of England embarks on the conquest of France.

Rita, a witty 26-year-old hairdresser, wants to 'discover' herself, so she joins the Open University where she meets the disillusioned professor of literature, Dr. Frank Bryant. His marriage has failed, his new girlfriend is having an affair with his best friend and he can't get through the day without downing a bottle or two of whisky. What Frank needs is a challenge... and along comes Rita.

Five highly-trained KGB agents are sent to the west to assassinate several Soviet dissidents. In order to stop the diabolical plot, an American agent must infiltrate Soviet intelligence and obtain information from a Russian computer.

It is the summer of 1963: the year of the Beatles and wild dances like the Hully Gully. Tommy Bray's choirboys set off on their annual trip to Blackpool, but Tommy Bray fears that his beloved choir may not survive the temptations of the time.

It is Christmas Eve. Bruce and Renee speak to us from the appropriate corners of their home and we discover that, after 23 years of marriage, they know absolutely nothing about each other.

Anthony Blunt is an eminent Cambridge-educated art historian who is also working as a spy for the Soviet Union. In love with double agent Guy Burgess, he helps Burgess get yet another treasonous British agent to safety in Moscow. When Burgess unexpectedly defects as well, the government becomes suspicious of Blunt, but investigators have trouble believing such a refined and aristocratic gentleman would ever betray his nation and his class.

The Royal Shakespeare Company act (and sing and dance!) Shakespeare's play about two sets of identical twins, separated at birth and brought together by circumstance.

As a surprise, two horse owners decide to ride their animals themselves in a steeplechase. But Bill Davidson's horse "Admiral" behaves weirdly, and falls hard after an obstacle. Bill dies from his injuries. His friend Alan York suspects the animal was doped by unscrupulous bookies and starts to investigate. He doesn't know how serious his opponents are, and that he's in danger to suffer the exact same fate as his friend.

' You should have thrown the hand-grenade.' ' I've still got it!' An unexpected stranger arrives at the old people's home in Norway where a famous writer is kept in confinement after the war. Should he be brought to trial for collaborating with the Nazis? Or will the young partisan carry through his original plan to kill him?

In Charenton Asylum, the Marquis de Sade directs a play about Jean Paul Marat's death, using the patients as actors. Based on 'The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade', a 1963 play by Peter Weiss.

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.